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Connection

Navn Klasse Dato

annabel obholzer, Connection (1990), Tavistock Centre. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
annabel obholzer artsdot.com/da/artists/annabel-obholzer/
Kunstnerens levetid
1942 – ?
Malet
1990
Oprindelig størrelse
182 x 91 cm
Afholdt hos
Tavistock Centre artsdot.com/da/museums/tavistock-centre-london/

I kontekst

Connection — annabel obholzer

Hvor stor er den?

Originalen måler 182 × 91 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Skyggelagt: annabel obholzer' livstid (1942–?) ▲ dette værk, 1990

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/annabel-obholzer-connection-AQUJ4G-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Driftwood #a39169

    Gemt palet

    • #A39169
    • #885A36
    • #493C32
    • #696455
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Driftwood
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Connection — annabel obholzer

    The painting Connection by Annabel Obholzer is a thought-provoking artwork that explores the theme of human connection. Created in 1990, this oil on canvas piece measures 182 x 91 cm and is currently located at the Tavistock Centre in London, United Kingdom.

    Composition and Symbolism

    The painting features two figures, one on the left and one on the right, with a guitar prominently displayed near the top of the canvas. The use of a brown color palette creates a sense of warmth and intimacy, drawing the viewer into the emotional space of the artwork. The fact that one figure's face is not visible, while the other appears to be looking downwards, adds a sense of mystery and intrigue to the piece.

    Artistic Style and Influences

    Annabel Obholzer's style is characterized by her use of bold brushstrokes and vibrant colors, which are evident in other works such as Landed and Mythic Head. Her artistic approach is reminiscent of other notable artists, including Sir Leslie Matthew Ward, who was known for his portrait paintings.

    Relevance and Significance

    The painting Connection is not only a beautiful work of art but also a thought-provoking commentary on human relationships. It invites the viewer to reflect on the importance of connection and communication in our lives. For those interested in learning more about Annabel Obholzer's work, /art/list/?Filter=AQUJ4G-Annabel-Obholzer-Connection provides a detailed overview of her artistic style and influences. Additionally, the The Museum School of Oriental And African Studies in London offers a range of courses and resources on art and culture, including information on notable artists like Sir Leslie Matthew Ward.

    Painting size: 182 x 91 cm

    Painting media: Oil On Canvas

    Painting date: 1990

    Painting location: Tavistock Centre (London, United Kingdom)

    For more information on Annabel Obholzer's paintings, including Earth Scene, visit /art/list/?Filter=AQUJ48-Annabel-Obholzer-Earth-Scene.

    Kunstner og museum

    Kunstner

    annabel obholzer

    A Life Immersed in Stillness: The World of Annabel Obholzer

    Annabel Obholzer, born in 1942, is a contemporary artist whose work quietly commands attention through its masterful exploration of the still life genre. While biographical details remain somewhat elusive – a deliberate choice perhaps, reflecting her preference for allowing the paintings themselves to speak – her artistic journey has been one of consistent dedication to observing and interpreting the beauty found in everyday objects, particularly those drawn from the natural world. Obholzer’s canvases are not merely representations of fruit or flowers; they are meditations on light, form, and the ephemeral nature of existence. Her art resonates with a sense of peaceful contemplation, inviting viewers to slow down and appreciate the subtle nuances often overlooked in the rush of modern life.

    Early Influences and Artistic Development

    Though specific details regarding her formal training are scarce, it’s clear that Obholzer's artistic roots lie deeply embedded within the traditions of European still life painting. The influence of Dutch Masters like Willem Kalf and Rachel Ruysch is palpable in her meticulous attention to detail and her ability to imbue commonplace objects with a sense of dignity and presence. However, Obholzer doesn’t simply replicate these historical styles; she filters them through a distinctly contemporary lens. Her work also hints at an appreciation for the Impressionists' handling of light and color, though tempered by a more restrained palette and a focus on solid form rather than fleeting impressions. This unique blend creates a style that feels both timeless and remarkably fresh. Early works demonstrate a gradual refinement of technique, moving from relatively straightforward depictions to increasingly complex arrangements characterized by layered textures and nuanced tonal variations.

    Themes and Symbolism in Obholzer’s Paintings

    The recurring motifs in Annabel Obholzer's paintings – fruit, flowers, glass, porcelain – are not chosen arbitrarily. They carry a rich symbolic weight that adds depth to her compositions. Fruit, traditionally associated with abundance, fertility, and the passage of time, often appears on the verge of ripeness or decay, prompting reflection on mortality and the beauty of impermanence. Flowers, similarly, represent both life’s vibrancy and its inevitable decline. The inclusion of glass objects introduces themes of transparency, fragility, and reflection – both literal and metaphorical. Obholzer's arrangements are rarely ostentatious; instead, they evoke a sense of quiet intimacy, suggesting moments captured in time. The artist avoids overt narrative or symbolism, allowing viewers to project their own interpretations onto the work.

    Technique and Materials

    Obholzer’s paintings are characterized by her exceptional technical skill. She typically works in oil on canvas, employing a layering technique that builds up rich textures and luminous surfaces. Her brushwork is often subtle and controlled, creating a sense of depth and realism without sacrificing painterly quality. The artist demonstrates a keen understanding of color theory, using a restrained palette to create harmonious compositions that emphasize the interplay of light and shadow.

    Her mastery of glazing techniques allows her to achieve remarkable luminosity.

    She often employs scumbling – a technique involving applying thin layers of broken color – to create atmospheric effects.

    The careful selection of materials, from the quality of the oil paints to the texture of the canvas, underscores her commitment to craftsmanship.

    Historical Significance and Contemporary Relevance

    While not seeking widespread fame or notoriety, Annabel Obholzer has established a dedicated following among collectors who appreciate her refined aesthetic and thoughtful approach to painting. Her work represents a continuation of the still life tradition, but with a distinctly contemporary sensibility. In an era dominated by abstraction and conceptual art, Obholzer’s commitment to representational painting is both refreshing and significant. She reminds us that beauty can be found in the simplest of things, and that careful observation can reveal profound truths about the world around us. Her paintings offer a welcome respite from the noise and chaos of modern life, inviting viewers to pause, reflect, and appreciate the quiet moments of stillness that often go unnoticed. Her legacy lies not in groundbreaking innovation, but in her unwavering dedication to her craft and her ability to create works of enduring beauty and emotional resonance.

    Museum

    Tavistock Centre

    Udstillet i London, United Kingdom

    A Portal into the Soul: The Living History of Tavistock Centre

    Nestled within the vibrant pulse of London, the Tavistock Centre serves as far more than a mere repository of artifacts; it is a profound portal into the enduring legacy of Tavistock itself. To step through its doors is to embark on a journey where the boundaries between historical fact and emotional resonance blur, offering visitors an intimate encounter with the very soul of a community. Founded in 1920 by the visionary psychiatrist Hugh Crichton-Miller, the institution was born from a pioneering spirit of care, originally established to provide psychological sanctuary for veterans returning from the First World War. This foundational commitment to healing and human connection permeates every corridor, lending the museum an atmosphere that is as much about the resilience of the human spirit as it is about the preservation of the past.

    The architectural narrative of the Centre is a masterclass in historical layering, where the weight of medieval craftsmanship meets the refined elegance of later eras. The museum’s most hauntingly beautiful centerpiece remains the remnants of the Tavistock Abbey. These crumbling stone walls, established in 961, whisper tales of monastic devotion and royal patronage. As one wanders through these ruins, the Romanesque influences blend seamlessly with a sense of Norman grandeur, providing a tangible, tactile connection to Britain’s medieval heart. This monumental scale is echoed in the building's broader design, which utilizes Tudor Revival elements—characterized by symmetrical facades and decorative timber framing—to evoke the ornate splendor of Elizabethan palaces. The interior spaces are masterfully curated to maximize natural light, a deliberate aesthetic choice that reflects the humanist ideals of the Enlightenment, casting a soft, contemplative glow over the treasures within.

    Beyond its architectural majesty, the collection offers a rich tapestry of maritime adventure and industrial grit. For those captivated by the golden age of exploration, the exhibits detailing the life of Sir Francis Drake provide a breathtaking look at England’s naval dominance. Through interactive displays and evocative artistic representations, visitors can feel the ambition and strategic brilliance that defined Drake's legendary voyages. This sense of movement and progress is contrasted beautifully by the museum’s deep dive into Cornwall’s mining heritage. Here, the heavy, metallic reality of tin mining is presented through meticulously crafted models and ancient tools, where the social history of the mining communities is reflected in decorative patterns inspired by intricate Celtic motifs. Even the arrival of the Victorian railway is captured not just as a feat of engineering, but as a visual transformation, with railway models and period photography mirroring the geometric precision found in Art Nouveau design.

    What truly distinguishes the Tavistock Centre for the discerning collector or art enthusiast is its ability to weave personal tragedy and triumph into a cohesive cultural narrative. The museum’s poignant collection of World War II artifacts—ranging from fragile personal letters to weathered uniforms—evokes an immediacy that is reminiscent of the raw, psychological depth found in Expressionist painting. This emotional intensity is further enriched by recent exhibitions that explore themes of Cornish identity and social change through modern multimedia installations, challenging traditional notions of representation much like contemporary conceptual art. For the interior designer seeking inspiration or the historian seeking depth, the Tavistock Centre offers a unique, intimate exploration of a narrative woven from monastic ruins, maritime legend, and industrial progress, standing as a powerful reminder that true artistic appreciation begins with understanding the profound context in which history emerges.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Connection

    artsdot.com/da/art/download/annabel-obholzer-connection-AQUJ4G-en/

    Kildehenvisning til dette kunstværk

    MLA
    obholzer, annabel. Connection. 1990, Tavistock Centre. https://artsdot.com/da/art/annabel-obholzer-connection-AQUJ4G-en/
    APA
    obholzer, annabel (1990). Connection [Painting]. Tavistock Centre. https://artsdot.com/da/art/annabel-obholzer-connection-AQUJ4G-en/
    Chicago
    annabel obholzer. Connection. 1990. Tavistock Centre. https://artsdot.com/da/art/annabel-obholzer-connection-AQUJ4G-en/
    Harvard
    obholzer, annabel (1990) Connection. Tavistock Centre. Available at: https://artsdot.com/da/art/annabel-obholzer-connection-AQUJ4G-en/

    Kig nærmere efter

    Connection — annabel obholzer

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Generation Tree (1990) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. annabel obholzer var omkring 48 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

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