Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Alfred Wheeler døde i 1932; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 2002.
I kontekst
A Setter — Alfred Wheeler
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 81 ved død.
Skyggelagt: Alfred Wheeler' livstid (1851–1932) hvert dateret maleri, årti for årti
Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: artsdot.com/da/art/similar/alfred-wheeler-a-setter-9DG5TZ-en/
Målt ud fra billedet
Primær farve
Driftwood #8c764f
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 8 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Født i United Kingdom
Alfred Wheeler, born near Bath, Somerset, in 1851 or 1852, was a painter deeply rooted in the traditions of British landscape and animal painting. His life unfolded against the backdrop of a rapidly changing England, yet his artistic vision remained steadfastly focused on capturing the beauty and tranquility of rural scenes—a world increasingly threatened by industrialization and urbanization. Wheeler wasn’t merely documenting a way of life; he was preserving an emotional connection to the land, a sentiment that resonated deeply with Victorian audiences. His father, John Alfred Wheeler (1821-1877), was also a successful painter of similar subjects, and it is widely believed that Alfred received his initial artistic training under his guidance. This familial influence proved pivotal in shaping not only his technical skills but also his thematic preferences. The two Wheelers often worked closely together, leading to occasional confusion regarding attribution—a testament to the shared aesthetic sensibility within their family workshop.
Wheeler’s paintings are characterized by a remarkable degree of realism, reflecting the prevailing artistic standards of the Victorian era. He possessed an exceptional eye for detail, meticulously rendering textures, light, and shadow to create scenes that felt both authentic and emotionally evocative. While he exhibited at venues like the Royal Academy, his primary livelihood stemmed from commissioned works—portraits of horses and dogs belonging to the gentry. This demand speaks volumes about his ability to capture not just the physical likeness of his subjects but also their character and spirit. He was particularly adept at portraying equine anatomy with precision and grace, a skill honed through careful observation and study. Often working in oil on canvas, Wheeler’s palette favored earthy tones—rich browns, greens, and grays—that evoked the natural world he so admired. His compositions were typically balanced and harmonious, creating a sense of calm and serenity that appealed to a clientele seeking representations of their cherished possessions and pastoral ideals.
Wheeler’s subject matter provides a fascinating window into the social fabric of Victorian England. His paintings frequently depict scenes of hunting—fox hunts, horse racing, and equestrian pursuits—activities that were central to the lives of the landed aristocracy. These works weren't simply celebrations of sport; they also served as subtle commentaries on class, status, and leisure. The gentry featured prominently in his compositions, often portrayed with an air of confidence and authority, while their horses were depicted as symbols of wealth, power, and refinement. Beyond sporting scenes, Wheeler also painted intimate portraits of animals—particularly dogs—revealing a genuine affection for the creatures he depicted. These works offer a more personal glimpse into his artistic sensibilities, showcasing his ability to capture the playful energy and loyal companionship that characterized the human-animal bond.
Although Wheeler’s output may not have been as prolific as some of his contemporaries, his paintings remain highly sought after by collectors today. His works are valued for their technical skill, historical significance, and emotional resonance. They offer a glimpse into a bygone era—a time when the countryside was still largely untouched by industrialization and when sporting pursuits were central to the lives of the upper classes. Museums like The Munnings Art Museum hold examples of his work, ensuring that his legacy continues to inspire and captivate audiences. While he drew inspiration from earlier masters such as George Stubbs, Wheeler developed a distinctive style that set him apart—a blend of realism, emotional depth, and meticulous attention to detail. His paintings serve as enduring reminders of the beauty and tranquility of Victorian England, preserving a vanishing world for generations to come.
artsdot.com/da/art/download/alfred-wheeler-a-setter-9DG5TZ-en/
Se nærmere efter
A Setter — Alfred Wheeler
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Farveintensiteten i "A Setter" er Monochromatic. Intensitet beskriver, hvor kraftige farverne fremstår.
Overordnet set er "A Setter" registreret som deep_shadow. Den oplevede lysstyrke beskriver, hvor lyst eller mørkt værket fremstår.
Lys-mørke-kontrasten i "A Setter" er registreret som Serene. Kontrast beskriver, hvor kraftigt lyse og mørke områder adskiller sig fra hinanden.