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Guide til elevkunst

Nimrod

Navn Klasse Dato

David Scott, Nimrod (1832). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
David Scott artsdot.com/da/artists/david-scott/
Kunstnerens årstal
1806 – 1849
Malet
1832
Oprindelig størrelse
178 x 140 cm

I kontekst

Nimrod — David Scott

Hvor stor er den?

Originalen måler 178 × 140 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 43 ved død.

Malet da kunstneren var 26 år gammel. Kunstneren blev 43 år gammel. 2 af de 24 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: David Scott' livstid (1806–1849) ▲ dette værk, 1832 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/david-scott-nimrod-AQTV58-en/

Farver

Målt ud fra billedet

    Primær farve

    Driftwood #8d735a

    Katalogiseret palet

    • #8D735A
    • #5E4633
    • #C4AC8B
    • #34271B

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Driftwood
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af David Scott i løbet af de sidste tolv måneder — 3 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 71,4%
    2. 2 Hviderusland 14,3%
    3. 3 USA 14,3%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 7 mest viste værker af David Scott

    1. 1 The Triumph of Love, 1846 25,0%
    2. 2 The Light Grew Dark and the Wind Blew Loud 25,0%
    3. 3 Mary, Queen of Scots, Receiving the Warrant for Her Execution, 1840 12,5%
    4. 4 The Pursuit of Fortune, 1847 12,5%
    5. 5 Vasco da Gama Encountering the Spirit of the Storm, 1842 12,5%
    6. 6 Russians Burying Their Dead, 1832 12,5%
    7. — Nimrod, 1832 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 30 værker af denne kunstner, hvoraf 6 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    David Scott

    David Scott (1806–1849): A Visionary of Scottish Romanticism

    David Scott, a name perhaps less familiar than some of his contemporaries, stands as a pivotal figure in 19th-century British art. Born in Edinburgh in 1806, he wasn’t merely a painter; he was a translator of myth and emotion, a weaver of intricate narratives through the evocative power of color and form. His life, intertwined with intellectual currents and artistic experimentation, culminated in a body of work that continues to resonate with its dramatic intensity and profound symbolic depth. Scott's legacy resides not just in his individual paintings but also in his role as a key contributor to the burgeoning Romantic movement within Scotland.

    Early Life and Artistic Foundations

    Scott’s early life was shaped by a unique blend of artistic influence and familial circumstance. Born into a family with roots in engraving – his father, Robert Scott, was a respected professional – he received an education steeped in visual culture from a young age. He attended the prestigious Royal High School in Edinburgh, where he honed his skills in drawing and design. Crucially, his upbringing fostered a deep appreciation for storytelling and allegory, elements that would become central to his artistic vision. His brother, William Bell Scott, also a prominent artist, further enriched this environment, creating a shared creative space and mutual influence.

    Early Influences: Scott’s artistic development was profoundly shaped by the Romantic ideals prevalent in Europe at the time – particularly those championed by artists like William Blake.

    Technical Training: He studied under his father, mastering techniques of engraving and drawing, which informed his later painting style.

    Edinburgh's Artistic Hub: Living in Edinburgh provided access to a vibrant artistic community and exposure to diverse influences.

    A Journey Through Italy and the Development of Style

    In 1832, Scott embarked on a transformative journey to Italy – a period that fundamentally altered his artistic trajectory. This sojourn wasn’t simply a vacation; it was an immersive experience designed to ignite his creative spirit. He spent over a year studying the works of Michelangelo and other masters, absorbing their techniques and embracing the dramatic narratives of classical mythology. The Italian light, color palettes, and historical settings profoundly impacted his style, moving him away from the more restrained academic traditions of the time.

    Immersive Study: Scott’s time in Italy was dedicated to intensive study of Renaissance art and architecture.

    Shift in Palette: He adopted a richer, more vibrant color palette influenced by Italian masters.

    Mythological Themes: His subject matter increasingly leaned towards dramatic mythological scenes, reflecting the influence of classical antiquity.

    Major Works and Symbolic Language

    Scott’s artistic output is characterized by a remarkable range of subjects – from biblical narratives to historical events and allegorical representations. His most celebrated works often feature complex symbolism, inviting viewers to engage in layers of interpretation. “Vasco de Gama at the Cape of Good Hope” (1842), for example, isn’t merely a depiction of an explorer's encounter; it’s a meditation on courage, faith, and the perils of exploration. Similarly, his illustrations for Coleridge’s The Rime of the Ancient Mariner are not simply visual representations of the poem’s story but powerful embodiments of its themes of guilt, redemption, and the interconnectedness of nature.

    “Vasco de Gama at the Cape of Good Hope” (1842): A monumental painting exploring themes of exploration, faith, and human endurance.

    Illustrations for Coleridge’s The Rime of the Ancient Mariner (1837): Dramatic depictions that capture the poem's haunting atmosphere and moral complexities.

    Recurring Motifs: Scott frequently employed recurring motifs – such as light and darkness, water and fire – to convey symbolic meanings within his paintings.

    Legacy and Historical Significance

    David Scott’s artistic career was tragically cut short by illness in 1849 at the age of forty-two. Despite his relatively brief life, he left an indelible mark on Scottish art. He played a crucial role in establishing the Edinburgh School of Art, and his work helped to shape the direction of Romantic painting in Scotland. His emphasis on dramatic storytelling, symbolic language, and vibrant color palettes influenced generations of artists who followed. Today, Scott’s paintings are held in major collections across the UK, testament to their enduring beauty and artistic significance. He remains a vital figure in understanding the evolution of British art during a period of profound social and cultural change.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Nimrod

    artsdot.com/da/art/download/david-scott-nimrod-AQTV58-en/

    Kildehenvisning til dette kunstværk

    MLA
    Scott, David. Nimrod. 1832, https://artsdot.com/da/art/david-scott-nimrod-AQTV58-en/
    APA
    Scott, David (1832). Nimrod [Painting]. https://artsdot.com/da/art/david-scott-nimrod-AQTV58-en/
    Chicago
    David Scott. Nimrod. 1832. https://artsdot.com/da/art/david-scott-nimrod-AQTV58-en/
    Harvard
    Scott, David (1832) Nimrod. Available at: https://artsdot.com/da/art/david-scott-nimrod-AQTV58-en/

    Se nærmere efter

    Nimrod — David Scott

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Cain Degraded (Remorse) (1831) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. David Scott var omkring 26 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor mættet er farvepaletten i "Nimrod"?

    "Nimrod" af David Scott er gengivet med en Subtle Color mætning.

    Hvilken orientering har "Nimrod" af David Scott?

    "Nimrod" af David Scott er en Portrait komposition. Det er værd at tjekke proportionerne, før du vælger en printstørrelse.

    Hvor intense er farverne i "Nimrod" af David Scott?

    "Nimrod" af David Scott har en Balanced farveintensitet.