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Untitled (Figurative Group)

Navn Klasse Dato

edith kiss, Untitled (Figurative Group) (1949), Ben Uri Gallery and Museum. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
edith kiss artsdot.com/da/artists/edith-kiss/
Kunstnerens levetid
1905 – 1966
Malet
1949
Oprindelig størrelse
85 x 70 cm
Afholdt hos
Ben Uri Gallery and Museum artsdot.com/da/museums/ben-uri-gallery-and-museum-london_da/

I kontekst

Untitled (Figurative Group) — edith kiss

Dimensioner

Originalen måler 85 × 70 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960

Skyggelagt: edith kiss' livstid (1905–1966) ▲ dette værk, 1949

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #470f0c

    Gemt palet

    • #470F0C
    • #B19C90
    • #7C6456
    • #2D0302
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Untitled (Figurative Group) — edith kiss

    This untitled work depicting four figures, apparently united in suffering, was probably created in Casablanca, Morocco in 1949, where the artist moved with her second husband following her traumatic experiences at the hands of both the Nazis and the Russians during and after the Second World War. The closeness of the intertwined figures and the agonized expression and apparent exhaustion of the young woman at the front of the composition, who appears to be supported - either willingly or unwillingly by her companions - suggests suffering.

    Kunstner og museum

    Kunstner

    edith kiss

    Født i Budapest, Hungary

    Edith Kiss: A Sculptor’s Echoes of Trauma and Resilience

    Edith Bán Kiss (1905-1966), later known as Edit née Rott, remains a profoundly compelling figure in 20th-century art – an artist whose life was irrevocably shaped by the horrors of World War II and whose subsequent work serves as a hauntingly intimate testament to survival and remembrance. Born in Budapest, Hungary, into a Jewish family, her early artistic journey unfolded with promise, marked by studies at prestigious art academies in both Budapest and Düsseldorf. However, this trajectory abruptly shifted during the tumultuous years of the war, culminating in a devastating experience within the Ravensbrück concentration camp – an event that would indelibly inform her creative vision and profoundly impact her life’s narrative. Her story is not merely one of artistic talent; it's a poignant exploration of resilience, trauma, and the enduring power of art to bear witness.

    The Crucible of Ravensbrück: A Life Interrupted

    Edith’s deportation to Ravensbrück in 1944 represents a brutal interruption to her life and career. The camp experience was characterized by unimaginable hardship – forced labor, starvation, and constant threat. Yet, amidst this darkness, Edith found an outlet for her inner turmoil through art. Following her release from the camp, she embarked on a deeply personal project: the creation of thirty gouache sketches, collectively known as “Deportation.” These weren’t grand historical paintings; rather, they were intimate, almost claustrophobic depictions of daily life within the camps – scenes of weary faces, cramped living quarters, and the ever-present shadow of fear. The sketches captured not just the physical conditions but also the profound psychological impact of imprisonment, conveying a sense of isolation, despair, and quiet determination. The initial reception of these works in Budapest was surprisingly muted, reflecting a broader societal reluctance to confront the full extent of the Holocaust’s horrors. However, her work gained recognition later on, solidifying her place as an artist who dared to document one of history's darkest chapters.

    A Style Forged in Fire: Expressionism and Realism

    Edith Kiss’s artistic style is immediately recognizable for its potent blend of expressionism and realism. The influence of the Expressionist movement is evident in the use of bold colors, distorted forms, and emotionally charged brushstrokes – techniques employed to convey the intensity of her experiences. Yet, beneath this expressive surface lies a meticulous attention to detail and a commitment to realistic representation, particularly in her depictions of human faces and figures. This combination creates an arresting effect: images that are both deeply personal and universally resonant. Her sculptures, showcased on platforms like AllPaintingsStore.com and featured at the Lehmbruck Museum in Germany, further demonstrate this stylistic duality – often incorporating raw, textured surfaces alongside carefully rendered forms. The Daimler-Benz factory where she was forced to work during her time in Ravensbrück also influenced her style, imbuing a sense of industrial grit and mechanical precision into some of her pieces.

    Legacy and Remembrance: Beyond the Shadows

    Despite initial lack of recognition, Edith Kiss’s work has steadily gained prominence over the decades. The rediscovery of her “Deportation” series in 1992, spearheaded by Helmuth Bauer, brought renewed attention to her artistic legacy. Exhibitions at institutions like the Museum Ostdeutsche Galerie in Germany and the Musée Fabre in France have ensured that her art is seen by a wider audience. Her story serves as a stark reminder of the human cost of war and the importance of preserving the memories of those who suffered during the Holocaust. Furthermore, her work continues to be studied for its psychological depth and its ability to evoke empathy and understanding. Edith Kiss’s legacy extends beyond the confines of the art world; she is remembered as a courageous artist who transformed personal tragedy into a powerful form of artistic expression – an echo of trauma that resonates with profound emotional force.

    Further Exploration

    For more information about Edith Kiss's life and work, please visit these resources:

    wahooart.com: Edith Kiss

    Wikipedia: Edith Kiss (Wikipedia)

    Wikioo.org: Edith Kiss | Wikioo.org

    Museum

    Ben Uri Gallery and Museum

    Udstillet på London, United Kingdom

    A Sanctuary of Untold Narratives

    In the tranquil, leafy enclave of St John’s Wood, tucked away from the frenetic pulse of central London, lies a sanctuary for the voices that mainstream art history has often whispered rather than shouted. The

    Ben Uri Gallery and Museum

    is far more than a mere repository of canvas and clay; it is a profound celebration of the immigrant spirit and the indelible mark left by Jewish, refugee, and migrant artists on the British visual landscape since 1900. To step into Ben Uri is to enter a space where the boundaries of identity and geography dissolve, replaced by a rich tapestry of experiences that have shaped the very soul of modern Britain.

    The museum’s origins are as poignant as the art it preserves. Founded in 1915 amidst the bustling, vibrant energy of London’s East End, the institution was born from the vision of Lazar Berson, a Russian émigré artist who recognized the systemic barriers faced by displaced craftsmen and artists. Inspired by the pioneering Bezalel School in Jerusalem, Berson sought to create a platform where those navigating the complexities of exile could find resonance and recognition. This noble ambition—to provide a stage for the marginalized—remains the beating heart of the museum today, making it "The Art Museum for Everyone."

    A Kaleidoscope of Style and Soul

    For the discerning collector or the lover of fine aesthetics, the collection at Ben Uri offers an astonishing breadth of artistic mastery. The permanent holdings, numbering approximately 1,300 artworks, serve as a breathtaking journey through the evolution of twentieth-century movements. One might find themselves captivated by the dreamlike distortions of Surrealism, the structured geometry of Cubism, or the raw, emotive power of Abstract Expressionism. Each piece is a window into a specific moment of cultural intersection, where traditional heritage meets the transformative energy of a new home.

    The technical versatility on display is nothing short of extraordinary. The museum’s walls host a delicate dance of mediums: from the luminous, ethereal qualities of watercolors and the soft, tactile intimacy of pastels to the commanding presence of oil paintings and the intricate precision of printmaking. Notable highlights include the striking religious symbolism found in

    Ansel Krut’s

    “The Paschal Lamb” and the evocative, bold brushwork of

    Barnett Freedman

    , whose “Soldiers in Town” captures the somber yet spirited atmosphere of wartime London. Even more surreal journeys await within the works of

    Marta Szostakowska

    , where Persian influences blend seamlessly with poignant personal reflections.

    The Living Legacy of Displacement and Discovery

    What truly distinguishes Ben Uri is its ability to transform historical hardship into aesthetic triumph. The museum does not merely display art; it illuminates the socio-cultural landscapes of eras defined by upheaval. Through its curated exhibitions, visitors can trace the anxieties of wartime, the exhilarating—and often terrifying—uncertainty of migration, and the transformative power of encountering new cultures. It is a place where the history of the diaspora is written in pigment and light, offering profound insights into how movement and displacement can catalyze unprecedented creativity.

    As the museum continues to evolve, its mission extends far beyond its physical walls in St John’s Wood. Through innovative digital initiatives, including online exhibitions and immersive podcasts, Ben Uri ensures that these vital stories reach a global audience. While the institution actively pursues a larger, more central London site to fully realize the potential of its expansive permanent collection, its essence remains unchanged: it is a beacon of inclusivity, a scholarly resource, and an emotional touchstone for anyone seeking to understand the beautiful, complex mosaic of human identity through the lens of fine art.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Untitled (Figurative Group)

    artsdot.com/da/art/download/edith-kiss-untitled-figurative-group-D68EYN-en/

    Kildehenvisning til dette kunstværk

    MLA
    kiss, edith. Untitled (Figurative Group). 1949, Ben Uri Gallery and Museum. https://artsdot.com/da/art/edith-kiss-untitled-figurative-group-D68EYN-en/
    APA
    kiss, edith (1949). Untitled (Figurative Group) [Painting]. Ben Uri Gallery and Museum. https://artsdot.com/da/art/edith-kiss-untitled-figurative-group-D68EYN-en/
    Chicago
    edith kiss. Untitled (Figurative Group). 1949. Ben Uri Gallery and Museum. https://artsdot.com/da/art/edith-kiss-untitled-figurative-group-D68EYN-en/
    Harvard
    kiss, edith (1949) Untitled (Figurative Group). Ben Uri Gallery and Museum. Available at: https://artsdot.com/da/art/edith-kiss-untitled-figurative-group-D68EYN-en/

    Se nærmere efter

    Untitled (Figurative Group) — edith kiss

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. edith kiss var omkring 44 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

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