Papir

Guide til elevkunst

Comptche

Navn Klasse Dato

Alvin Lieberman, Comptche (1971). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Alvin Lieberman artsdot.com/da/artists/alvin-lieberman/
Kunstnerens årstal
1939 –
Malet
1971
Oprindelig størrelse
13 x 20 cm

I kontekst

Comptche — Alvin Lieberman

Hvor stor er den?

Originalen måler 13 × 20 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 32 år gammel. 0 af de 30 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 1971 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/alvin-lieberman-comptche-AQTUVX-en/

Farver

Målt ud fra billedet

    Primær farve

    Phthalo Green #232124

    Katalogiseret palet

    • #232124
    • #D6D1D2
    • #696464
    • #9E9999

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Alvin Lieberman i løbet af de sidste tolv måneder — 7 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 27,3%
    2. 2 Hviderusland 18,2%
    3. 3 Italien 18,2%
    4. 4 Østrig 9,1%
    5. 5 Tyskland 9,1%
    6. 6 Rusland 9,1%
    7. 7 Ukraine 9,1%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 6 mest viste værker af Alvin Lieberman

    1. 1 Middle Ridge Road, 1971 54,5%
    2. 2 Mendocino (Wet Suited Diver), 1971 18,2%
    3. 3 San Diego (Sunset, Beach), 1971 9,1%
    4. 4 Los Angeles, 1971 9,1%
    5. 5 Albion Ridge Road (XIII 7), 1971 9,1%
    6. — Comptche, 1971 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 30 værker af denne kunstner, hvoraf 5 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Alvin Lieberman

    A Symphony of Science and Spirit: The Life of Alvin Lieberman

    The life of Alvin Lieberman was a profound testament to the harmony that can exist between the analytical mind and the creative soul. An American polymath whose existence bridged the rigorous precision of particle physics with the emotive fluidity of landscape impressionism, Lieberman moved through the world with an insatiable curiosity. Born in Benton Harbor, Michigan, his journey was defined by a rare ability to find beauty in both the microscopic structures of the atmosphere and the sweeping vistas of the natural world. While history may remember him as a pioneer of scientific innovation, his artistic legacy offers a window into a man who sought to capture the very essence of light, movement, and life.

    Lieberman’s intellectual foundation was built upon a bedrock of mathematical and scientific excellence. After earning degrees in chemical engineering from the Illinois Institute of Technology, he applied his formidable intellect to the service of humanity, first through his honorable service in the Signal Corps during World War II and later through groundbreaking industrial achievements. His work led to the establishment of Particle Measuring Systems (PMS) in Boulder, Colorado, a venture that revolutionized our ability to monitor airborne particles and understand their impact on human health. Yet, even as he navigated the complexities of aerosol science and invention, the rhythmic pulse of music and the visual allure of nature remained his constant companions. A lifelong clarinetist, Lieberman found that the discipline of orchestral performance mirrored the precision of his scientific pursuits, while providing a necessary emotional release.

    The Impressionistic Eye: Capturing the California Wild

    As an artist, Lieberman’s work is characterized by an evocative engagement with the landscape, particularly the rugged and untamed terrains of Northern California. His paintings often serve as a visual dialogue with the Sierra Nevada mountains, where he sought to translate the interplay of light and shadow onto the canvas. His style, deeply rooted in impressionistic traditions, avoids mere documentation; instead, it strives for an emotional resonance that captures the atmosphere of a moment. Whether depicting the serene flow of a river or the dramatic peaks of a mountain range, his brushwork reflects a deep reverence for the organic textures of the earth.

    Beyond the grand landscapes, Lieberman possessed a keen eye for the fleeting, candid moments of life, often captured through a documentary lens. His photographic works from the early 1970s reveal a different facet of his artistry—one marked by a sense of nostalgia and raw energy. In these pieces, he explored:

    The Joy of Childhood: Works such as Ukiah (Woman and Child in Go Kart) utilize a chaotic, documentary-style composition to evoke the pure, unbridled happiness found in simple human experiences.

    Dynamic Motion: His captures of rodeo scenes, like Boonville (Bucking Horse), demonstrate an ability to freeze the kinetic energy of action, using black and white tones to emphasize contrast and drama.

    Natural Serenity: In pieces like Navarro River (Dogs by River), he masterfully utilized natural light and dynamic composition to create peaceful, evocative scenes of animals interacting with their environment.

    A Lasting Legacy of Interdisciplinary Brilliance

    The historical significance of Alvin Lieberman lies in his refusal to be confined by a single discipline. He did not see the world through fragmented lenses of science, music, or art; rather, he saw a singular, interconnected reality. His scientific breakthroughs provided the tools to protect human health from invisible threats, while his art provided a way to celebrate the visible splendor of our planet. To study Lieberman is to witness the beautiful tension between the measurable and the felt, the empirical and the ethereal.

    Today, his body of work stands as a bridge between eras and ideologies. For the collector and the historian alike, his paintings and photographs offer more than just aesthetic pleasure; they offer a glimpse into a life lived with total intellectual and creative integration. He remains a singular figure in American history—a man who could measure the smallest particle of dust with scientific accuracy, yet still find himself moved to tears by the way sunlight breaks through a mountain mist.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Comptche

    artsdot.com/da/art/download/alvin-lieberman-comptche-AQTUVX-en/

    Kildehenvisning til dette kunstværk

    MLA
    Lieberman, Alvin. Comptche. 1971, https://artsdot.com/da/art/alvin-lieberman-comptche-AQTUVX-en/
    APA
    Lieberman, Alvin (1971). Comptche [Painting]. https://artsdot.com/da/art/alvin-lieberman-comptche-AQTUVX-en/
    Chicago
    Alvin Lieberman. Comptche. 1971. https://artsdot.com/da/art/alvin-lieberman-comptche-AQTUVX-en/
    Harvard
    Lieberman, Alvin (1971) Comptche. Available at: https://artsdot.com/da/art/alvin-lieberman-comptche-AQTUVX-en/

    Se nærmere efter

    Comptche — Alvin Lieberman

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Ukiah (Woman and Child in Go Kart) (1971) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Alvin Lieberman var omkring 32 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Kan man se et diasshow af "Comptche" af Alvin Lieberman?

    "Comptche" af Alvin Lieberman kan opleves som et diasshow på værkets Billedserie-side.

    Er farverne i "Comptche" kraftige eller dæmpede?

    "Comptche" af Alvin Lieberman er gengivet med en Muted mætning og en Monochromatic intensitet.

    Hvor harmonisk spiller farverne i "Comptche" sammen?

    Farveharmonien i "Comptche" er beskrevet som Discordant Palette.