Portrét Stephen Chaplin

Váš průvodce 100 nejslavnějšími obrazy autora Stephen Chaplin

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 123 děl umělce Stephen Chaplin v našem katalogu

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Nejznámějším dílem umělce Stephen Chaplin je The Crofton Entrance to Orpington Rail Station (2002). Další v pořadí jsou Treatment in Minors, Departure from Main Entrance, 2003 (a set of 7 progress paintings, panel 6 of 7) (2003) a Treatment in Minors, Arrival 2003 (a set of 7 progress paintings, panel 2 of 7) (2003). V našem katalogu máme 123 děl umělce Stephen Chaplin; tento průvodce vybral 100 nejznámějších z nich včetně roku vzniku, muzea a příběhu každého díla.

narozen 1934 Contemporary realism Nejvíce děl: The Stanley - Audrey Burton Gallery

10 obrazů Stephen Chaplin, které je třeba znát jako první

Čísla 11 až 100: více obrazů od Stephen Chaplin

11Looking North along the Cray Park (1994) od Stephen ChaplinLooking North along the Cray Park1994 12'Tudor Cars' and the Rail Bridge at the Foot of the Station Approach (1994) od Stephen Chaplin'Tudor Cars' and the Rail Bridge at the Foot of the Station Approach1994 13Summerley Street, SW18 (1994) od Stephen ChaplinSummerley Street, SW181994 14The Fields between Goddington Park and Chelsfield Village (1998) od Stephen ChaplinThe Fields between Goddington Park and Chelsfield Village1998 15Looking towards The Highway from along Warren Road (1998) od Stephen ChaplinLooking towards The Highway from along Warren Road1998 16Footpaths below Orpington Station (1999) od Stephen ChaplinFootpaths below Orpington Station1999 17Road near Cockmannings Lane (2003) od Stephen ChaplinRoad near Cockmannings Lane2003 18House at Derry Downs (2002) od Stephen ChaplinHouse at Derry Downs2002 19Poverest Recreation Ground (2002) od Stephen ChaplinPoverest Recreation Ground2002 20Bus Shelter on the Ramsden Estate (2003) od Stephen ChaplinBus Shelter on the Ramsden Estate2003 21Perry Hall Road (2003) od Stephen ChaplinPerry Hall Road2003 22Looking North from Cockmannings Road (2002) od Stephen ChaplinLooking North from Cockmannings Road2002 23Near Christchurch Congregational Church (2003) od Stephen ChaplinNear Christchurch Congregational Church2003 24Top of Scads Hill (2002) od Stephen ChaplinTop of Scads Hill2002 25In the 'Schools' Road (2003) od Stephen ChaplinIn the 'Schools' Road2003 26Houses on Sevenoaks Road (2003) od Stephen ChaplinHouses on Sevenoaks Road2003 27Tubbenden Lane (2003) od Stephen ChaplinTubbenden Lane2003 28Feet on the Undergound I (2001) od Stephen ChaplinFeet on the Undergound I2001 29Carlton Parade (2002) od Stephen ChaplinCarlton Parade2002 30Sevenoaks Road Tunnel and Embankment (2003) od Stephen ChaplinSevenoaks Road Tunnel and Embankment2003 31Senate on 4 December 1976 (2001) od Stephen ChaplinSenate on 4 December 19762001 · The Stanley - Audrey Burton Gallery 32The Field to the East of Rounds Smallams, Goddington (2003) od Stephen ChaplinThe Field to the East of Rounds Smallams, Goddington2003 33Feet on the Underground III (2001) od Stephen ChaplinFeet on the Underground III2001 34Remains of the Old Orpington Hospital (2003) od Stephen ChaplinRemains of the Old Orpington Hospital2003 35The Pavilion, Goddington Park (2003) od Stephen ChaplinThe Pavilion, Goddington Park2003 36Grassmead Recreation Ground (2003) od Stephen ChaplinGrassmead Recreation Ground2003 37The War Memorial, Spur Road House and Signage (2001) od Stephen ChaplinThe War Memorial, Spur Road House and Signage2001 38The Davis Estate (2003) od Stephen ChaplinThe Davis Estate2003 39Chislehurst Road (2002) od Stephen ChaplinChislehurst Road2002 40The Edge of Poverest Wood (2003) od Stephen ChaplinThe Edge of Poverest Wood2003 41Putney Bridge and Putney Wharf, London (diptych, left panel) (2002) od Stephen ChaplinPutney Bridge and Putney Wharf, London (diptych, left panel)2002 42Merton Road, SW18 (2002) od Stephen ChaplinMerton Road, SW182002 43Penwith Road, SW18 (2002) od Stephen ChaplinPenwith Road, SW182002 44Flats on the Ramsden Estate Looking towards Chelsfield Lane (2003) od Stephen ChaplinFlats on the Ramsden Estate Looking towards Chelsfield Lane2003 45Wandsworth High Street, SW18 (2002) od Stephen ChaplinWandsworth High Street, SW182002 46Battersea Power Station and St Mary's, Battersea, London (diptych, right panel) (2002) od Stephen ChaplinBattersea Power Station and St Mary's, Battersea, London (diptych, right panel)2002 47Enterprise Way and Causeway, SW18 (2002) od Stephen ChaplinEnterprise Way and Causeway, SW182002 48Alton Road, SW15 (2002) od Stephen ChaplinAlton Road, SW152002 49Emma Barelli and the Examinees, Crabtree Lecture Theatre, 10 June 1983 (2001) od Stephen ChaplinEmma Barelli and the Examinees, Crabtree Lecture Theatre, 10 June 19832001 · The Stanley - Audrey Burton Gallery 50Treatment in Minors, 2003 (detail) (a set of 7 progress paintings, panel 7 of 7) (2003) od Stephen ChaplinTreatment in Minors, 2003 (detail) (a set of 7 progress paintings, panel 7 of 7)2003 · st George's Hospital 51Gowing's Kitson with Arts Sub Dean Donald, 3 December 1981 (2001) od Stephen ChaplinGowing's Kitson with Arts Sub Dean Donald, 3 December 19812001 · The Stanley - Audrey Burton Gallery 52Battersea Power Station from the Park, London (2001) od Stephen ChaplinBattersea Power Station from the Park, London2001 53Balham High Road at Hildreth Street, London (2001) od Stephen ChaplinBalham High Road at Hildreth Street, London2001 54Treatment in Minors, 2003 (detail) (a set of 7 progress paintings, panel 3 of 7) (2003) od Stephen ChaplinTreatment in Minors, 2003 (detail) (a set of 7 progress paintings, panel 3 of 7)2003 · st George's Hospital 55Feet on the Underground II (2001) od Stephen ChaplinFeet on the Underground II2001 56Treatment in Minors, 2003 (detail) (a set of 7 progress paintings, panel 1 of 7) (2003) od Stephen ChaplinTreatment in Minors, 2003 (detail) (a set of 7 progress paintings, panel 1 of 7)2003 · st George's Hospital 57Committee Room 1, on 3 December 1981 (2001) od Stephen ChaplinCommittee Room 1, on 3 December 19812001 · The Stanley - Audrey Burton Gallery 58Brotherton Dome and Meeting in Room 404, New Arts Block, Fine Arts Department, 15 February 1989 (2001) od Stephen ChaplinBrotherton Dome and Meeting in Room 404, New Arts Block, Fine Arts Department, 15 February 19892001 · The Stanley - Audrey Burton Gallery 59Examinees, Crabtree Lecture Theatre, 10 June 1983 (2001) od Stephen ChaplinExaminees, Crabtree Lecture Theatre, 10 June 19832001 · The Stanley - Audrey Burton Gallery 60Treatment in Minors, Arrival 2003 (a set of 7 progress paintings, panel 5 of 7) (2003) od Stephen ChaplinTreatment in Minors, Arrival 2003 (a set of 7 progress paintings, panel 5 of 7)2003 · st George's Hospital 61Treatment in Minors, Departure from Main Entrance, 2003 (a set of 7 progress paintings, panel 4 of 7) (2003) od Stephen ChaplinTreatment in Minors, Departure from Main Entrance, 2003 (a set of 7 progress paintings, panel 4 of 7)2003 · st George's Hospital 62New Portrait of Edward Boyle (Itself Representing a Nineteenth Century Portrait), Presented to Senate, with Charley Mo and the Annigoni Shown to the Right, 2 February 1983 (2001) od Stephen ChaplinNew Portrait of Edward Boyle (Itself Representing a Nineteenth Century Portrait), Presented to Senate, with Charley Mo and the Annigoni Shown to the Right, 2 February 19832001 · The Stanley - Audrey Burton Gallery 63Crofton Road (2004) od Stephen ChaplinCrofton Road2004 64Saint Olave's School (2005) od Stephen ChaplinSaint Olave's School2005 65Mrs Thomas Howard and the Kondor, 1940 (2005) od Stephen ChaplinMrs Thomas Howard and the Kondor, 19402005 66Mrs Stoyel Comes to Tea, Summer 1940 (2005) od Stephen ChaplinMrs Stoyel Comes to Tea, Summer 19402005 67V 2 Impact behind the 'Commodore', March 1945 (2005) od Stephen ChaplinV 2 Impact behind the 'Commodore', March 19452005 68Saint Kilda Road (2004) od Stephen ChaplinSaint Kilda Road2004 69The Junction of Spur Road and Court Road (2004) od Stephen ChaplinThe Junction of Spur Road and Court Road2004 70The Look Out on the Shelter Top, Late Summer 1944 (2005) od Stephen ChaplinThe Look Out on the Shelter Top, Late Summer 19442005 71Garden Shelter Interior (2005) od Stephen ChaplinGarden Shelter Interior2005 72The Emergency Water Tank and Public Surface Shelters, Orpington War Memorial, 1939–1945 (2004) od Stephen ChaplinThe Emergency Water Tank and Public Surface Shelters, Orpington War Memorial, 1939–19452004 73War Damage Repairs Interrupted, Morning of 2 March 1945 (2005) od Stephen ChaplinWar Damage Repairs Interrupted, Morning of 2 March 19452005 74The Spitfires from Biggin Hill Sometimes Take Off over the Houses in Threes (2005) od Stephen ChaplinThe Spitfires from Biggin Hill Sometimes Take Off over the Houses in Threes2005 75Orpington High Street Staffed by a Fire Bomber We Take Shelter Under the Slab of Jay's Fish Shop, Probably 1941 (2004) od Stephen ChaplinOrpington High Street Staffed by a Fire Bomber We Take Shelter Under the Slab of Jay's Fish Shop, Probably 19412004 76The Air Raid Shelter, 1941–1945 (2004) od Stephen ChaplinThe Air Raid Shelter, 1941–19452004 77The Walnuts The Warden's Main Post and the Public Shelters, 1940 (2004) od Stephen ChaplinThe Walnuts The Warden's Main Post and the Public Shelters, 19402004 78Gas Mask Testing Van, War Memorial, 1939 (2004) od Stephen ChaplinGas Mask Testing Van, War Memorial, 19392004 79Sheltering under the Stairs, Night Blitz, December 1940 (2004) od Stephen ChaplinSheltering under the Stairs, Night Blitz, December 19402004 80Mr Churchill's Speech, Christmas 1941 (2005) od Stephen ChaplinMr Churchill's Speech, Christmas 19412005 81The Girl Next Door on Her Swing The Blenheim IV Banks on Its Now Usual Evening Sortie, Summer 1941 (2004) od Stephen ChaplinThe Girl Next Door on Her Swing The Blenheim IV Banks on Its Now Usual Evening Sortie, Summer 19412004 82They're Turning Back (2005) od Stephen ChaplinThey're Turning Back2005 83First Aid for V 2 Casualty, 1 March 1945 (2004) od Stephen ChaplinFirst Aid for V 2 Casualty, 1 March 19452004 84A V 1 Breaks through Cloud Cover, Summer 1944 (2004) od Stephen ChaplinA V 1 Breaks through Cloud Cover, Summer 19442004 85A P38 Escorting a Damaged B 17 towards Base (2005) od Stephen ChaplinA P38 Escorting a Damaged B 17 towards Base2005 86Canadian Corner, My Grandfather Machine Gunned by Low Level Intruder, 1940 (2004) od Stephen ChaplinCanadian Corner, My Grandfather Machine Gunned by Low Level Intruder, 19402004 87A Daylight Formation Attacks Biggin Hill, Seen from Orpington High Street, 1940 (2004) od Stephen ChaplinA Daylight Formation Attacks Biggin Hill, Seen from Orpington High Street, 19402004 88Wardens Relaxing after an Alert, Winter 1940–1941 (2004) od Stephen ChaplinWardens Relaxing after an Alert, Winter 1940–19412004 89The V 1 Attack Barrage Balloons over Ramsden, Summer 1944 (2004) od Stephen ChaplinThe V 1 Attack Barrage Balloons over Ramsden, Summer 19442004 90Play Abandoned Biggin Hill Attacked, August 1940 (2006) od Stephen ChaplinPlay Abandoned Biggin Hill Attacked, August 19402006 91The Death of My Uncle, Welling, 1944 (2006) od Stephen ChaplinThe Death of My Uncle, Welling, 19442006 92Bromley Ringed by Flares, 16 April 1941 (2006) od Stephen ChaplinBromley Ringed by Flares, 16 April 19412006 93Grandparents Take Tea, August 1940 (2006) od Stephen ChaplinGrandparents Take Tea, August 19402006 94Mrs Thomas's Dance (2006) od Stephen ChaplinMrs Thomas's Dance2006 95VE Day, 8 May 1945 (2006) od Stephen ChaplinVE Day, 8 May 19452006 96Mural Local Scenes (2006) od Stephen ChaplinMural Local Scenes2006 97The War Memorial, Multi Storey Car Park and Central Parade (2006) od Stephen ChaplinThe War Memorial, Multi Storey Car Park and Central Parade2006 98'I've Got Sixpence ', August 1941 (2006) od Stephen Chaplin'I've Got Sixpence ', August 19412006 99Taken Away, 6.30pm, 2 March 1945 (2006) od Stephen ChaplinTaken Away, 6.30pm, 2 March 19452006 100Inspecting the Cockpit of a Crashed ME110, Displayed in The Walnuts as a Fundraiser, Autumn 1940 (2006) od Stephen ChaplinInspecting the Cockpit of a Crashed ME110, Displayed in The Walnuts as a Fundraiser, Autumn 19402006

Obrazy umělce Stephen Chaplin podle jednotlivých období

Co nejčastěji maloval Stephen Chaplin

Čtyři nejčastější motivy těchto děl, z nichž každý má svůj nejznámější příklad.

Kde si můžete prohlédnout obrazy autora Stephen Chaplin

3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Stephen Chaplin Obrazy z tohoto seznamu
The Stanley - Audrey Burton Gallery, LeedsThe Stanley - Audrey Burton Gallery Leeds 13 Senate on 4 December 1976, Emma Barelli and the Examinees, Crabtree Lecture Theatre, 10 June 1983, Gowing's Kitson with Arts Sub Dean Donald, 3 December 1981
st George's Hospital, Londonst George's Hospital London 11 Treatment in Minors, Departure from Main Entrance, 2003 (a set of 7 progress paintings, panel 6 of 7), Treatment in Minors, Arrival 2003 (a set of 7 progress paintings, panel 2 of 7), Treatment in Minors, 2003 (detail) (a set of 7 progress paintings, panel 7 of 7)
st George's, Londýnst George's Londýn 6 Hunterian Images (panel 2 of 4)

Rok od roku: nejznámější díla umělce Stephen Chaplin

Díla umělce Stephen Chaplin zde pokrývají období 14 let, od 1993 do 2006. Projděte si je rok po roce.

Díla podle roku

Vyberte rok a prohlédněte si jeho díla.

Stephen Chaplin: rychlé odpovědi o obrazech

Který obraz je nejznámější u Stephen Chaplin?Zobrazit odpověď

Na vrcholu žebříčku je The Crofton Entrance to Orpington Rail Station (2002). Hned za ním následují Treatment in Minors, Departure from Main Entrance, 2003 (a set of 7 progress paintings, panel 6 of 7) (2003) a Treatment in Minors, Arrival 2003 (a set of 7 progress paintings, panel 2 of 7) (2003).

Kdy byl/a Stephen Chaplin při tvorbě díla The Crofton Entrance to Orpington Rail Station?Zobrazit odpověď

68 let. Stephen Chaplin se narodil(a) v 1934 a dílo The Crofton Entrance to Orpington Rail Station pochází z roku 2002.

Jakých je 10 nejlepších obrazů umělce Stephen Chaplin?Zobrazit odpověď

The Crofton Entrance to Orpington Rail Station, Treatment in Minors, Departure from Main Entrance, 2003 (a set of 7 progress paintings, panel 6 of 7), Treatment in Minors, Arrival 2003 (a set of 7 progress paintings, panel 2 of 7), Declaration of War, 3 September 1939, Peter Hammetts Trench A V1 Falls Nearby, Summer 1944, In Memoriam The Instant Death Of Three Aviators, 1940–1941, Hunterian Images (panel 2 of 4), St Mary Cray from Sevenoaks Way, The Edge of Orpington a College of Further Education. Rok vzniku a muzeum každého díla najdete v seznamu výše.

Kolik děl umělce Stephen Chaplin se nachází ve vašem katalogu?Zobrazit odpověď

V našem katalogu máme 123 děl umělce Stephen Chaplin z let 1993 až 2006.

Ve kterých muzeích můžete vidět slavná díla umělce Stephen Chaplin?Zobrazit odpověď

Většinu z nich najdete v The Stanley - Audrey Burton Gallery (Leeds), st George's Hospital (London) a st George's (Londýn). Seznam muzeí výše obsahuje podrobný přehled.

Kdy vytvořil/a Stephen Chaplin svá nejznámější díla?Zobrazit odpověď

V období 2003, více než v jakémkoli jiném čase: 22 z 100 děl na této stránce pochází z této doby, z nichž Treatment in Minors, Departure from Main Entrance, 2003 (a set of 7 progress paintings, panel 6 of 7).

Jaká jsou první a poslední slavná díla umělce Stephen Chaplin?Zobrazit odpověď

Nejstarší dílo je z St Mary Cray from Sevenoaks Way (1993); nejnovější je z Declaration of War, 3 September 1939 (2006).

Jaká témata maloval Stephen Chaplin nejčastěji?Zobrazit odpověď

Rural landscape (3), Wwii (2) a British countryside (2) z celkových 100 kusů na této stránce.

K jakému stylu nebo směru patří Stephen Chaplin?Zobrazit odpověď

Contemporary realism, jak je vidět u děl na této stránce.

Která slavná díla autora Stephen Chaplin se nacházejí v The Stanley - Audrey Burton Gallery?Zobrazit odpověď

Na této stránce můžete uvidět 7 děl v The Stanley - Audrey Burton Gallery, Leeds, včetně Senate on 4 December 1976, Emma Barelli and the Examinees, Crabtree Lecture Theatre, 10 June 1983 a Gowing's Kitson with Arts Sub Dean Donald, 3 December 1981.

Příběh umělce Stephen Chaplin

A Witness to History: The Life and Art of Stephen Chaplin

Stephen Chaplin, born in 1934, is a British artist whose work serves as a powerful visual record of World War II and its impact on the lives of ordinary people. Unlike many artists who documented the war from afar, Chaplin experienced it firsthand, an experience that profoundly shaped his artistic vision and imbued his paintings with a unique sense of immediacy and emotional depth. His canvases aren’t grand depictions of battles or heroic figures; instead, they focus on the quiet moments, the everyday realities of life under wartime conditions – the anxieties, the resilience, and the subtle shifts in society. Chaplin's art offers a poignant counterpoint to more conventional war imagery, emphasizing the human cost of conflict and the enduring spirit of those who lived through it.

Early Life and Wartime Experiences

Details regarding Chaplin’s early artistic training remain somewhat scarce, but his formative years were undeniably dominated by the Second World War. Growing up in Britain during this period meant a childhood steeped in the realities of air raids, rationing, and national service. This environment instilled in him a deep sense of patriotism and a keen awareness of social issues. Rather than directly enlisting, Chaplin served as an official war artist, documenting scenes across Britain – from bustling military installations to the quiet resilience of families coping with loss and uncertainty. It was during this time that he honed his observational skills and developed a distinctive style characterized by realism and emotional honesty. He wasn’t simply recording events; he was capturing the *atmosphere* of wartime Britain, the collective mood of a nation at war. This period proved pivotal in defining both his subject matter and artistic approach.

Artistic Style and Recurring Themes

Chaplin's paintings are firmly rooted in realism, but they transcend mere photographic representation. He possessed an exceptional ability to capture light and shadow, creating a sense of depth and atmosphere that draws the viewer into the scene. His palette is often muted, reflecting the somber tones of wartime Britain, though flashes of color appear strategically to highlight moments of hope or resilience. Aerial combat is a recurring theme in his work, but it’s rarely depicted with glorification; instead, Chaplin focuses on the vulnerability of pilots and the mechanical brutality of war. Equally prominent are scenes of everyday life – families huddled together during air raids, workers toiling in factories, and children playing amidst the ruins. Social commentary is subtly woven into his paintings, highlighting issues of class disparity and the sacrifices made by ordinary people. His work often features detailed depictions of aircraft, reflecting a fascination with aviation technology alongside its destructive potential.

Major Achievements and Historical Significance

While Chaplin may not be as widely recognized as some of his contemporaries, his contribution to wartime art is significant. His paintings provide invaluable insights into the lived experiences of those who endured WWII, offering a perspective often overlooked in more traditional historical accounts. He captured a Britain grappling with immense change, documenting the social fabric of a nation under pressure. His work has been exhibited in numerous galleries and museums across the UK, and his paintings are held in both public and private collections.
  • Chaplin’s art serves as a powerful reminder of the human cost of war.
  • He documented the resilience and spirit of ordinary people during extraordinary times.
  • His realistic style and emotional honesty set his work apart from more conventional war imagery.
The historical significance of Chaplin’s art lies in its ability to connect viewers with the past on a deeply personal level, fostering empathy and understanding. He wasn't just painting pictures; he was preserving memories and bearing witness to history. His paintings continue to resonate today, offering valuable lessons about courage, sacrifice, and the enduring power of the human spirit.