Papirformat

Guide til elevkunst

Self Portrait

Navn Klasse Dato

Edward Robert King, Self Portrait. Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Edward Robert King artsdot.com/da/artists/edward-robert-king/
Kunstnerens levetid
1862 – 1951
Oprindelig størrelse
61 x 51 cm

I kontekst

Self Portrait — Edward Robert King

Dimensioner

Originalen måler 61 × 51 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940
  10. 1950

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 89 ved død.

Skyggelagt: Edward Robert King' livstid (1862–1951) hvert dateret maleri, årti for årti

Første værker: frem til 1941 Primære arbejdsår: 1941–1946 Senere værker: fra 1946

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/edward-robert-king-self-portrait-AQUDV9-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #bfa894

    Gemt palet

    • #BFA894
    • #433D3D
    • #9A7B66
    • #685B56

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Edward Robert King i løbet af de sidste tolv måneder — 4 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 44,4%
    2. 2 Storbritannien 44,4%
    3. 3 USA 7,4%
    4. 4 Singapore 3,7%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af Edward Robert King

    1. 1 Pembroke Road, Portsmouth, 1942 10,7%
    2. 2 Ruins of St Thomas' Street, Portsmouth, 1942 7,1%
    3. 3 Ruins in Oyster Street, Portsmouth, 1946 7,1%
    4. 4 Hyde Park Corner, 1946 7,1%
    5. 5 Oyster Street, Portsmouth, 1941 7,1%
    6. 6 Outbuildings at St James' Hospital, No.3 7,1%
    7. 7 London Street Children, 1904 3,6%
    8. 8 Hampshire and Jubilee Terraces, Portsmouth, 1946 3,6%
    9. 9 Outbuildings at St James' Hospital, No.6, 1950 3,6%
    10. 10 Surrey Street, the Guildhall, Portsmouth, 1946 3,6%
    11. 11 Houseboats at Milton, No.4, 1949 3,6%
    12. 12 High Street, Portsmouth, 1941 3,6%
    13. 13 High Street, Old Portsmouth, 1942 3,6%
    14. 14 Houseboats at Milton, No.5 3,6%
    15. 15 Houseboats at Milton with a Dinghy and Sawhorse in the Foreground 3,6%
    16. 16 The Guildhall, 1941 3,6%
    17. 17 Palmerston Road, Portsmouth, 1946 3,6%
    18. 18 Trees by a Wall 3,6%
    19. 19 Self Portrait dette maleri 3,6%
    20. 20 Houseboats at Milton, No.27 3,6%

    Sammen udgør disse værker 96,6% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 58 værker af denne kunstner, hvoraf 21 er blevet set mindst én gang. Dette maleri rangerer som nummer 19 af dem, med 3,6% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Edward Robert King

    The Quiet Observer: The Life and Legacy of Edward Robert King

    Born in the heart of London in 1862, Edward Robert King emerged from a lineage that traced its roots back to the era of Elizabethan England. The son of a solicitor, Robert King, Edward was raised in an environment where intellectual discipline and precision were paramount. While his upbringing suggested a path toward the legal profession, his spirit was irrevocately drawn to the canvas. This early tension between the structured world of law and the fluid beauty of art would later manifest in his unique ability to marry meticulous detail with the soft, atmospheric qualities of the Impressionist movement. His formative years, enriched by travels across continental Europe, allowed him to witness firsthand the shifting tides of European art, fostering a lifelong fascination with how light interacts with the natural world.

    King’s formal artistic identity was forged at the prestigious Slade School of Fine Art in London. Under the tutelage of the legendary Frederic Leighton, King absorbed the principles of the Beaux Arts tradition, learning to command composition and form with academic rigor. However, he was not content to remain a mere traditionalist. While his early works often reflected Leighton’s influence through their careful attention to detail—particularly in his coastal scenes of Cornwall—King began to experiment with looser brushstrokes and a more emotive use of color. This evolution allowed him to capture the fleeting, ephemeral moments of light that define the Edwardian era, moving beyond mere representation toward a profound sense of atmosphere.

    A Mastery of Landscape and Light

    The soul of King’s oeuvre lies in his deep connection to the British landscape, specifically the rugged and enchanting coastlines of Cornwall. As a prolific watercolorist and oil painter, he became a master of capturing the tranquility of the English countryside. Unlike the turbulent, dramatic Romanticism championed by contemporaries like J.M.W. Turner, King sought a different kind of power: the power of stillness. His paintings of windswept beaches, dramatic cliffs, and sun-drenched villages are characterized by an observational grace that invites the viewer into a state of peaceful contemplation.

    His technical repertoire was remarkably versatile, allowing him to navigate various moods and historical moments:

    Impressionistic Landscapes: In works such as Houseboats at Milton, King utilized soft, blended tones to evoke the shimmering reflections of water and the gentle movement of coastal life.

    Historical Realism: During the tumultuous years of the mid-20th century, his work took on a more poignant, documentary quality. Pieces like Cathedral Amongst the Ruins in the High Street and High Street, Old Portsmouth serve as powerful testaments to resilience, capturing the devastation of London and Portsmouth during World War II with an unflinching yet beautiful realism.

    Portraiture and Detail: Beyond the landscape, his ability to render human presence and architectural detail provided a sense of permanence to his otherwise atmospheric scenes.

    Historical Significance and Enduring Resonance

    Though Edward Robert King may have been overlooked by the mainstream art market during much of his lifetime, his historical significance has undergone a profound reassessment in recent decades. He stands as a vital bridge between the disciplined academic traditions of the Victorian era and the more emotive, light-focused sensibilities of the early 20th century. His work does more than merely document landscapes; it preserves the emotional essence of a vanished era—the Edwardian period’s sense of social refinement and its deep-seated reverence for the natural beauty of the British Isles.

    Today, scholars and collectors alike look to King’s paintings as windows into the past. His ability to find tranquility amidst devastation—a theme particularly evident in his wartime oils—ensures that his work remains relevant. Through his mastery of watercolor and oil, King achieved a rare feat: he captured the ephemeral nature of light while creating a permanent, evocative record of the English spirit. His legacy continues to resonate through the quiet strength of his compositions and the enduring beauty of his vision.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Self Portrait

    artsdot.com/da/art/download/edward-robert-king-self-portrait-AQUDV9-en/

    Kildehenvisning til dette kunstværk

    MLA
    King, Edward Robert. Self Portrait. n.d., https://artsdot.com/da/art/edward-robert-king-self-portrait-AQUDV9-en/
    APA
    King, Edward Robert (n.d.). Self Portrait [Painting]. https://artsdot.com/da/art/edward-robert-king-self-portrait-AQUDV9-en/
    Chicago
    Edward Robert King. Self Portrait. n.d. https://artsdot.com/da/art/edward-robert-king-self-portrait-AQUDV9-en/
    Harvard
    King, Edward Robert (n.d.) Self Portrait. Available at: https://artsdot.com/da/art/edward-robert-king-self-portrait-AQUDV9-en/

    Se nærmere efter

    Self Portrait — Edward Robert King

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 1 — er du enig?)
    4. Se tilbage på London Street Children (1904) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvilken mætning og intensitet udviser "Self Portrait" af Edward Robert King?

    "Self Portrait" af Edward Robert King er gengivet med en Subtle Color mætning og en Balanced intensitet.

    Hvilken kunstner tilskrives "Self Portrait"?

    Kunstneren bag "Self Portrait" er Edward Robert King. Værket er katalogiseret under Edward Robert Kings navn.

    Hvilke farver bruger "Self Portrait"?

    Farverne i "Self Portrait" udgør en Earthy palet. Denne klassificering beskriver de dominerende farvefamilier.