Ophavsret Dette værk er stadig beskyttet af ophavsret. Ei-Q døde i 1960; ophavsretten varer 70 år efter kunstnerens død, og er derfor gældende indtil 2030. Billedet vises her som undervisningsmateriale; rettighederne tilhører rettighedshaveren.
I kontekst
Cloud — Ei-Q
Originalen måler 130 × 162 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 49 ved død.
Skyggelagt: Ei-Q' livstid (1911–1960) hvert dateret maleri, årti for årti
Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: artsdot.com/da/art/similar/eikyu-cloud-D4BVFW-en/
Målt ud fra billedet
Primær farve
Espresso #3d3b41
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 7 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Om dette kunstværk
Cloud — Ei-Q
EI-KYU’s real name was Hideo Sugita. He studied painting at Nihon Bijutsu Gakko and began writing art reviews from when he was sixteen. In 1936, he published a collection of photograms entitled Nemuri no Riyu (Reason for Sleep) and it was from then that he used the pen name EI-KYU. In 1951, he formed the Demokrato Artists Association. He played a pioneering role in postwar Japanese art. Beginning from figurative oil paintings of landscapes or people, EI-KYU produced many experimental works going to-and-fro between figuration and abstraction and including visionary expressions. The final method of expression he reached was abstract painting in pointillism. This painting was done the year before the artist died at the age of 48. He had been painting works composed of mainly organic forms in a freewheeling way from the latter part of the 1940s. From around 1957, he began to produce works in which the paint was sprayed on with an air compressor. The following year, numerous circles and cell-like patterns appeared on his canvases and they eventually evolved into the pointillism demonstrated in this painting. In his later years, EI-KYU pursued this expression to the point of obstinacy.
Kunstner og museum
Født i Miyazaki, Japan
Romare Howard Bearden, born September 2, 1911, in Charlotte, North Carolina, and passing away March 12, 1988, in New York City, was more than just an artist; he was a chronicler of the Black experience in America. His life unfolded as a rich tapestry woven with threads of social work, artistic exploration, and profound personal reflection. From his early years navigating the segregated South to his later career as a celebrated visual storyteller, Bearden’s journey is inextricably linked to the history and culture he so powerfully depicted. He began his formal education at Lincoln University in Pennsylvania, but transferred to Boston University and ultimately completed his degree at New York University (NYU), where he honed his skills as a cartoonist and art editor for student publications – experiences that would profoundly shape his later artistic vision. Bearden’s early career involved working as a social worker with the New York City Department of Social Services, a role that provided him with invaluable insight into the realities faced by marginalized communities, informing many of his works with empathy and understanding. This dual life—artist and advocate—created a unique perspective, allowing him to blend personal observation with artistic expression.
Early Influences: Bearden’s artistic development was deeply rooted in the diverse influences he encountered throughout his life. He drew inspiration from Western masters like Duccio, Giotto, and Matisse, alongside a fervent appreciation for African art – particularly its sculptures, masks, and textiles. This synthesis of European tradition and African heritage became a defining characteristic of his work.
The Harlem Renaissance: Bearden was deeply connected to the Harlem Renaissance, a vibrant cultural movement that celebrated Black identity and creativity. He participated in the Harlem Artists Guild, absorbing the energy and spirit of this era and carrying its legacy forward through his art.
Collage as Medium: Bearden’s most recognizable technique was collage—a process he embraced with remarkable innovation. He skillfully combined disparate elements – photographs, newspapers, fabrics, and painted surfaces – to create layered compositions that evoked memory, emotion, and social commentary.
Bearden’s art is not simply a representation of the world; it's an exploration of memory, myth, and the complexities of Black identity. His collages frequently depict scenes from American history—the Great Migration, jazz performances, and everyday life in Harlem—but always filtered through a distinctly personal lens. He didn’t merely record events; he reconstructed them, layering fragments of experience to create evocative narratives that resonated with both historical significance and emotional depth. His work is rich in symbolism, drawing on African motifs, biblical imagery, and the rhythms of jazz music to convey profound meanings. The recurring presence of figures dancing, celebrating, or mourning speaks to the resilience and spirit of the Black community. Bearden’s use of color—bold reds, yellows, and blues—adds to the vibrancy and emotional intensity of his compositions.
Jazz as Inspiration: Jazz music played a central role in Bearden's artistic process. He often incorporated musical notation, rhythms, and improvisational elements into his collages, reflecting the dynamic energy and improvisational spirit of jazz.
Mythological Allusions: Bearden frequently drew upon African mythology and folklore, weaving these narratives into his work to explore themes of identity, spirituality, and cultural heritage.
The Fragmented Narrative: A key element of Bearden’s style is the fragmented nature of his compositions. He deliberately broke down traditional narrative structures, presenting viewers with a series of interconnected images that invite interpretation and contemplation.
Throughout his career, Bearden achieved significant recognition for his artistic contributions. His first solo exhibition in Harlem in 1940 marked a pivotal moment in his career, while his Washington, D.C., show in 1944 further solidified his reputation as a rising star. He continued to exhibit internationally throughout the mid-20th century, establishing himself as one of America’s leading artists. Beyond his artistic achievements, Bearden was deeply committed to social justice and community engagement. His work with the Harlem Cultural Council demonstrated his dedication to supporting young, emerging Black artists and fostering cultural development within the African American community. His legacy extends beyond individual artworks; he helped establish institutions like The Studio Museum in Harlem and Cinque Gallery, providing vital platforms for Black artists and promoting cross-cultural understanding.
Key Achievements:
First solo exhibition in Harlem (1940)
Solo exhibition in Washington, D.C. (1944)
Appointment as the first art director of the Harlem Cultural Council (1964)
Establishment of Cinque Gallery with Norman Lewis and Ernest Crichlow
Romare Bearden’s artistic legacy continues to resonate today. His collages, watercolors, oils, photomontages, and prints offer a powerful testament to the richness and complexity of Black American experience. His work is not merely aesthetically pleasing; it's a profound reflection on history, identity, memory, and the enduring spirit of a community. Bearden’s innovative use of collage, combined with his deep understanding of social issues and cultural traditions, cemented his place as one of the most important artists of the 20th century—a visual storyteller whose work continues to inspire and challenge viewers around the world. His life's work serves as a reminder of the power of art to illuminate the human condition and foster empathy across cultures.
Alle fakta vi har om Cloud by Ei-Q, på dens værkside
artsdot.com/da/art/download/eikyu-cloud-D4BVFW-en/
Se nærmere efter
Cloud — Ei-Q
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Se "Cloud" af Ei-Q på din egen væg via kunstværkets Se i AR-side ved hjælp af augmented reality på en kompatibel enhed.
Farverne i "Cloud" af Ei-Q har en Monochromatic intensitet.
Den farve, der træder tydeligst frem i "Cloud", er Espresso (#3d3b41). Den dominerende farve er nyttig, når man skal matche et kunstværk med en indretning.