Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 1 děl umělce Per Persson v našem katalogu
Stručně řečeno
Nejznámějším dílem, které pochází od Per Persson, je obraz Jonah beneath the Gourd, který můžete vidět v instituci Nationalmuseum ve městě Stockholm. Z 1 děl umělce Per Persson v našem katalogu je těchto 1 těch nejznámějších. U každého díla je uveden rok vzniku, muzeum a krátká poznámka o tom, co jej činí výjimečným.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Per Persson | Obrazy z tohoto seznamu |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 1 | Jonah beneath the Gourd |
Na vrcholu seznamu je Jonah beneath the Gourd.
V našem katalogu máme 1 děl od Per Persson.
Většinu z nich najdete v Nationalmuseum (Stockholm). Seznam muzeí výše obsahuje podrobný přehled.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
Per Persson remains a specific, localized figure in the history of Swedish painting. His presence in the art historical record is defined by a singular, substantial work held by the Nationalmuseum in Stockholm. He lived through the late eighteenth and early nineteenth centuries, a period of significant transition in European art, yet his legacy is anchored to a very specific visual narrative. To look at his work is to see a direct engagement with biblical themes through a Swedish lens.
His output is not characterized by a vast body of work or a wide-ranging stylistic evolution. Instead, his importance is tied to the survival of his specific compositions. He was a painter who operated within the constraints of his era, focusing on the translation of religious scripture into visual form.
The primary evidence of Persson's skill lies in his treatment of the biblical story of Jonah. His composition, Jonah beneath the Gourd, provides the essential context for his technical approach. This work, also known by its Swedish title Jona under kurbitsen, demonstrates a focus on the physical relationship between the prophet and the plant that provides his shade.
The technical execution of his painting reveals several key aspects of his practice:
Persson died in 1843, leaving behind a legacy that is more about the preservation of a specific moment in Swedish art than about a broad movement. His work exists as a point of reference for how religious narratives were interpreted in Sweden during his lifetime. He did not attempt to redefine the medium; he worked within the established traditions of his time. His significance is found in the tangible existence of his paintings in national collections, ensuring that his specific vision of the Jonah story remains accessible to those studying the period.
