Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 17 děl umělce Vojtěch Bartoněk v našem katalogu
Stručně řečeno
Pokud znáte jedno dílo umělce Vojtěch Bartoněk, je to pravděpodobně Peter Parler Received by Charles IV (1885), které je vystaveno v Národní galerie Praha, Praha. Noon, study for a painting to decorate the dining room of Bohumil Bondy (1888) a Noon, study for a painting to decorate the dining room of Bohumil Bondy (1888) doplňují trojici děl, která lidé okamžitě poznají. Náš katalog obsahuje 17 děl umělce Vojtěch Bartoněk. Níže je 17 nejznámějších děl, u každého z nich najdete rok vzniku, místo, kde je lze najít, a to, co je výjimečné.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Vojtěch Bartoněk | Obrazy z tohoto seznamu |
|---|---|---|---|
 Národní galerie Praha |
Praha | 17 | Peter Parler Received by Charles IV, Noon, study for a painting to decorate the dining room of Bohumil Bondy, Noon, study for a painting to decorate the dining room of Bohumil Bondy |
Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.
Na vrcholu žebříčku je Peter Parler Received by Charles IV (1885), Národní galerie Praha, Praha. Hned za ním následují: Noon, study for a painting to decorate the dining room of Bohumil Bondy (1888) a Noon, study for a painting to decorate the dining room of Bohumil Bondy (1888).
26 let. Vojtěch Bartoněk se narodil(a) v 1859 a dílo Peter Parler Received by Charles IV pochází z roku 1885.
Peter Parler Received by Charles IV, Noon, study for a painting to decorate the dining room of Bohumil Bondy, Noon, study for a painting to decorate the dining room of Bohumil Bondy, Study of a Seated Arab, Party at a Table, study, Study of an Oriental Woman with Harp, Goose Girl, Study of a Seated Female Model, Study for the painting From the Streets of Prague (Dustmen) a Study of a Seated Male Nude. Rok vzniku a muzeum každého díla najdete v seznamu výše.
V našem katalogu máme 17 děl umělce Vojtěch Bartoněk z let 1885 až 1903.
Většinu z nich najdete v Národní galerie Praha (Praha). Seznam muzeí výše obsahuje podrobný přehled.
V období 1880s, více než v jakémkoli jiném čase: 9 z 17 děl na této stránce pochází z této doby, z nichž Peter Parler Received by Charles IV.
Nejstarší dílo je z Peter Parler Received by Charles IV (1885); nejnovější je z Woodcutters (Flirting Manservant) (1903).
Na této stránce můžete uvidět 17 děl v Národní galerie Praha, Praha, včetně Peter Parler Received by Charles IV, Noon, study for a painting to decorate the dining room of Bohumil Bondy a Noon, study for a painting to decorate the dining room of Bohumil Bondy.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
Vojtěch Bartoněk did not merely paint the Czech landscape; he documented its pulse through a shifting lens of historical weight and everyday reality. While his early training at the Academy of Fine Arts in Prague under Jan Swerts, Antonín Lhota, Maximilian Pirner, František Sequens, and František Čermák provided a rigorous technical foundation, his true development lay in his ability to pivot between scales of subject matter. He began with the heavy demands of history painting, yet he eventually found more substance in the mundane rhythms of the streets, squares, and marketplaces of Prague.
His work moved from the grand narrative to the specific, local detail. This transition is visible in his shift from large-scale historical compositions to genre scenes that captured the life of the city. He possessed a particular talent for finding importance in the common, whether it was a dairywoman or a scene at a fence. His technical skill extended beyond the canvas into architectural interventions, such as the lunettes at the Old Town Market and ceiling paintings for the Church of the Assumption in Klecany.
Bartoněk’s education was not confined to Bohemia. His time at the École des Beaux Arts in Paris introduced a level of refinement that he brought back to his restorative work and his painting. This duality—being both a creator of new images and a restorer of old ones—gave him a unique understanding of pigment, surface, and historical continuity. He was not an isolated figure; his career was marked by significant professional intersections.
His output included several notable projects and illustrations:
To look at Bartoněk’s work is to see a specific era of Prague through a disciplined eye. He avoided the trap of purely romanticized landscapes, preferring the grit and activity of the marketplace. His paintings like Spor, Spring (At the Fence), and Bridesmaid and Grandfather demonstrate a commitment to capturing character and atmosphere without relying on hollow sentiment. He focused on the tangible: the movement of people in a square or the light hitting an architectural feature. Even his work as an illustrator required a sharp sense of composition that could translate complex narratives into single, readable images. His significance remains tied to this ability to anchor Czech identity in the observable reality of his time.
