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Abraham Cooper, The gamekeeper's stable. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Abraham Cooper artsdot.com/da/artists/abraham-cooper_da/
Kunstnerens årstal
1787 – 1868
Bevægelse
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

I kontekst

The gamekeeper's stable — Abraham Cooper

Hvornår er dette maleri sandsynligvis blevet malet?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840
  8. 1850
  9. 1860

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 81 ved død.

Skyggelagt: Abraham Cooper' livstid (1787–1868) hvert dateret maleri, årti for årti

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: artsdot.com/da/art/similar/abraham-cooper-the-gamekeeper-s-stable-9HTL8K-en/

Farver

Målt ud fra billedet

    Primær farve

    Black #410a03

    Katalogiseret palet

    • #410A03
    • #982709
    • #0C0100
    • #E27921

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Black
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Abraham Cooper i løbet af de sidste tolv måneder — 4 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 63,6%
    2. 2 USA 18,2%
    3. 3 Storbritannien 9,1%
    4. 4 Singapore 9,1%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 13 mest viste værker af Abraham Cooper

    1. 1 A fox, 1817 8,3%
    2. 2 A Spaniel in a Landscape 8,3%
    3. 3 A Huntsman Encouraging Hounds 8,3%
    4. 4 Study Of A Cat 8,3%
    5. 5 Mr A. W. Tudor 8,3%
    6. 6 'Scrub', a Shooting Pony Aged 30, and Two Clumber Spaniels 8,3%
    7. 7 A Grey Horse At A Stable Door 8,3%
    8. 8 The slipper,, 1812 8,3%
    9. 9 Master Edward Coutts Marjoriebanks on his Pony 8,3%
    10. 10 A Gamekeeper With A Grey Pony And A Dog In A Landscape 8,3%
    11. 11 The Racehorse, 'camel' 8,3%
    12. 12 Marston Moor 8,3%
    13. — The gamekeeper's stable dette maleri 0,0%

    Sammen udgør disse værker 99,6% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 70 værker af denne kunstner, hvoraf 12 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Abraham Cooper

    Født i London, Storbritannien

    The Self-Taught Master of Motion and Might

    Born in Greenwich, London, Abraham Cooper rose from humble beginnings to become one of the most respected British animal and battle painters of his era. The son of a tobacconist, his path to artistic greatness was far from conventional. His early years were defined by labor rather than leisure; at thirteen, he found employment at Astley's Amphitheatre, and later served as a groom under the care of Henry Meux. It was this intimate connection to the equine world that would ultimately shape his creative destiny. Driven by a desire to capture the likeness of a favorite horse, the young groom took it upon himself to learn the complexities of oil painting through a manual, practicing his craft on canvases hung against stable walls.

    This raw, instinctive passion soon blossomed into professional mastery. Encouraged by his master and introduced to the established animal painter Benjamin Marshall, Cooper began to refine his technique by copying prints of horses. His talent for capturing the anatomical precision and spirited energy of animals quickly caught the attention of the art establishment. By 1814, he was exhibiting works such as Tam O'Shanter, and his prowess in depicting historical conflict led to significant recognition, including a prize for his Battle of Ligny in 1816. His ascent within the prestigious Royal Academy was swift, moving from an associate in 1817 to a full Academician by 1820.

    A Legacy of Equine and Historical Grandeur

    Cooper’s oeuvre is characterized by a profound dedication to the drama of the battlefield and the quiet dignity of animal portraiture. He possessed a unique ability to breathe life into his subjects, particularly through his mastery of equine anatomy. While some critics noted a certain flatness in his coloring, none could deny his skill in rendering the muscular tension and dynamic movement of horses in the heat of combat. His works often revisited historical themes, showing a special fondness for the era of the Cavaliers and Roundheads, which allowed him to blend historical research with artistic imagination.

    His contributions to British art are marked by several notable achievements and enduring works that continue to resonate in major collections:

    The Battle of Marston Moor: A significant work that showcased his ability to handle large-scale, complex historical scenes.

    Bosworth Field: An evocative depiction of one of England's most pivotal battles, now held in the Dallas Museum of Art.

    Animal Realism: Beyond the battlefield, his paintings such as A Fox and A Dog-fight demonstrate a remarkable ability to capture the essence of wildlife through realistic action and dramatic lighting.

    Through his transition from a stable groom to a celebrated Royal Academician, Abraham Cooper left an indelible mark on the nineteenth-century art world. His life serves as a testament to the power of self-directed study and a deep, lived connection to his subject matter. He remains a vital figure for those studying the intersection of historical narrative and the romanticized depiction of the natural world.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for The gamekeeper's stable

    artsdot.com/da/art/download/abraham-cooper-the-gamekeeper-s-stable-9HTL8K-en/

    Kildehenvisning til dette kunstværk

    MLA
    Cooper, Abraham. The gamekeeper's stable. n.d., https://artsdot.com/da/art/abraham-cooper-the-gamekeeper-s-stable-9HTL8K-en/
    APA
    Cooper, Abraham (n.d.). The gamekeeper's stable [Painting]. https://artsdot.com/da/art/abraham-cooper-the-gamekeeper-s-stable-9HTL8K-en/
    Chicago
    Abraham Cooper. The gamekeeper's stable. n.d. https://artsdot.com/da/art/abraham-cooper-the-gamekeeper-s-stable-9HTL8K-en/
    Harvard
    Cooper, Abraham (n.d.) The gamekeeper's stable. Available at: https://artsdot.com/da/art/abraham-cooper-the-gamekeeper-s-stable-9HTL8K-en/

    Se nærmere efter

    The gamekeeper's stable — Abraham Cooper

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: rural life, horse painting, stable scene. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på A fox (1817) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken kunstretning tilhører "The gamekeeper's stable" af Abraham Cooper?

    "The gamekeeper's stable" af Abraham Cooper tilhører Realism-bevægelsen. Denne bevægelse giver den stilistiske kontekst for værket.

    Hvordan kan jeg købe en digital fil af "The gamekeeper's stable" af Abraham Cooper?

    Et digitalt billede af "The gamekeeper's stable" af Abraham Cooper kan købes på siden for Digitalt billede: et højopløseligt digitalt billeddownload.

    Hvordan passer "The gamekeeper's stable" ind i Abraham Coopers temaer og stil?

    "The gamekeeper's stable" deler med Abraham Coopers øvrige værker sin Realism-stil og de gennemgående temaer: typical cooper subject, early 19th-century work, animal portrait mastery, dutch realism, cooper's animal style, romantic lighting effects, rural labor life, gamekeeper's existence.