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Crucifix

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antoine augustin préault, Crucifix (1840), Saint-Gervais and Saint-Protais Church. Offentlig ejendom.

Fakta om værket

Kunstner
antoine augustin préault artsdot.com/da/artists/antoine-augustin-preault/
Kunstnerens levetid
1809 – 1879
Malet
1840
Afholdt hos
Saint-Gervais and Saint-Protais Church artsdot.com/da/museums/saint-gervais-and-saint-protais-church-paris/

I kontekst

Crucifix — antoine augustin préault

Hvornår er dette malet?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870

Skyggelagt: antoine augustin préault' livstid (1809–1879) ▲ dette værk, 1840

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/antoine-augustin-preault-crucifix-8Y3FVC-en/

Farver

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    Gemt palet

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    Farvepalette
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    Primær farve
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    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
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    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    antoine augustin préault

    Født i Paris, France

    Antoine-Augustin Préault: A Sculptor of Passion and Shadow

    Born in the heart of Paris’s Marais district in 1809, Antoine-Augustin Préault emerged as a significant figure within the French Romantic movement, though his artistic legacy has often been tragically overshadowed. More commonly known during his lifetime as Auguste Préault, he was an artist deeply attuned to emotion, social unrest, and the darker aspects of human experience – qualities that ultimately contributed to both his brilliance and his relative obscurity. His life unfolded against a backdrop of political upheaval and artistic conservatism, shaping not only his subject matter but also the trajectory of his career.

    Préault’s early training began under the tutelage of David d'Angers, a respected sculptor known for his Neoclassical style. However, Préault quickly developed an independent voice, one characterized by a raw intensity and dramatic flair that set him apart from many of his contemporaries. He was not merely replicating classical forms; he sought to imbue them with a palpable sense of feeling – a characteristic deeply rooted in the Romantic sensibility. This inclination towards emotional depth proved problematic within the rigid confines of the official Salon, where artistic merit was often judged by adherence to established conventions.

    The 1830 French Revolution profoundly impacted Préault’s life and work. He was actively involved in the activist circles that fueled the uprising, and his studio suffered a devastating attack – a deliberate act of vandalism intended to silence dissent. Many of his plaster models, crucial prototypes for future sculptures, were destroyed, effectively crippling his artistic output for years to come. This traumatic event cast a long shadow over his career, contributing significantly to the neglect with which his work has been treated by art historians and the public alike.

    Themes and Subject Matter: Echoes of Literature and Loss

    Préault’s sculptures are rarely celebratory or overtly heroic. Instead, they grapple with profound themes of suffering, loss, despair, and the darker corners of human nature. He drew heavily from literature – Dante's Inferno, Virgil's Aeneid, and Shakespeare’s Hamlet—as well as contemporary events, translating complex narratives into powerful visual forms. His choice of subjects often reflected his own turbulent emotional state and a deep empathy for the marginalized and oppressed.

    Notable examples of this thematic focus include ‘Ophelia,’ a haunting depiction of the tragic Shakespearean heroine drowning in a river – a work that captures both her beauty and her utter vulnerability. ‘The Killing’ (Tuerie), a brutally realistic portrayal of a violent encounter, showcases his willingness to confront uncomfortable truths. Similarly, his funerary sculptures, such as those commissioned for prominent figures, are imbued with an atmosphere of solemnity and timelessness, reflecting on the inevitability of death and the enduring nature of memory.

    Key Works and Recognition

    Despite facing consistent rejection from the Salon jury, Préault managed to secure a few notable commissions and exhibitions during his lifetime. ‘Ophelia,’ created in 1842 and now housed at the Musée d’Orsay, stands as arguably his most celebrated work – a testament to his technical skill and emotional depth. ‘Tuerie’ (The Killing), completed in 1834, is another masterpiece, recognized for its visceral realism and dramatic composition. The statue of Clemmence Isaure, located in the Jardin du Luxembourg, further demonstrates his ability to capture both classical beauty and Romantic intensity.

    It's important to note that several of Préault’s most compelling works – including ‘The Killing,’ ‘Ophelia,’ and a poignant depiction of Dante – were largely forgotten for decades after his death. A 1997 retrospective at the Musée d’Orsay, organized by Gallimard, brought renewed attention to his oeuvre, revealing the true scope and significance of his artistic vision. The exhibition highlighted not only these three masterpieces but also a broader range of sculptures exploring themes of literature, portraiture, and funerary art.

    A Forgotten Poet of Unhappiness

    As one critic eloquently described Préault, “The fever of poetry, the drunkenness of beauty, the horror of vulgarity, and the madness of glory possessed and tormented Préault.” This intense emotional engagement is evident in every aspect of his work. His sculptures are not merely representations of figures; they are expressions of profound feeling – a testament to his ability to translate inner turmoil into tangible form.

    Préault’s life was marked by hardship and rejection, yet he persevered in pursuing his artistic vision with unwavering passion. His story serves as a poignant reminder that true artistry often lies beyond the confines of convention and recognition. Interred in the Père Lachaise Cemetery, alongside Jacob Robles I, Préault's legacy continues to resonate, inviting viewers to contemplate the complexities of human experience and the enduring power of art to capture its darkest corners.

    Notable Commissions and Legacy

    Beyond his major sculptures, Préault received several public commissions throughout his career. The medallion depicting Thomas Shotter Boys, currently held in a private collection, exemplifies his skill in portraiture and his ability to capture the likeness and personality of his subjects. The ‘Silence’ sculpture, created for the tomb of Jacob Robles I, stands as a testament to his mastery of funerary art – an evocative piece that speaks to themes of mortality and remembrance. Antoine-Augustin Préault's work continues to be studied and appreciated by scholars and art enthusiasts alike, solidifying his place as a significant, if often overlooked, figure in the history of French Romantic sculpture.

    Museum

    Saint-Gervais and Saint-Protais Church

    Udstillet i Paris, France

    The Heart of Saint-Gervais: A Cathedral Steeped in Faith and Stone

    Nestled within the charming Savoyard town of Saint-Gervais-Saint-Protais, France, this cathedral—officially titled Église Notre-Dame-et-Saint-Gervais-Saint-Protais—stands as a testament to centuries of devotion, architectural evolution, and the enduring spirit of a community deeply rooted in its faith. More than just a place of worship, it’s a living chronicle of the region's history, a breathtaking example of Romanesque and Gothic artistry interwoven with local traditions, and a captivating destination for anyone seeking an immersive experience within sacred space.

    The cathedral’s story begins in the 12th century, when a modest Romanesque church was erected on this very site. This initial structure, largely constructed from locally quarried granite, laid the foundation for what would become one of Savoy's most significant religious buildings. Over the subsequent centuries, successive generations of builders and patrons added to and transformed the cathedral, resulting in a remarkably layered architectural narrative. The Romanesque core—characterized by its sturdy walls, rounded arches, and simple yet powerful design—still dominates the lower levels, offering a tangible connection to the early medieval period. As time progressed, Gothic influences began to assert themselves, particularly during the 14th and 15th centuries, leading to soaring vaults, intricate stained glass windows, and a more elaborate sculptural program.

    A Symphony of Stone: Architectural Highlights

    Exploring the cathedral’s interior is akin to embarking on an architectural journey through time. The nave, with its massive granite columns supporting the ribbed vaulting, immediately commands attention. These columns, each bearing unique carvings and detailing, are a testament to the skill of the local stonemasons who labored tirelessly over generations. Don't miss the impressive ambulatory surrounding the nave—a space designed for quiet contemplation and offering stunning views of the main altar. The transepts, with their radiating chapels, represent a pivotal shift towards Gothic design, creating a sense of light and spaciousness previously unseen in the Romanesque structure.

    The cathedral’s façade is equally compelling, showcasing a harmonious blend of styles. The Romanesque elements—including the simple arched doorway and the robust flanking towers—are juxtaposed with the more ornate Gothic additions, such as the elaborate rose window above the main entrance. Within the towers themselves, visitors can ascend to enjoy panoramic views of Saint-Gervais and the surrounding Savoyard countryside – a reward for those who brave the climb!

    Treasures Within: Artistic and Historical Treasures

    Beyond its architectural grandeur, the cathedral houses a remarkable collection of artistic treasures. The stained glass windows are undoubtedly among its most prized possessions. Many date back to the 13th and 14th centuries and depict biblical scenes, saints’ lives, and allegorical figures—each pane a vibrant testament to medieval artistry. Look closely for the intricate details in the depictions of Christ, Mary, and the apostles; the use of color and light is particularly striking.

    The cathedral also holds several notable relics, including fragments of the shroud of Saint Gervais, believed to have been associated with the town’s patron saints. These objects are housed within a dedicated reliquary, adding another layer of spiritual significance to this already deeply rooted site. Furthermore, the cathedral's crypt contains tombs and memorials dating back to various periods, offering glimpses into the lives and legacies of prominent local figures.

    A Living Tradition: Exhibitions and Community Engagement

    The Église Notre-Dame-et-Saint-Gervais-Saint-Protais isn’t merely a static museum; it remains an active center for religious life and cultural expression. Throughout the year, the cathedral hosts a variety of events, including concerts, liturgical services, and art exhibitions. Special themed exhibits often focus on aspects of local history, religious iconography, or the craftsmanship involved in the cathedral's construction and decoration. The museum regularly collaborates with regional artists and artisans, showcasing contemporary works that complement the cathedral’s historical legacy.

    For those seeking a deeper understanding of the cathedral’s significance, guided tours are available, providing invaluable insights into its history, architecture, and artistic treasures. The dedicated museum space within the cathedral offers further information and displays, enriching the visitor's experience. Visiting this remarkable structure is more than just sightseeing; it’s an opportunity to connect with a rich tapestry of faith, art, and community—a truly unforgettable journey into the heart of Saint-Gervais.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Crucifix

    artsdot.com/da/art/download/antoine-augustin-preault-crucifix-8Y3FVC-en/

    Kildehenvisning til dette kunstværk

    MLA
    préault, antoine augustin. Crucifix. 1840, Saint-Gervais and Saint-Protais Church. https://artsdot.com/da/art/antoine-augustin-preault-crucifix-8Y3FVC-en/
    APA
    préault, antoine augustin (1840). Crucifix [Painting]. Saint-Gervais and Saint-Protais Church. https://artsdot.com/da/art/antoine-augustin-preault-crucifix-8Y3FVC-en/
    Chicago
    antoine augustin préault. Crucifix. 1840. Saint-Gervais and Saint-Protais Church. https://artsdot.com/da/art/antoine-augustin-preault-crucifix-8Y3FVC-en/
    Harvard
    préault, antoine augustin (1840) Crucifix. Saint-Gervais and Saint-Protais Church. Available at: https://artsdot.com/da/art/antoine-augustin-preault-crucifix-8Y3FVC-en/

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    Crucifix — antoine augustin préault

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    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 1 — er du enig?)
    4. Vores katalog klassificerer dette værk under: crucifixion. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på Ophelia (1842) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

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