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Guide til elevkunst

Figure

Navn Klasse Dato

Beatrice Kreloff, Figure (1969). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Beatrice Kreloff artsdot.com/da/artists/beatrice-kreloff/
Malet
1969
Oprindelig størrelse
127 x 127 cm

I kontekst

Figure — Beatrice Kreloff

Hvor stor er den?

Originalen måler 127 × 127 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1960

▲ dette værk, 1969 hvert dateret maleri, årti for årti

Sammenlign med

  • Figure 9, 1968 artsdot.com/da/art/beatrice-kreloff-figure-9-ARA9LY-en/
  • Figure 8, 1968 artsdot.com/da/art/beatrice-kreloff-figure-8-ARA9LL-en/
  • Figure 16, 1969 artsdot.com/da/art/beatrice-kreloff-figure-16-ARA9LU-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/beatrice-kreloff-figure-ARA9LW-en/

Farver

Målt ud fra billedet

    Primær farve

    Putty #cbcfac

    Katalogiseret palet

    • #CBCFAC
    • #C5624E
    • #5895DC
    • #41413E

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Beatrice Kreloff i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 83,3%500 visits
    2. 2 USA 16,7%100 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 6 mest viste værker af Beatrice Kreloff

    1. 1 Figure 13, 1969 33,3%200 visits
    2. 2 Figure 8, 1968 16,7%100 visits
    3. 3 Figure 17, 1969 16,7%100 visits
    4. 4 Figure 16, 1969 16,7%100 visits
    5. 5 Figure 15, 1969 16,7%100 visits
    6. — Figure, 1969 dette maleri 0,0%0 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 12 værker af denne kunstner, hvoraf 5 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Beatrice Kreloff

    Beatrice Kreloff: A Life Woven with Art and Activism

    Beatrice Kreloff (1925-2016) wasn’t merely a painter; she was a force, an embodiment of artistic expression intertwined with profound social engagement. Her life, spanning nearly nine decades, unfolded as a vibrant tapestry woven with threads of personal passion, intellectual curiosity, and unwavering commitment to feminist ideals and progressive causes. Born in New York City, Kreloff's early exposure to the burgeoning art scene laid the foundation for her distinctive approach – one characterized by bold figures, symbolic imagery, and an exploration of human emotion rendered with a strikingly direct and often unsettling honesty.

    Kreloff’s formal artistic training began at the Brooklyn Museum Art School in 1950. This initial period proved formative, exposing her to the techniques of masters like Max Beckmann and Rubin Tam, shaping her understanding of composition and color theory. However, it was during the turbulent years of the 1960s that Kreloff truly found her voice. The rise of second-wave feminism ignited a fervent desire within her to depict women’s experiences – their struggles, vulnerabilities, and resilience – with unprecedented clarity. Her early portraits, often depicting psychiatric patients, were particularly poignant, offering glimpses into marginalized lives rarely seen in mainstream art.

    Art Workshop International: A Collaborative Vision

    A pivotal moment in Kreloff's artistic journey arrived in 1973 when she co-founded Art Workshop International (AWI) with Edith Isaac-Rose in Assisi, Italy. This collective wasn’t simply a studio; it was a deliberate act of resistance against the prevailing patriarchal structures within the art world. AWI provided a space for women artists from diverse backgrounds to collaborate, experiment, and challenge conventional artistic norms. The organization became a haven for radical feminist ideas, fostering a spirit of mutual support and creative exploration. Kreloff’s role as co-director was crucial, not only in shaping the studio's ethos but also in establishing its reputation as a vital center for contemporary art.

    The work produced at AWI reflected this collaborative spirit – a dynamic interplay of painting, drawing, printmaking, and textile arts. Kreloff’s paintings became increasingly expressive, moving beyond representational forms to explore the psychological landscapes of her subjects. Her use of color was particularly striking: vibrant hues juxtaposed with stark contrasts created a sense of tension and drama, mirroring the complexities of human experience.

    Themes of Human Emotion and Symbolic Imagery

    Kreloff’s oeuvre is deeply rooted in an exploration of human emotion – joy, sorrow, anger, vulnerability. Her figures are often rendered with a raw intensity, capturing fleeting moments of feeling with remarkable precision. She frequently employed symbolic imagery to convey deeper meanings, drawing on mythology, folklore, and personal experiences. Recurring motifs—such as birds, masks, and fragmented forms—suggested themes of transformation, identity, and the hidden aspects of the human psyche.

    Her work wasn’t simply decorative; it was a direct engagement with social issues. Kreloff actively participated in feminist activism, supporting reproductive rights, LGBTQ+ equality, and anti-war movements. This commitment to social justice permeated her art, transforming it into a powerful tool for raising awareness and challenging the status quo.

    Legacy and Recognition

    Beatrice Kreloff’s legacy extends far beyond her individual artistic achievements. She was a pioneering figure in the feminist art movement, a dedicated educator, and a passionate advocate for social change. Her work continues to resonate with audiences today, offering a poignant reflection on the human condition and a testament to the transformative power of art.

    Her paintings are held in prominent collections, including the Hirshhorn Museum and Sculpture Garden in Washington D.C., a testament to her enduring influence. Kreloff’s life story—a remarkable blend of artistic creativity and political activism—serves as an inspiration for artists and activists alike, demonstrating that art can be both deeply personal and profoundly impactful.

    Further information about Kreloff's work and life can be found through resources such as the Veteran Feminists of America Project, which documented her contributions to the feminist movement, and online archives detailing her involvement with Art Workshop International.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Figure

    artsdot.com/da/art/download/beatrice-kreloff-figure-ARA9LW-en/

    Kildehenvisning til dette kunstværk

    MLA
    Kreloff, Beatrice. Figure. 1969, https://artsdot.com/da/art/beatrice-kreloff-figure-ARA9LW-en/
    APA
    Kreloff, Beatrice (1969). Figure [Painting]. https://artsdot.com/da/art/beatrice-kreloff-figure-ARA9LW-en/
    Chicago
    Beatrice Kreloff. Figure. 1969. https://artsdot.com/da/art/beatrice-kreloff-figure-ARA9LW-en/
    Harvard
    Kreloff, Beatrice (1969) Figure. Available at: https://artsdot.com/da/art/beatrice-kreloff-figure-ARA9LW-en/

    Se nærmere efter

    Figure — Beatrice Kreloff

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Figure 9 (1968) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er "Figure" fri for ophavsret?

    Ophavsretsstatus for "Figure" af Beatrice Kreloff: værket er stadig beskyttet af ophavsret. Dette afgør, om der frit må foretages reproduktioner af billedet.

    Hvordan er farvesammensætningen i "Figure" af Beatrice Kreloff opbygget?

    Farveanalysen af "Figure" af Beatrice Kreloff viser en Gentle kontrast og en Strong Color Unity harmoni.

    Kan jeg se en forhåndsvisning af "Figure" af Beatrice Kreloff, før jeg bestiller?

    For at se en forhåndsvisning af en reproduktion af "Figure" af Beatrice Kreloff, skal du åbne værkets Forhåndsvisning-side.