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Untitled (DD2DKZ)

Navn Klasse Dato

Ashikaga Yoshimitsu, Untitled (DD2DKZ), The Kagawa Museum Cultural Institute. Offentlig ejendom.

Fakta om værket

Kunstner
Ashikaga Yoshimitsu artsdot.com/da/artists/ashikaga-yoshimitsu/
Kunstnerens levetid
1358 – 1408
Bevægelse
Other
Afholdt hos
The Kagawa Museum Cultural Institute artsdot.com/da/museums/the-kagawa-museum-cultural-institute-takamatsu/

I kontekst

Untitled (DD2DKZ) — Ashikaga Yoshimitsu

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1350
  2. 1360
  3. 1370
  4. 1380
  5. 1390
  6. 1400

Skyggelagt: Ashikaga Yoshimitsu' livstid (1358–1408)

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Farver

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    Hovedfarve

    Putty #e5c5a2

    Gemt palet

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    Primær farve
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    Intensitet
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    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    Ashikaga Yoshimitsu

    Født i Kyoto, Japan

    Ashikaga Yoshimitsu: A Life of Power and Patronage

    Early Life and Ascension

    Ashikaga Yoshimitsu (September 25, 1358 – May 31, 1408) was the third shōgun of the Ashikaga shogunate, ruling Japan during the Muromachi period.

    Born in Kyoto as Haruō, he was the oldest surviving son of Ashikaga Yoshiakira.

    He ascended to the position of shōgun at the young age of ten in 1368, inheriting a hereditary title that commanded the military estate.

    By twenty, Yoshimitsu had gained prominence within the imperial court, serving as acting grand counselor (gon dainagon).

    Political and Institutional Reforms

    In 1379, Yoshimitsu initiated a significant reorganization of the gozan zen (Five Mountain Zen) establishment, solidifying its institutional framework.

    He broke precedent in 1381 by becoming the first member of the samurai class to host a reigning emperor at his private residence – a demonstration of growing shogunal power.

    A pivotal achievement was his successful negotiation in 1392, bringing an end to the Nanboku-chō imperial schism that had divided Japan for over half a century.

    Further elevating his status, he became grand chancellor of state (daijō daijin) in 1394, the highest rank within the imperial court.

    Retirement and Cultural Flourishing

    Yoshimitsu retired from public office in 1395, taking religious vows and retreating to his lavish retirement villa, Kitayama-dono.

    Kitayama-dono was renowned for its opulence, most notably the Kinkaku Shariden (Golden Pavilion), two-thirds covered in gold leaf – a symbol of Yoshimitsu’s wealth and power.

    During his retirement, he received envoys from both the Ming and Joseon courts on at least six occasions, establishing crucial trade relations with China that lasted over a century.

    Diplomacy and Recognition

    Yoshimitsu skillfully navigated diplomatic complexities, often employing displays of subservience to secure favorable terms from the Ming dynasty.

    In recognition of his efforts, the Chinese sovereign bestowed upon him the title “King of Japan” (Nihon Kokuō).

    In 1407, he ambitiously attempted to assume the title daijō tenno – a designation typically reserved for retired emperors. Though unrealized due to his death, this move underscored his desire for ultimate authority.

    Artistic and Religious Legacy

    Late in his career, Yoshimitsu increasingly sought to legitimize his power through the lens of Buddhist kingship.

    He employed elaborate rituals, symbolic imagery, and monumental architecture – like Kitayama-dono – to portray himself as a universal monarch or dharma king, mirroring rulers in Southeast Asia.

    His posthumous name was Rokuon'in (鹿苑院), further cementing his place in Japanese history.

    Historical Significance

    Yoshimitsu’s reign marked a golden age for Zen Buddhism, art, and architecture during the Muromachi period.

    His diplomatic achievements fostered cultural exchange and economic prosperity.

    He is remembered as a complex figure – a powerful shogun who skillfully balanced political ambition with artistic patronage and religious devotion.

    His legacy continues to influence Japanese culture and aesthetics today.

    Museum

    The Kagawa Museum Cultural Institute

    Udstillet på Takamatsu, Japan

    A Convergence of Time and Spirit

    Nestled where the Seto Inland Sea meets the verdant, sun-drenched slopes of Mt. Yashima, The Kagawa Museum stands as far more than a mere repository of the past; it is a living, breathing dialogue between eras. Born in 2008 from the thoughtful unification of three distinct cultural pillars—the Kagawa Prefectural Cultural Hall, the Seto Inland Sea Folk History Museum, and the Kagawa History Museum—this institution offers a seamless journey through the very soul of the Kagawa Prefecture. To walk through its halls is to experience a deliberate philosophical shift toward interconnectedness, where the heavy, metallic weight of ancient samurai armor exists in a harmonious orbit with the light, avant-garde strokes of modern Japanese painting. It is a place where history does not sit static behind glass but resonates alongside the contemporary pulse of Takamatsu, creating a tapestry of human experience that spans centuries.

    Mastery in Form and Color

    The museum’s collection serves as a profound testament to the enduring power of artistic vision, bridging the gap between traditional craftsmanship and mid-century modernism. Collectors and aesthetes will find themselves captivated by the vibrant canvases of Inokuma Genichiro, whose work masterfully weaves together the influences of Impressionism and Japonisme to capture the resilient spirit of post-war Japan. His bold palettes offer a window into a nation redefining itself through color and movement. This dialogue with modernity is further enriched by the presence of Noguchi Isamu, the legendary sculptor whose works invite deep, meditative contemplation. From elegant furniture crafted from local cedarwood to monumental forms that embody Zen philosophy, Noguchi’s influence permeates the galleries, reminding us of the profound respect for natural materials that defines Japanese aesthetics. Yet, this artistic journey is anchored by the tangible echoes of history; the delicate silk of a Heian period kimono and the formidable presence of feudal armor provide a tactile connection to the aristocratic elegance and warrior prowess of centuries past.

    Architecture as an Extension of Nature

    For the designer and the interior enthusiast, the very structure of The Kagawa Museum is an inspiration in itself. The architecture avoids the imposition of cold grandeur, opting instead for a contemporary grace that complements its historical treasures. Spacious galleries are bathed in a soft, natural light that enhances the textures of both stone and silk, fostering an atmosphere of quiet discovery. The deliberate use of cedarwood cladding—a poignant nod to the rich forestry traditions of the region—grounds the building in its local landscape, creating a sensory experience that is both sophisticated and deeply rooted. This architectural harmony extends to the museum's interactive spirit, where visitors are invited to step into the roles of the past by donning authentic reproductions of historical garments. It is this rare ability to blend high art, historical depth, and immersive experience that makes The Kagawa Museum a beacon of cultural preservation and a must-visit destination for anyone seeking the true heart of Japan.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Untitled (DD2DKZ)

    artsdot.com/da/art/download/ashikaga-yoshimitsu-untitled-dd2dkz-DD2DKZ-en/

    Kildehenvisning til dette kunstværk

    MLA
    Yoshimitsu, Ashikaga. Untitled (DD2DKZ). n.d., The Kagawa Museum Cultural Institute. https://artsdot.com/da/art/ashikaga-yoshimitsu-untitled-dd2dkz-DD2DKZ-en/
    APA
    Yoshimitsu, Ashikaga (n.d.). Untitled (DD2DKZ) [Painting]. The Kagawa Museum Cultural Institute. https://artsdot.com/da/art/ashikaga-yoshimitsu-untitled-dd2dkz-DD2DKZ-en/
    Chicago
    Ashikaga Yoshimitsu. Untitled (DD2DKZ). n.d. The Kagawa Museum Cultural Institute. https://artsdot.com/da/art/ashikaga-yoshimitsu-untitled-dd2dkz-DD2DKZ-en/
    Harvard
    Yoshimitsu, Ashikaga (n.d.) Untitled (DD2DKZ). The Kagawa Museum Cultural Institute. Available at: https://artsdot.com/da/art/ashikaga-yoshimitsu-untitled-dd2dkz-DD2DKZ-en/

    Se nærmere efter

    Untitled (DD2DKZ) — Ashikaga Yoshimitsu

    Se nærmere efter

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    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: japanese art, calligraphy, traditional art. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Gennemgående temaer i Ashikaga Yoshimitsu' værker: ming dynasty aesthetics, zen buddhism principles, traditional japanese script. Hvilke af dem ser du her?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

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