Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Alfred Guillou døde i 1926; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1996.
I kontekst
First Communion — Alfred Guillou
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 82 ved død.
Skyggelagt: Alfred Guillou' livstid (1844–1926) hvert dateret maleri, årti for årti
Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/alfred-guillou-first-communion-ARCUTB-en/
Målt ud fra billedet
Hovedfarve
Quinacridone Magenta #82633f
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 7 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri rangerer som nummer 2 af dem, med 50,0% af den opmærksomhed. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Alfred Guillou (1844 – 1926) stands as a cornerstone figure in the burgeoning Breton art movement and, crucially, the celebrated Concarneau Art Colony. Born into a fishing family in Concarneau, Brittany—a region steeped in maritime tradition—Guillou’s artistic journey began under the tutelage of Théodore Lemunier, a lithographer who recognized his innate talent and encouraged him to pursue formal training in Paris. This formative experience at the Académie Suisse provided a foundation for his subsequent engagement with Alexandre Cabanel's atelier, where he honed his skills alongside fellow artists Jules Bastien-lepage, Fernand Cormon, and Théophile Deyrolle—men who would collectively reshape the landscape of French painting.
Early Influences: Lemunier’s guidance instilled in Guillou a deep appreciation for observation and realism, mirroring the traditions of Breton rural life.
Parisian Atelier Training: Cabanel's workshop fostered Guillou’s technical prowess and exposed him to the stylistic innovations of Impressionism, subtly shaping his artistic vision.
The pivotal moment arrived in 1868 when Guillou debuted at the Salon with “Young Breton Fisherman,” a painting that immediately captured the spirit of Brittany and cemented his reputation as a masterful interpreter of maritime subjects. Recognizing the potential for collaborative creativity, he partnered with Deyrolle to establish the Concarneau Art Colony in 1870—a haven for artists drawn to the region’s unspoiled beauty and Breton folklore. This colony attracted luminaries like Paul Gauguin and Charles Cottet, fostering a unique artistic environment where primitivism intertwined with Impressionistic techniques. Guillou's dedication to capturing the essence of Breton life extended beyond painting; he actively participated in local politics and served on the board of the Musée des Beaux-Arts de Quimper, ensuring that Breton heritage would endure through artistic representation.
The Concarneau Colony: Guillou’s role as founder solidified Concarneau's position as a center for artistic experimentation and cultural preservation.
Universal Exhibitions Recognition: His silver medals at the 1889 and 1900 Paris Universal Exhibitions acknowledged his contribution to French art and garnered international acclaim.
Following his marriage to Joseph Tourny’s daughter, Guillou maintained a home in Montparnasse while prioritizing time with his family and continuing his artistic pursuits. The death of his father in 1887 prompted him to construct a substantial house and workshop in Concarneau—a testament to his unwavering connection to his roots. He became deeply involved in the preservation of Breton culture, recognizing its significance as inspiration for artists seeking authenticity and timeless beauty. Guillou’s legacy resides not only in his captivating paintings but also in his role as a catalyst for artistic innovation and cultural heritage—a true embodiment of Breton Impressionism and the enduring spirit of the Concarneau Art Colony.
artsdot.com/da/art/download/alfred-guillou-first-communion-ARCUTB-en/
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First Communion — Alfred Guillou
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"First Communion" blev skabt af Alfred Guillou. Informationen på denne side beskriver Alfred Guillous originale værk.
Farven på "First Communion" har en mætning på Subtle Color og en intensitet på Balanced.
"First Communion" af Alfred Guillou er i det offentlige domæne – ophavsretten er udløbet. Ophavsrettens varighed løber fra kunstnerens død, som fandt sted i 1926.