Papirformat

Guide til elevkunst

Mrs Peter Simpson

Navn Klasse Dato

Daniel Macnee, Mrs Peter Simpson (1870), County Buildings. Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Daniel Macnee artsdot.com/da/artists/daniel-macnee/
Kunstnerens levetid
1806 – 1882
Malet
1870
Oprindelig størrelse
125 x 100 cm
Afholdt hos
County Buildings artsdot.com/da/museums/county-buildings-ayr/

I kontekst

Mrs Peter Simpson — Daniel Macnee

Dimensioner

Originalen måler 125 × 100 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 76 ved død.

Malet da kunstneren var 64 år gammel. Kunstneren blev 76 år gammel. 39 af de 62 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Daniel Macnee' livstid (1806–1882) ▲ dette værk, 1870 hvert dateret maleri, årti for årti

Første værker: frem til 1853 Primære arbejdsår: 1853–1871 Senere værker: fra 1871

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/daniel-macnee-mrs-peter-simpson-AQUCWK-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Driftwood #8c7357

    Gemt palet

    • #8C7357
    • #BCA68A
    • #FDFDFD
    • #42291C

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Driftwood
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Daniel Macnee i løbet af de sidste tolv måneder — 5 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 81,8%
    2. 2 USA 9,1%
    3. 3 Australien 3,0%
    4. 4 Tyskland 3,0%
    5. 5 Storbritannien 3,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af Daniel Macnee

    1. 1 Charles Mackay (1787–1857), Actor, 1854 5,7%
    2. 2 John Ramsay McCulloch, 1840 5,7%
    3. 3 Horatio McCulloch (1805–1867), RSA, 1842 5,7%
    4. 4 Portrait Study of Three Ladies and a Boy in Highland Dress in an Interior 5,7%
    5. 5 Horatio McCulloch (1805–1867), Landscape Painter, 1859 2,9%
    6. 6 John Erskine, Manager of William Dunn's Machine Works, John Street, Glasgow, 1859 2,9%
    7. 7 James Watson (1787–1871), MD, President of the Faculty of Physicians and Surgeons of Glasgow (1838–1841, 1849–1852 1857–1860), 1851 2,9%
    8. 8 John Gibson Fleming (1809–1879), President of the Faculty of Physicians and Surgeons of Glasgow (1865–1868, 1870–1872), 1880 2,9%
    9. 9 Archibald McNeill, Principal Clerk of Session (1858–1870), 1860 2,9%
    10. 10 Mrs Agnes W. Whyte of Newbury, 1840 2,9%
    11. 11 Robert Dalglish (1808–1880), MP, 1874 2,9%
    12. 12 The Bracelet, 1851 2,9%
    13. 13 Charles Mackay, LLD, FSA (unfinished), 1870 2,9%
    14. 14 Thomas Duncan (1807–1845), Artist 2,9%
    15. 15 Charles Binns (1813–1887) 2,9%
    16. 16 Professor Allen Thomson (1809–1884), Professor of Anatomy at the University of Glasgow, 1878 2,9%
    17. 17 Mrs Thomas 2,9%
    18. 18 John Sheriff (1816–1844), ARSA 2,9%
    19. 19 Lady Macnee, 1870 2,9%
    20. — Mrs Peter Simpson, 1870 dette maleri 0,0%

    Sammen udgør disse værker 66,3% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 108 værker af denne kunstner, hvoraf 31 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Daniel Macnee

    Daniel Macnee: A Highland Visionary

    Daniel Macnee (1806 – 1882) stands as a pivotal figure in Scottish art history, recognized primarily for his evocative depictions of the Highlands and his contribution to establishing the Royal Scottish Academy. Born into a prominent London family, Macnee’s artistic journey began amidst considerable privilege but swiftly found its focus on capturing the rugged beauty and spirit of Scotland – a fascination that would define his oeuvre.

    Early Life & Education: Macnee received an excellent education at Eton College and subsequently pursued studies at Christ's Hospital, honing his artistic skills before embarking on a distinguished naval career. This formative experience instilled in him discipline and observation—qualities that would prove invaluable to his painting practice.

    The Highland Influence: Macnee’s artistic sensibilities were profoundly shaped by the landscapes of Scotland, particularly the Cairngorms National Park where he resided for extended periods. He meticulously studied topographical drawings and sketches, striving to accurately represent the dramatic vistas and subtle tonal variations characteristic of these mountainous regions.

    Royal Scottish Academy Membership & Leadership: Macnee’s dedication to artistic excellence culminated in his election to the Royal Scottish Academy in 1837—a prestigious honor that cemented his position as a leading voice within Scotland's artistic community. He served as President from 1869 until his death, championing innovation and fostering a supportive environment for aspiring artists.

    Notable Paintings & Artistic Style

    “A Lady in Grey” (1859): Perhaps Macnee’s most celebrated work is “A Lady in Grey,” a portrait of his daughter, later Mrs Wiseman. Executed with remarkable realism and sensitivity, the painting exemplifies Macnee's mastery of tonal gradation—a technique he skillfully employed to convey mood and texture. The muted palette reflects the prevailing artistic trends of the era while simultaneously capturing the quiet dignity of his subject.

    Highland Scenes: Beyond portraiture, Macnee produced numerous landscapes that showcase his acute understanding of light and color. His canvases depict dramatic mountain ranges bathed in golden sunlight, conveying a palpable sense of grandeur and tranquility. He achieved this effect through meticulous observation and careful brushwork—characteristics that distinguish his work from more generalized depictions of the Highlands.

    Technique & Influences: Macnee’s artistic style drew inspiration from luminism—a movement emphasizing atmospheric effects and subtle tonal variations—and he skillfully adopted techniques pioneered by artists like George Caleb Bingham and Frederic Church. His meticulous attention to detail and his unwavering commitment to capturing the essence of his subjects ensured that his paintings would endure as timeless expressions of Scottish landscape and portraiture.

    Legacy & Historical Significance

    Daniel Macnee’s contribution to Scottish art extends beyond individual masterpieces; he played a crucial role in establishing the Royal Scottish Academy, fostering artistic discourse and promoting excellence within Scotland's visual arts landscape. His paintings continue to resonate with viewers today, serving as reminders of a bygone era characterized by Romantic idealism and an unwavering appreciation for the sublime beauty of nature. Macnee’s legacy resides not only in his artistic achievements but also in his enduring influence on subsequent generations of Scottish artists.

    Museum

    County Buildings

    Udstillet på Ayr, United Kingdom

    A Symphony of Stone and Civic Pride

    In the heart of Ayr, where the salt-tinged air of the Firth of Clyde meets a legacy of enduring strength, stands the County Buildings—a Neoclassical masterpiece that serves as an architectural poem written in stone. Designed by the visionaries Robert Wallace and Alexander Mair, this 1897 edifice embodies the grandeur of the Beaux-Arts style, commanding attention with its symmetrical Portland stone façade and the rhythmic grace of Corinthian columns. To approach this monument is to witness the height of Victorian ambition, a period when public architecture was intended not merely to house administrative functions but to inspire awe and reflect the burgeoning prosperity of the region. The building’s monumental scale remains a testament to an era of rapid industrial growth, standing as a sentinel of justice and governance that has watched over the evolution of Ayrshire for over a century.

    The Intimacy of Craftsmanship and Light

    Stepping across its threshold, the monumental scale of the exterior gives way to an interior of profound elegance and warmth. For the connoisseur of fine detail and the interior designer seeking inspiration, the building offers a masterclass in classical ornamentation and material harmony. The halls are enveloped by magnificent

    fumed oak paneling

    , where intricate floral motifs and geometric patterns showcase a level of craftsmanship that feels both opulent and timeless. This woody richness is punctuated by the ethereal glow of stained glass windows, which cast vibrant, dancing hues across the courtroom floors, creating an atmosphere of serene contemplation. Within these walls, one might also encounter majestic murals that breathe life into historical scenes, documenting the triumphs and tribulations of Ayrshire’s past with painterly precision, seamlessly blending structural permanence with delicate, ornamental beauty.

    A Canvas of Scottish Identity

    Beyond its structural magnificence, the County Buildings serves as a vibrant repository for the artistic pulse of Scotland. The collection is a remarkable tapestry of expression, ranging from the rugged, evocative landscapes that define the Ayrshire spirit to poignant portraiture that captures the very essence of its people. Collectors will find particular delight in the works of the

    Scottish Colourists

    , a revolutionary movement whose use of vibrant hues and expressive brushstrokes challenged academic conventions and brought a modern, energetic light to the canvas. This curated journey through time—spanning from the Victorian era to the mid-20th century—ensures that every visitor experiences more than just an exhibition; they encounter a living narrative of social commentary and cultural evolution. It is this unique intersection of architectural grandeur and artistic soul that makes the County Buildings an indispensable destination for anyone moved by the enduring power of Scottish heritage.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Mrs Peter Simpson

    artsdot.com/da/art/download/daniel-macnee-mrs-peter-simpson-AQUCWK-en/

    Kildehenvisning til dette kunstværk

    MLA
    Macnee, Daniel. Mrs Peter Simpson. 1870, County Buildings. https://artsdot.com/da/art/daniel-macnee-mrs-peter-simpson-AQUCWK-en/
    APA
    Macnee, Daniel (1870). Mrs Peter Simpson [Painting]. County Buildings. https://artsdot.com/da/art/daniel-macnee-mrs-peter-simpson-AQUCWK-en/
    Chicago
    Daniel Macnee. Mrs Peter Simpson. 1870. County Buildings. https://artsdot.com/da/art/daniel-macnee-mrs-peter-simpson-AQUCWK-en/
    Harvard
    Macnee, Daniel (1870) Mrs Peter Simpson. County Buildings. Available at: https://artsdot.com/da/art/daniel-macnee-mrs-peter-simpson-AQUCWK-en/

    Se nærmere efter

    Mrs Peter Simpson — Daniel Macnee

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Lady Macnee and Her Daughter (Portrait of the Artist's Daughter and Granddaughter) (1863) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Daniel Macnee var omkring 64 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvordan kan jeg få en digital fil af "Mrs Peter Simpson" af Daniel Macnee?

    "Mrs Peter Simpson" er tilgængelig som et højtopløseligt digitalt billeddownload, som kan købes direkte på dens Digitalt billede-side.

    Hvordan forenes kontrast og harmoni i "Mrs Peter Simpson"?

    Farvesammensætningen i "Mrs Peter Simpson" af Daniel Macnee forener en Statement kontrast med en Strong Color Unity harmoni.

    Er "Mrs Peter Simpson" tilgængelig som et fine art-print?

    Et print af "Mrs Peter Simpson" af Daniel Macnee kan bestilles direkte på dens Fine art-print-side: et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir.