Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Abraham Cooper døde i 1868; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1938.
I kontekst
The slipper, — Abraham Cooper
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 81 ved død.
Malet da kunstneren var 25 år gammel. Kunstneren blev 81 år gammel. 1 af de 7 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: Abraham Cooper' livstid (1787–1868) ▲ dette værk, 1812 hvert dateret maleri, årti for årti
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: artsdot.com/da/art/similar/abraham-cooper-the-slipper-9HTL8L-en/
Målt ud fra billedet
Hovedfarve
Espresso #394150
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 70 værker af denne kunstner, hvoraf 11 er blevet set mindst én gang. Dette maleri rangerer som nummer 7 af dem, med 9,1% af den opmærksomhed. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Født i London, Storbritannien
Born in Greenwich, London, Abraham Cooper rose from humble beginnings to become one of the most respected British animal and battle painters of his era. The son of a tobacconist, his path to artistic greatness was far from conventional. His early years were defined by labor rather than leisure; at thirteen, he found employment at Astley's Amphitheatre, and later served as a groom under the care of Henry Meux. It was this intimate connection to the equine world that would ultimately shape his creative destiny. Driven by a desire to capture the likeness of a favorite horse, the young groom took it upon himself to learn the complexities of oil painting through a manual, practicing his craft on canvases hung against stable walls.
This raw, instinctive passion soon blossomed into professional mastery. Encouraged by his master and introduced to the established animal painter Benjamin Marshall, Cooper began to refine his technique by copying prints of horses. His talent for capturing the anatomical precision and spirited energy of animals quickly caught the attention of the art establishment. By 1814, he was exhibiting works such as Tam O'Shanter, and his prowess in depicting historical conflict led to significant recognition, including a prize for his Battle of Ligny in 1816. His ascent within the prestigious Royal Academy was swift, moving from an associate in 1817 to a full Academician by 1820.
Cooper’s oeuvre is characterized by a profound dedication to the drama of the battlefield and the quiet dignity of animal portraiture. He possessed a unique ability to breathe life into his subjects, particularly through his mastery of equine anatomy. While some critics noted a certain flatness in his coloring, none could deny his skill in rendering the muscular tension and dynamic movement of horses in the heat of combat. His works often revisited historical themes, showing a special fondness for the era of the Cavaliers and Roundheads, which allowed him to blend historical research with artistic imagination.
His contributions to British art are marked by several notable achievements and enduring works that continue to resonate in major collections:
The Battle of Marston Moor: A significant work that showcased his ability to handle large-scale, complex historical scenes.
Bosworth Field: An evocative depiction of one of England's most pivotal battles, now held in the Dallas Museum of Art.
Animal Realism: Beyond the battlefield, his paintings such as A Fox and A Dog-fight demonstrate a remarkable ability to capture the essence of wildlife through realistic action and dramatic lighting.
Through his transition from a stable groom to a celebrated Royal Academician, Abraham Cooper left an indelible mark on the nineteenth-century art world. His life serves as a testament to the power of self-directed study and a deep, lived connection to his subject matter. He remains a vital figure for those studying the intersection of historical narrative and the romanticized depiction of the natural world.
artsdot.com/da/art/download/abraham-cooper-the-slipper-9HTL8L-en/
Se nærmere efter
The slipper, — Abraham Cooper
Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.
Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.
"The slipper," af Abraham Cooper er en Landscape komposition. Det er værd at tjekke proportionerne, før du vælger en printstørrelse.
Farvepaletten i "The slipper," har en mætning på Subtle Color.
For at bestille et tryk af "The slipper," af Abraham Cooper, skal du blot gøre det på dens Fine art-print side: et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir.