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Nejznámějším dílem umělce Mingering Mike je GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). Další v pořadí jsou THE FREEDOM STOMPERS (1969) a 3 FOOTSTEPS away from the altar, mingering mike the big D (1969). V našem katalogu máme 151 děl umělce Mingering Mike; tento průvodce vybral 100 nejznámějších z nich včetně roku vzniku, muzea a příběhu každého díla.
10 obrazů Mingering Mike, které je třeba znát jako první
Čísla 11 až 100: více obrazů od Mingering Mike
Obrazy umělce Mingering Mike podle jednotlivých období
Late Period
1969 – 1972 · 5 děl v tomto seznamuContemporary
1968 – 1972 · 5 děl v tomto seznamuCo nejčastěji maloval Mingering Mike
Čtyři nejčastější motivy těchto děl, z nichž každý má svůj nejznámější příklad.
Social commentary 8 děl
Music memorabilia 4 děl
Vintage vinyl 4 děl
Rok od roku: nejznámější díla umělce Mingering Mike
Zde je desetiletí tvorby Mingering Mike, v kostce: 8 let od 1968 do 1975, předvedených rok po roce prostřednictvím jejích nejznámějších děl.
Díla podle roku
Vyberte rok a prohlédněte si jeho díla.
A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS
Více od 1970
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON
Více od 1972
Mingering Mike: rychlé odpovědi o obrazech
Který obraz je nejznámější u Mingering Mike?Zobrazit odpověď
Na vrcholu žebříčku je GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). Hned za ním následují THE FREEDOM STOMPERS (1969) a 3 FOOTSTEPS away from the altar, mingering mike the big D (1969).
Kdy byl/a Mingering Mike při tvorbě díla GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON?Zobrazit odpověď
22 let. Mingering Mike se narodil(a) v 1950 a dílo GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON pochází z roku 1972.
Jakých je 10 nejlepších obrazů umělce Mingering Mike?Zobrazit odpověď
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS a DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE. Rok vzniku a muzeum každého díla najdete v seznamu výše.
Kolik děl umělce Mingering Mike se nachází ve vašem katalogu?Zobrazit odpověď
V našem katalogu máme 151 děl umělce Mingering Mike z let 1968 až 1975.
Kdy vytvořil/a Mingering Mike svá nejznámější díla?Zobrazit odpověď
V období 1972, více než v jakémkoli jiném čase: 45 z 100 děl na této stránce pochází z této doby, z nichž GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON.
Jaká jsou první a poslední slavná díla umělce Mingering Mike?Zobrazit odpověď
Nejstarší dílo je z MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968); nejnovější je z MERCY LET THE MUSIC TAKE YOUR MIND (1975).
Jaká témata maloval Mingering Mike nejčastěji?Zobrazit odpověď
Social commentary (8), Music memorabilia (4) a Vintage vinyl (4) z celkových 100 kusů na této stránce.
K jakému stylu nebo směru patří Mingering Mike?Zobrazit odpověď
Pop art a Contemporary realism, jak je vidět u děl na této stránce.
Příběh umělce Mingering Mike
The Genesis of a Dream: Mingering Mike’s Constructed Reality
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
The Art of the Constructed Album
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
Rediscovery and Recognition
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
Themes and Legacy
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.





