Portrét Bartolomeo Passarotti

Seznamte se s 59 nejznámějšími obrazy autora Bartolomeo Passarotti

Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 59 děl umělce Bartolomeo Passarotti v našem katalogu

Stručně řečeno

Pokud znáte jedno dílo umělce Bartolomeo Passarotti, je to pravděpodobně Portrait of an old woman (1582), které je vystaveno v Kunsthistorisches Museum, Vídeň. The Anatomy Lesson (1550) a Family Portrait (1585) doplňují trojici děl, která lidé okamžitě poznají. Náš katalog obsahuje 59 děl umělce Bartolomeo Passarotti. Níže je 59 nejznámějších děl, u každého z nich najdete rok vzniku, místo, kde je lze najít, a to, co je výjimečné.

1529 – 1592, Bologna Renaissance Nejvíce děl: Museo del Prado

Začněte zde: 10 nejlepších obrazů umělce Bartolomeo Passarotti

2
The Anatomy Lesson (1550) od Bartolomeo Passarotti

The Anatomy Lesson

1550 · Oil · Galleria Borghese, Řím

The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…

3
Family Portrait (1585) od Bartolomeo Passarotti

Family Portrait

1585 · Oil On Canvas · Kunsthistorisches Museum, Vídeň

In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…

6
Saint Jerome (1550) od Bartolomeo Passarotti

Saint Jerome

1550 · Oil On Canvas · National Gallery of Ireland, Dublin

A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…

7
The Fishmongers (1550) od Bartolomeo Passarotti

The Fishmongers

1550 · Oil On Canvas

The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…

8
Self-portrait (1560) od Bartolomeo Passarotti

Self-portrait

1560 · Oil On Panel

The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…

9
Portrait of a Scribe (1560) od Bartolomeo Passarotti

Portrait of a Scribe

1560 · Oil On Canvas

In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…

10
Three Men with Two Dogs (1550) od Bartolomeo Passarotti

Three Men with Two Dogs

1550 · Oil On Canvas

The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…

Více oblíbených děl umělce Bartolomeo Passarotti, od 11 do 59

11Portrait of the Physician Carlo Fontana (1570) od Bartolomeo PassarottiPortrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK) 12Portrait of Pope Pius V (1579) od Bartolomeo PassarottiPortrait of Pope Pius V1579 13Portrait of a Young General (1575) od Bartolomeo PassarottiPortrait of a Young General1575 14Pope Gregory XIII (1580) od Bartolomeo PassarottiPope Gregory XIII1580 · Gemäldegalerie 15Portrait of a Man (1580) od Bartolomeo PassarottiPortrait of a Man1580 · Harvard Art Museums 16Poultry dealer (1580) od Bartolomeo PassarottiPoultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi 17Blood of the Redeemer od Bartolomeo PassarottiBlood of the RedeemerMuzeum umění v Bostonu 18Portrait of Ignazio Danti (1597) od Bartolomeo PassarottiPortrait of Ignazio Danti1597 · Musée Des Beaux 19Portrait of a Man Playing a Lute (1576) od Bartolomeo PassarottiPortrait of a Man Playing a Lute1576 · Muzeum umění v Bostonu 20Copy after Michelangelo (1550) od Bartolomeo PassarottiCopy after Michelangelo1550 · Nelson-Atkins Museum of Art 21DIANE CHASSERESSE od Bartolomeo PassarottiDIANE CHASSERESSELouvre 22The Holy Family with St Elizabeth and the Infant St John the Baptist (1572) od Bartolomeo PassarottiThe Holy Family with St Elizabeth and the Infant St John the Baptist1572 23Portrait of a Young Man Holding a Statuette (1575) od Bartolomeo PassarottiPortrait of a Young Man Holding a Statuette1575 24Portrait of a Man with a Dog (detail) (1585) od Bartolomeo PassarottiPortrait of a Man with a Dog (detail)1585 · Pinacoteca Capitolina 25The Fishmonger's Shop (1580) od Bartolomeo PassarottiThe Fishmonger's Shop1580 · Galleria Nazionale d'Arte Antica 26Portrait of a Man with a Dog (1585) od Bartolomeo PassarottiPortrait of a Man with a Dog1585 · Pinacoteca Capitolina 27Copy After Michelangelo's Aurora (1550) od Bartolomeo PassarottiCopy After Michelangelo's Aurora1550 28Study of Male Nudes Fighting (1572) od Bartolomeo PassarottiStudy of Male Nudes Fighting1572 29Perseus frees Andromeda (1575) od Bartolomeo PassarottiPerseus frees Andromeda1575 30Family portrait od Bartolomeo PassarottiFamily portraitGemäldegalerie Alte Meister 31Saint John Baptist, Saint Jerome and Saint Francis of Assisi od Bartolomeo PassarottiSaint John Baptist, Saint Jerome and Saint Francis of AssisiMusée des Beaux-Arts de Strasbourg 32Lute palyer od Bartolomeo PassarottiLute palyer 33Portrait d'homme en armure od Bartolomeo PassarottiPortrait d'homme en armure 34A Butchery (1575) od Bartolomeo PassarottiA Butchery1575 · Galleria Nazionale d'Arte Antica 35Male Nude (1550) od Bartolomeo PassarottiMale Nude1550 · Museo del Prado 36Copy of a Statue with A Female Nude From Back (1550) od Bartolomeo PassarottiCopy of a Statue with A Female Nude From Back1550 · Museo del Prado 37Lucretia's Suicide (1550) od Bartolomeo PassarottiLucretia's Suicide1550 38Portrait of a Botanist (Ulisse Aldrovandi.) (1570) od Bartolomeo PassarottiPortrait of a Botanist (Ulisse Aldrovandi.)1570 · Galleria Spada 39Portrait of Pope Pius V (1566) od Bartolomeo PassarottiPortrait of Pope Pius V1566 · Walters Art Museum 40Portrait of a Lady with a Dog (1569) od Bartolomeo PassarottiPortrait of a Lady with a Dog1569 41Double Portrait of Musicians (1579) od Bartolomeo PassarottiDouble Portrait of Musicians1579 · Kapitolská muzea 42Double Dressed Portrait of Circe and Ulysses (1575) od Bartolomeo PassarottiDouble Dressed Portrait of Circe and Ulysses1575 43Copy of the Good Thief, From the Last Judgement of Michelangelo (1570) od Bartolomeo PassarottiCopy of the Good Thief, From the Last Judgement of Michelangelo1570 · Museo del Prado 44The Holy Family Accompained by an Angel and two Saints (1565) od Bartolomeo PassarottiThe Holy Family Accompained by an Angel and two Saints1565 · Museo del Prado 45Portrait of a Gentleman (1580) od Bartolomeo PassarottiPortrait of a Gentleman1580 46Nude Studies (1580) od Bartolomeo PassarottiNude Studies1580 47Portrait of a Cavalier with his Hunting Dogs (1580) od Bartolomeo PassarottiPortrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art 48The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (1580) od Bartolomeo PassarottiThe Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · Art Gallery of South Australia 49Study of An Eagle (1580) od Bartolomeo PassarottiStudy of An Eagle1580 50St. Dominicus and the Albigensians (1580) od Bartolomeo PassarottiSt. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna 51Domenico Giuliani and His Servant od Bartolomeo PassarottiDomenico Giuliani and His Servant 52Portrait of an Unknown Soldier in Armour od Bartolomeo PassarottiPortrait of an Unknown Soldier in Armour 53Portrait of an Old Woman od Bartolomeo PassarottiPortrait of an Old Woman 54A Group of Six Men, Including a Self Portrait od Bartolomeo PassarottiA Group of Six Men, Including a Self Portrait 55Portrait of a lady, head and shoulders od Bartolomeo PassarottiPortrait of a lady, head and shouldersBavarské státní sbírky malby 56Portrait of an Unknown Soldier in Armour od Bartolomeo PassarottiPortrait of an Unknown Soldier in ArmourNational Trust 57Holy Family with the Infant St John the Baptist and St Catherine of Alexandria od Bartolomeo PassarottiHoly Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum 58Two market women and a boy with chicken and vegetables od Bartolomeo PassarottiTwo market women and a boy with chicken and vegetablesGemäldegalerie 59The Butcher's Shop (1580) od Bartolomeo PassarottiThe Butcher's Shop1580 · Galleria Nazionale d'Arte Antica

Obrazy umělce Bartolomeo Passarotti podle jednotlivých období

Co nejčastěji maloval Bartolomeo Passarotti

Čtyři nejčastější motivy těchto děl, z nichž každý má svůj nejznámější příklad.

Kde si můžete prohlédnout obrazy autora Bartolomeo Passarotti

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Bartolomeo Passarotti Obrazy z tohoto seznamu
Museo del Prado, MadridMuseo del Prado Madrid 4 Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo
Kunsthistorisches Museum, VídeňKunsthistorisches Museum Vídeň 3 Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana
Galleria Nazionale d'Arte Antica, ŘímGalleria Nazionale d'Arte Antica Řím 3 The Fishmonger's Shop, A Butchery, The Butcher's Shop
Bavarské státní sbírky malby, MnichovBavarské státní sbírky malby Mnichov 2 Portrait of a Man, Portrait of a lady, head and shoulders
Muzeum umění v Bostonu, BostonMuzeum umění v Bostonu Boston 2 Blood of the Redeemer, Portrait of a Man Playing a Lute
Pinacoteca Capitolina, ŘímPinacoteca Capitolina Řím 2 Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog
Galleria Borghese, ŘímGalleria Borghese Řím 1 The Anatomy Lesson
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Saint Jerome

Bartolomeo Passarotti dekáda po dekádě: jeden vyjemtelný dílo v každém období

Díla podle dekád

Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.

Vaše dotazy k obrazům autora Bartolomeo Passarotti

Který obraz od Bartolomeo Passarotti je nejznámější?Zobrazit odpověď

Na vrcholu žebříčku je Portrait of an old woman (1582), Kunsthistorisches Museum, Vídeň. Hned za ním následují: The Anatomy Lesson (1550) a Family Portrait (1585).

Kolik let bylo Bartolomeo Passarotti, když bylo vytvořeno dílo Portrait of an old woman?Zobrazit odpověď

53 let. Bartolomeo Passarotti se narodil(a) v 1529 a dílo Portrait of an old woman pochází z roku 1582.

Kterých 10 nejznámějších obrazů má Bartolomeo Passarotti?Zobrazit odpověď

Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe a Three Men with Two Dogs. Rok vzniku a muzeum každého díla najdete v seznamu výše.

Kolik obrazů vytvořil/a Bartolomeo Passarotti?Zobrazit odpověď

V našem katalogu máme 59 děl umělce Bartolomeo Passarotti z let 1550 až 1585.

Kde můžete vidět slavná díla umělce Bartolomeo Passarotti?Zobrazit odpověď

Většinu z nich najdete v Museo del Prado (Madrid), Kunsthistorisches Museum (Vídeň) a Galleria Nazionale d'Arte Antica (Řím). Seznam muzeí výše obsahuje podrobný přehled.

Kdy Bartolomeo Passarotti namaloval svá nejznámější díla?Zobrazit odpověď

V období 1580s, více než v jakémkoli jiném čase: 16 z 59 děl na této stránce pochází z této doby, z nichž Portrait of an old woman.

Která slavná obrazová díla umělce Bartolomeo Passarotti vznikla jako první a která jako poslední?Zobrazit odpověď

Nejstarší dílo je z The Anatomy Lesson (1550); nejnovější je z Family Portrait (1585).

Jaká témata se nejčastěji objevují v obrazech umělce Bartolomeo Passarotti?Zobrazit odpověď

Man (15), Beard (7) a Book (6) z celkových 59 kusů na této stránce.

Jaké materiály používal(a) Bartolomeo Passarotti nejčastěji?Zobrazit odpověď

Oil On Canvas, použito u 15 z 59 děl na této stránce.

K jakému uměleckému směru patřil/a Bartolomeo Passarotti?Zobrazit odpověď

Renaissance a Mannerism, jak je vidět u děl na této stránce.

Jaká díla umělce Bartolomeo Passarotti můžete vidět v Museo del Prado?Zobrazit odpověď

Na této stránce můžete uvidět 4 děl v Museo del Prado, Madrid, včetně Male Nude, Copy of a Statue with A Female Nude From Back a Copy of the Good Thief, From the Last Judgement of Michelangelo.

Mohu si pořídit reprodukci obrazu od Bartolomeo Passarotti?Zobrazit odpověď

Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.

Seznámit se s umělcem Bartolomeo Passarotti

The Bolognese Master of Mannerist Splendor

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

A Tapestry of Genre and Drama

Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

Legacy and Historical Significance

While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.

Všechna díla od Bartolomeo Passarotti: 59 →