Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 7 děl umělce Max Bohm v našem katalogu
Stručně řečeno
Nejznámějším dílem, které pochází od Max Bohm, je obraz Springtime in France (1923), který můžete vidět v instituci Smithsonian American Art Museum ve městě Washington, D.C.. Hned za ním následují Portrait of Mr. C. (1892) a Lucy (1909). Z 7 děl umělce Max Bohm v našem katalogu je těchto 7 těch nejznámějších. U každého díla je uveden rok vzniku, muzeum a krátká poznámka o tom, co jej činí výjimečným.
Sea Babies is an oil on canvas painting executed by the American artist Max Bohm. Created in 1914, this work belongs to the category of American art produced before 1950. The piece was rendered using oil pigments on a canvas substrate, a medium that allows for the layering of color and texture seen in the finished surface.
3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Max Bohm | Obrazy z tohoto seznamu |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 4 | Springtime in France, Ancient Seaport, The Happy Mother |
 Clevelandské muzeum umění |
Cleveland | 2 | Portrait of Mr. C., Lucy |
 Detroit Institute of Arts |
Detroit | 1 | Sea Babies |
Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.
Sea Babies is an oil on canvas painting executed by the American artist Max Bohm. Created in 1914, this work belongs to the category of American art produced before 1950. The piece was rendered using oil pigments on a canvas substrate, a medium that allows for the layering of color and texture seen in the finished surface.
Na vrcholu žebříčku je Springtime in France (1923), Smithsonian American Art Museum, Washington, D.C.. Hned za ním následují: Portrait of Mr. C. (1892) a Lucy (1909).
55 let. Max Bohm se narodil(a) v 1868 a dílo Springtime in France pochází z roku 1923.
V našem katalogu máme 7 děl umělce Max Bohm z let 1892 až 1923.
Většinu z nich najdete v Smithsonian American Art Museum (Washington, D.C.), Clevelandské muzeum umění (Cleveland) a Detroit Institute of Arts (Detroit). Seznam muzeí výše obsahuje podrobný přehled.
V období 1910s, více než v jakémkoli jiném čase: 3 z 7 děl na této stránce pochází z této doby, z nichž Sea Babies.
Nejstarší dílo je z Portrait of Mr. C. (1892); nejnovější je z Springtime in France (1923).
Na této stránce můžete uvidět 4 děl v Smithsonian American Art Museum, Washington, D.C., včetně Springtime in France, Ancient Seaport a The Happy Mother.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
Max Bohm (1868-1923) was an American artist who forged a significant career primarily in Europe before returning to his native United States. Known for his romantic and often heroic depictions of everyday life, particularly the fishing communities of France and later the landscapes of Cape Cod, Bohm’s work reflects a blend of Impressionistic techniques with a deeply personal vision.
Born in Cleveland, Ohio, in 1868, Max Bohm received his foundational artistic training at the prestigious Académie Julian in Paris. This immersion in the Parisian art world proved pivotal to his development, exposing him to the latest trends and techniques of the time. He travelled extensively throughout Europe, absorbing diverse influences that would shape his unique style.
Between 1895 and 1904, Bohm established himself within the vibrant Etaples art colony in northern France. This community attracted artists from across Europe and America, fostering a spirit of collaboration and experimentation. It was here that Bohm began to develop his signature style, focusing on the lives and labors of local fishermen. His heroic portrayal of these working-class subjects culminated in a gold medal at the Paris Salon in 1898 – a major achievement that brought him widespread recognition.
Bohm’s artistic style is often described as Romantic, characterized by dramatic lighting, emotive compositions, and a sense of narrative. While influenced by Impressionism, he moved beyond simply capturing fleeting moments of light; instead, he imbued his paintings with a deeper psychological resonance. His work frequently features robust figures engaged in strenuous activity, rendered with a powerful realism that conveys both their physical strength and their inherent dignity.
After leaving Etaples, Bohm spent several years teaching painting at a school in London until 1911. He then returned to the United States, joining the burgeoning artist community on Cape Cod, Massachusetts. The rugged beauty of the Cape’s coastline and its maritime traditions provided him with new subject matter, though he continued to employ his characteristic Romantic sensibility.
Max Bohm’s work offers a compelling glimpse into the lives of working people during a period of significant social and economic change. His paintings are not merely representations of reality; they are imbued with a sense of empathy and respect for his subjects. As a National Academician, he played a role in shaping the American art landscape of the early 20th century. Furthermore, Bohm’s artistic legacy continues through his granddaughter, artist Anne Packard, demonstrating a lasting family connection to the world of fine art.
He died in Provincetown, Cape Cod in 1923 leaving behind a body of work that continues to resonate with viewers today.
