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Geodetic temple

Navn Klasse Dato

Doma, Geodetic temple (2012), Instituto Urbe. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Doma artsdot.com/da/artists/doma/
Kunstnerens årstal
1900 –
Malet
2012
Bevægelse
Contemporary Art
Afholdt hos
Instituto Urbe artsdot.com/da/museums/instituto-urbe-sao-paulo/

I kontekst

Geodetic temple — Doma

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990
  11. 2000
  12. 2010

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

▲ dette værk, 2012 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/doma-geodetic-temple-DD3G7K-en/

Farver

Målt ud fra billedet

    Primær farve

    Walnut #833923

    Katalogiseret palet

    • #833923
    • #1E1F1A
    • #E3E8EF
    • #8C889C

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Walnut
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Doma i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%100 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 1 mest viste værker af Doma

    1. 1 Geodetic temple, 2012 dette maleri 100,0%100 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 6 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri rangerer som nummer 1, med 100,0% af den opmærksomhed (100 besøg). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Geodetic temple — Doma

    It is an installation that evokes the absurd and the symbolic as a geometric entity. He proposed an ironic and thoughtful look at religion and the current historical moment, using the principles of analog and visual technology to construct a large structure of geometric format. The structure was constructed in such a way that during the day it reflected or provoked a refraction of the natural light and, at night, illuminated, allowed the interaction with the public. Resin dolls or mannequins were fixed on the stairs that gave access to the work, encouraging the flow of people.

    Kunstner og museum

    Kunstner

    Doma

    Født i Buenos Aires, Argentina

    Doma: Pioneers of Buenos Aires Street Art

    Buenos Aires street art collective doma emerged from the vibrant creative landscape of Argentina in 2000, establishing itself as a cornerstone of contemporary visual culture. Their distinctive style—characterized by bold latex paint murals and collaborative designs featuring whimsical characters—quickly gained recognition for its infectious optimism and innovative approach to public space intervention. The trio comprised of doma, tec, and fase, who collectively spearheaded this movement, redefining urban aesthetics with their energetic vision.

    Early Influences: doma’s artistic sensibilities were profoundly shaped by the burgeoning graffiti scene in Buenos Aires during the early 2000s, absorbing techniques from established artists while forging a unique path forward.

    Technique & Style: The collective's signature style revolves around utilizing latex paint—a medium chosen for its durability and ability to achieve luminous colors—to create expansive murals that transform city walls into canvases of imagination. Their characters are instantly recognizable, imbued with playful expressions and inviting postures, reflecting a deliberate effort to engage viewers on an emotional level.

    Notable Exhibitions & Festivals

    doma’s artistic endeavors have garnered considerable acclaim, culminating in participation in prestigious events such as the Meeting of Styles Buenos Aires festivals in 2010 and 2014. These exhibitions served not only to showcase their artwork but also to solidify doma's position within Argentina’s burgeoning art community and foster dialogue between artists and audiences alike. Furthermore, their work gained international exposure through inclusion in Google Arts & Culture, broadening its reach and establishing doma as a significant contributor to the digital realm of artistic exploration.

    Exploring Collaborative Creativity

    The collaborative spirit inherent in doma’s practice is central to its success. Tec and fase joined forces with doma, creating a dynamic synergy that fueled their creative output and ensured that each project benefited from diverse perspectives. This collective approach fostered experimentation and innovation, resulting in artworks that transcend individual stylistic preferences and embody the essence of shared artistic vision.

    Recent Achievements & Recognition

    doma’s enduring legacy rests on its contribution to the evolution of street art as a medium for social commentary and artistic expression. Their distinctive murals continue to inspire viewers with their vibrant colors, imaginative characters, and uplifting messages—demonstrating the lasting impact of their pioneering work. The inclusion of their pieces in platforms like Google Arts & Culture underscores doma’s significance within the broader context of contemporary art history and ensures that their creative spirit resonates across generations.

    Symbolic Significance

    The collective's use of bright colors and friendly characters isn’t merely stylistic; it carries a deliberate symbolic intent. These elements serve as visual representations of optimism, inclusivity, and the transformative power of art to enrich urban environments and foster connections between people. doma’s work stands as a testament to the belief that creativity can illuminate the world around us—leaving an indelible mark on Buenos Aires' artistic heritage.

    Museum

    Instituto Urbe

    Udstillet i Sao Paulo, Brazil

    Instituto Urbe: A Pulse of Urban Reflection in São Paulo

    Nestled within the vibrant heart of São Paulo, Brazil, Instituto Urbe isn’t merely a museum; it's an immersive experience, a dynamic dialogue between art and the city itself. Founded with a vision to explore the intricate relationship between artistic expression, urban life, and architectural spaces, this institution has rapidly become a cornerstone of contemporary Brazilian culture. Unlike traditional museums that primarily showcase static collections, Instituto Urbe operates as a perpetually evolving platform – a space for creation, critical reflection, and active engagement with the ever-changing landscape of São Paulo.

    What truly distinguishes Instituto Urbe is its unwavering commitment to site-specific art. The museum’s curators meticulously select artworks that respond directly to their physical environment, often transforming the building itself into a canvas. This approach isn't simply about placing art within a space; it’s about fostering a symbiotic relationship where the artwork and the architecture mutually inform and enrich each other. Visitors are encouraged to move through the museum not as passive observers, but as active participants in an ongoing conversation – a testament to the institution’s core philosophy of urban cultural production.

    Brazilian Contemporary Art: Echoes of Urbanity

    The heart of Instituto Urbe's collection lies within its powerful representation of Brazilian contemporary art. Artists are drawn to this space, compelled to grapple with the complex realities of urbanization, social change, and the evolving identity of Brazil. You’ll find works that directly address issues of public space – how it’s used, contested, and reimagined – alongside pieces that explore the infrastructural challenges and opportunities inherent in a rapidly growing metropolis. The collection isn't afraid to confront difficult subjects, offering poignant perspectives on social inequality, environmental concerns, and the cultural tapestry woven throughout São Paulo.

    Recent exhibitions have highlighted artists who utilize innovative media—from video installations to interactive projections—to engage with the city’s digital pulse. The museum actively seeks out voices that reflect the diverse communities of São Paulo, ensuring a rich and nuanced portrayal of contemporary Brazilian life. The works often carry a strong sense of place, grounding abstract concepts in the tangible realities of the urban environment.

    Architectural Engagement & Experiential Design

    Instituto Urbe’s architecture itself is an integral part of its artistic mission. While precise details about the building's original design remain somewhat understated, it’s clear that the space has been deliberately transformed to maximize experiential engagement. The layout encourages visitors to wander, to discover unexpected connections between artworks and architectural features, and to lose themselves in the museum’s carefully curated environment. The use of natural light, strategic spatial arrangements, and interactive elements create a dynamic flow, inviting exploration and contemplation.

    Consider, for example, the way installations might interact with the building's walls or floors – perhaps utilizing projection mapping to overlay digital imagery onto architectural surfaces, or incorporating tactile elements that invite physical interaction. This commitment to architectural engagement elevates Instituto Urbe beyond a simple exhibition space; it becomes a living artwork in its own right.

    A History of Urban Dialogue & Future Visions

    Information regarding the precise founding date and detailed history of Instituto Urbe is still emerging, but its genesis reflects a broader trend within Brazil – a growing desire to establish institutions that prioritize contemporary art and actively engage with urban cultural production. The museum’s rapid rise to prominence speaks volumes about its relevance and impact on São Paulo's thriving arts scene.

    Notably, Instituto Urbe has hosted exhibitions that directly address the city’s past and present, examining how historical narratives intersect with contemporary realities. The institution actively seeks out collaborations with local artists, community groups, and urban planners, fostering a sense of shared ownership and responsibility for shaping São Paulo's future. It’s a space dedicated not just to showcasing art, but to facilitating dialogue – a vital component in understanding the complexities of this dynamic metropolis.

    Notable Works & Ongoing Exploration

    The museum’s collection includes pieces like Henri Matisse’s “Torse de plâtre et bouquet,” a vibrant Fauvist exploration of form and color that speaks to the city's artistic heritage. Maria Auxiliadora da Silva’s “Chuva Sobre São Paulo” captures the atmospheric drama of a São Paulo rainstorm, offering a powerful visual meditation on the city’s weather patterns and its inhabitants. Furthermore, works by artists like Rogério Cassimiro documenting the construction of Japan House São Paulo demonstrate the museum's commitment to showcasing both established and emerging talent.

    Instituto Urbe continues to evolve, hosting new exhibitions that push boundaries and challenge perspectives. It remains a vital hub for artistic innovation and urban reflection – a place where art actively shapes our understanding of São Paulo and its future. For more information and upcoming events, please visit

    Instituto Urbe’s page on Google Arts & Culture

    .

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Geodetic temple

    artsdot.com/da/art/download/doma-geodetic-temple-DD3G7K-en/

    Kildehenvisning til dette kunstværk

    MLA
    Doma. Geodetic temple. 2012, Instituto Urbe. https://artsdot.com/da/art/doma-geodetic-temple-DD3G7K-en/
    APA
    Doma (2012). Geodetic temple [Painting]. Instituto Urbe. https://artsdot.com/da/art/doma-geodetic-temple-DD3G7K-en/
    Chicago
    Doma. Geodetic temple. 2012. Instituto Urbe. https://artsdot.com/da/art/doma-geodetic-temple-DD3G7K-en/
    Harvard
    Doma (2012) Geodetic temple. Instituto Urbe. Available at: https://artsdot.com/da/art/doma-geodetic-temple-DD3G7K-en/

    Se nærmere efter

    Geodetic temple — Doma

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 3 — er du enig?)
    4. Vores katalog klassificerer dette værk under: geometric art, public space, religious symbolism. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på Geodetic temple (2012) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Blev "Geodetic temple" i kunstnerens hjemland?

    Nej – kunstværket opbevares i udlandet. Doma blev født i Argentina, og det originale værk "Geodetic temple" opbevares på et museum i Brazil.

    Hvordan relaterer motivet i "Geodetic temple" sig til Domas sædvanlige temaer?

    Blandt Domas gennemgående temaer – analog & visual tech, religious irony, historical critique, geometric abstraction, buenos aires context, street art roots, interactive publics, symbolic structures – bringer "Geodetic temple" sit eget fokus på geometric art, public space, religious symbolism, light & shadow, childhood exploration, architectural form, interactive art, digital reflection.

    Kan jeg se et røntgenbillede af "Geodetic temple" af Doma?

    Røntgenvisningen af "Geodetic temple" af Doma findes på værkets Røntgenoptagelse-side: en interaktiv undersøgelse af billedet gennem elleve optiske lag.