Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 9 děl umělce Simon Warnberger v našem katalogu
Stručně řečeno
Pokud znáte jedno dílo umělce Simon Warnberger, je to pravděpodobně Italian Landscape with Pines (1809), které je vystaveno v Bavarské státní sbírky malby, Mnichov. Monastery in Southern Landscape (1807) a Group of Trees in Mountainous Landscape with Castell (1807) doplňují trojici děl, která lidé okamžitě poznají. Náš katalog obsahuje 9 děl umělce Simon Warnberger. Níže je 9 nejznámějších děl, u každého z nich najdete rok vzniku, místo, kde je lze najít, a to, co je výjimečné.
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Simon Warnberger | Obrazy z tohoto seznamu |
|---|---|---|---|
 Bavarské státní sbírky malby |
Mnichov | 8 | Italian Landscape with Pines, Monastery in Southern Landscape, Group of Trees in Mountainous Landscape with Castell |
 Lenbachhaus |
Mnichov | 1 | Foothill Landscape |
Díla umělce Simon Warnberger se zde táhnou po dobu 21 let, od 1807 do 1827. Prohlédněte si je rok po roce spolu s jeho nejznámějšími díly.
Vyberte rok a prohlédněte si jeho díla.
Na vrcholu žebříčku je Italian Landscape with Pines (1809), Bavarské státní sbírky malby, Mnichov. Hned za ním následují: Monastery in Southern Landscape (1807) a Group of Trees in Mountainous Landscape with Castell (1807).
40 let. Simon Warnberger se narodil(a) v 1769 a dílo Italian Landscape with Pines pochází z roku 1809.
V našem katalogu máme 9 děl umělce Simon Warnberger z let 1807 až 1827.
Většinu z nich najdete v Bavarské státní sbírky malby (Mnichov) a Lenbachhaus (Mnichov). Seznam muzeí výše obsahuje podrobný přehled.
V období 1807, více než v jakémkoli jiném čase: 4 z 9 děl na této stránce pochází z této doby, z nichž Monastery in Southern Landscape.
Nejstarší dílo je z Monastery in Southern Landscape (1807); nejnovější je z Foothill Landscape (1827).
Na této stránce můžete uvidět 8 děl v Bavarské státní sbírky malby, Mnichov, včetně Italian Landscape with Pines, Monastery in Southern Landscape a Group of Trees in Mountainous Landscape with Castell.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
Simon Warnberger began his training under Joseph Georg Winter, learning the precise mechanics of drawing and etching. His hands learned the weight of the tool before he moved to the Academy of Fine Arts in Munich to study painting. By 1806, he had traveled to Italy, returning with sketches that he would later translate into oil on canvas. His eye for the natural world was noted by King Maximilian I of Bavaria, who appointed him a royal court painter in 1810. He was a man who moved through the landscape, capturing the way light settles on a mountain or how a forest gathers shadow.
His work often moved away from the rigid traditions of landscape painting. Instead of following a set formula, he sought to record a specific, observed impression of nature. He spent much of his time in Austria, Italy, and throughout Bavaria. His studio in Munich became a place where many of his oil paintings were realized, often following the sketches he made while walking through the Alpine foothills. He was part of a circle of artists who sought to establish a new way of seeing the land, focusing on the atmosphere and the subtle shifts in the environment.
Warnberger’s practice was defined by a versatility in medium and a commitment to the details of the terrain. He was an early adopter of lithography, successfully applying Alois Senefelder’s new technique to his artistic vision. His subjects were often the quiet, working parts of the landscape:
He was one of the first to document the Bavarian Oberland with such specific attention. His drawings and watercolors were not merely maps of a place, but records of a moment in time. He looked at the way a herd of cattle moved through a valley or how a river sat against a hillside. This focus on the mood of a place helped lead toward a different kind of landscape painting, one where the feeling of the air was as important as the shape of the mountains.
The marks he left on the history of German art are found in the collections of the Neue Pinakothek in Munich and the Staatliche Graphische Sammlung. He was a man of the academy, becoming a member in 1824, yet his work remained grounded in the actual, physical world. He did not look for the grand or the dramatic, but for the truth of the landscape as it appeared to a man standing in the field. His sketches and oils remain as evidence of a life spent watching the light change over the Alps.
