Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 62 děl umělce Marcus Stone v našem katalogu
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Pokud znáte jedno dílo umělce Marcus Stone, je to pravděpodobně The Painter's First Work (1862), které je vystaveno v Fine Arts Museums of San Francisco, San Francisco. A Pleasant Spot on the Thames (1863) a The Lost Bird (1883) doplňují trojici děl, která lidé okamžitě poznají. Náš katalog obsahuje 62 děl umělce Marcus Stone. Níže je 61 nejznámějších děl, u každého z nich najdete rok vzniku, místo, kde je lze najít, a to, co je výjimečné.
In this oil on canvas, Marcus Stone presents a scene that captures a moment of intense domestic interaction. Painted about 1862, The Painter's First Work offers a glimpse into the artist's early engagement with narrative storytelling. The work depicts a group of four figures within a detailed interior, where a man in a red frock coat gestures toward an older man, while a young boy and a maid observe the…
The oil painting titled A Pleasant Spot on the Thames was executed by the artist Marcus Stone. This work dates to 1863. The piece is a representation of a specific outdoor scene, rendered through visible brushwork on a canvas measuring 38 x 61 cm.
A young girl stands amidst an autumnal forest, her presence defined by a quiet, heavy sadness. She holds an empty birdcage, a detail that anchors the composition and directs the viewer toward her somber expression. The setting is composed of blurred foliage in warm, muted tones of yellow, brown, and orange, creating a soft depth that isolates the figure. A subtle touch of red appears in her sash and the…
There is a certain stillness that settles over a scene when the light begins to soften, much like the atmosphere captured in this 1882 work. We find ourselves in a secluded garden, where the air feels heavy with the scent of damp earth and late afternoon shadows. Two figures sit together on a bench, their presence marked by a gentle, understated intimacy. A man in a red jacket and a…
In this 1889 oil painting, we find ourselves drawn into a secluded garden, a space where the rush of the outside world seems to have been filtered out by the dense canopy of trees. Two young women are seated at a central red table, their arrangement forming a gentle triangle that guides the eye through a narrative of shared secrets. One woman is absorbed in the contents of a letter,…
In this 1887 oil on canvas, we find ourselves invited into a private, shaded sanctuary. Two women sit together at a table, sheltered by a lush canopy of trees that seems to enclose them in a soft, green embrace. There is a stillness here, a pause in the rush of life. A white cat rests nearby, adding to the sense of domestic peace. The composition draws the eye upward through…
A young woman sits upon a bench, her figure framed by the lush, vertical reach of garden foliage. She does not look at the viewer. Instead, her gaze drifts toward the distant horizon, lost in a private thought. The scene is one of stillness, a suspended breath in a sun-drenched park. Soft, diffused light brushes against the fabric of her dress and the contours of her face, casting gentle shadows…
In this 1917 oil on canvas, we find ourselves drawn into a private, moonlit world. A woman sits amidst the grass, her form slightly off-center, creating a sense of natural, unforced composition. She is lost in thought, a state of introspection that the title suggests. The scene is bathed in the soft, diffused glow of a full moon, which casts a gentle light across her face and the folds of…
The scene unfolds within a grand, richly appointed chamber, capturing a formal gathering of the Tudor court. At the center of this orchestrated moment, a young child is the focus of intense attention. A woman kneels before the infant, while a man of high status, identified by his opulent red robes and commanding presence, engages with the child. The atmosphere is heavy with the weight of expectation and the rigid…
The scene unfolds within a crowded, historical setting where a group of figures in medieval attire is gathered in a moment of high tension. At the center of the composition, a woman stands as the focal point, her presence surrounded by several men. One man extends a finger toward her in a gesture of accusation, while another man holds a dagger, the metal catching the light. The figures are arranged…
Čtyři nejčastější motivy těchto děl, z nichž každý má svůj nejznámější příklad.
7 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Marcus Stone | Obrazy z tohoto seznamu |
|---|---|---|---|
 Guildhall Art Gallery |
Londýn | 3 | Claudio, Deceived by Don John, Accuses Hero, On the Road from Waterloo to Paris, Married for Love |
 Walker Art Gallery |
Liverpool | 2 | My Lady Is a Widow and Childless, Čekání |
 Fine Arts Museums of San Francisco |
San Francisco | 1 | The Painter's First Work |
 Wolverhampton Art Gallery |
Wolverhampton | 1 | A Pleasant Spot on the Thames |
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 1 | Her First love Letter |
 Nottingham Castle Museum And Art Gallery |
Nottingham | 1 | In Love |
 Salford Museum - Art Gallery |
Greater Manchester | 1 | The Lake of Brienz |
Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.
Silent Pleading is an oil on canvas work by Marcus Stone. Created in 1858, the piece measures 94 x 72 cm. This early work marks the artist's debut at the Royal Academy, appearing during a period when Stone was establishing his technical command of the medium.
In this oil on canvas, Marcus Stone presents a scene that captures a moment of intense domestic interaction. Painted about 1862, The Painter's First Work offers a glimpse into the artist's early engagement with narrative storytelling. The work depicts a group of four figures within a detailed interior, where a man in a red frock coat gestures toward an older man, while a young boy and a maid observe the…
The oil painting titled My Lady Is a Widow and Childless was created by the artist Marcus Stone. This work emerged from his brush around 1874. It captures a specific, quiet moment of human connection through the medium of oil on canvas.
A young girl stands amidst an autumnal forest, her presence defined by a quiet, heavy sadness. She holds an empty birdcage, a detail that anchors the composition and directs the viewer toward her somber expression. The setting is composed of blurred foliage in warm, muted tones of yellow, brown, and orange, creating a soft depth that isolates the figure. A subtle touch of red appears in her sash and the…
A young woman sits upon a bench, her figure framed by the lush, vertical reach of garden foliage. She does not look at the viewer. Instead, her gaze drifts toward the distant horizon, lost in a private thought. The scene is one of stillness, a suspended breath in a sun-drenched park. Soft, diffused light brushes against the fabric of her dress and the contours of her face, casting gentle shadows…
In this 1917 oil on canvas, we find ourselves drawn into a private, moonlit world. A woman sits amidst the grass, her form slightly off-center, creating a sense of natural, unforced composition. She is lost in thought, a state of introspection that the title suggests. The scene is bathed in the soft, diffused glow of a full moon, which casts a gentle light across her face and the folds of…
Česká analýza obrazu „Čekání“ od Marca Stonea Marcus Stone RA (1840–1921) byl významný anglický malíř, který je především známý svými vykoupenými žánrovými scénami a oslavnými ilustracemi literárních klasických děl Dickensa a Trollope. Narodil se v Londýně a vycházel z původu svého otce Frank Stone ARA, který mu před vstupem do adolescence předal základní porozumění uměleckým principům. Už ve věku jednadvacet let dokázal mimořádnou schopnost a rychle získal uznání v Královské…
Na vrcholu žebříčku je The Painter's First Work (1862), Fine Arts Museums of San Francisco, San Francisco. Hned za ním následují: A Pleasant Spot on the Thames (1863) a The Lost Bird (1883).
22 let. Marcus Stone se narodil(a) v 1840 a dílo The Painter's First Work pochází z roku 1862.
The Painter's First Work, A Pleasant Spot on the Thames, The Lost Bird, Il y en a toujours un autre, Her First love Letter, Good Friends, Welcome Footsteps, Reverie, The royal nursey a Claudio, Deceived by Don John, Accuses Hero. Rok vzniku a muzeum každého díla najdete v seznamu výše.
V našem katalogu máme 62 děl umělce Marcus Stone z let 1858 až 1921.
Většinu z nich najdete v Guildhall Art Gallery (Londýn), Walker Art Gallery (Liverpool) a Fine Arts Museums of San Francisco (San Francisco). Seznam muzeí výše obsahuje podrobný přehled.
V období 1880s, více než v jakémkoli jiném čase: 9 z 61 děl na této stránce pochází z této doby, z nichž The Lost Bird.
Nejstarší dílo je z Silent Pleading (1858); nejnovější je z Čekání (1921).
Woman (13), Man (7) a Trees (5) z celkových 61 kusů na této stránce.
Oil On Canvas, použito u 11 z 61 děl na této stránce.
Victorian genre painting, jak je vidět u děl na této stránce.
Na této stránce můžete uvidět 3 děl v Guildhall Art Gallery, Londýn, včetně Claudio, Deceived by Don John, Accuses Hero, On the Road from Waterloo to Paris a Married for Love.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
In the heart of the Victorian era, a period defined by its intricate social codes and deep-seated emotional narratives, Marcus Clayton Stone emerged as a master of the human spirit. Born in London in 1840, Stone was destined for a life immersed in the aesthetics of his time. As the son of the accomplished painter Frank Stone ARA, his artistic education began within the very walls of his childhood home. Under his father’s meticulous tutelage, he developed a foundational command of technique that allowed him to debut at the Royal Academy before he had even reached eighteen years of age. This early precocity set the stage for a career marked by both technical brilliance and an uncanny ability to capture the fleeting nuances of Victorian sentiment.
Stone’s artistic evolution is a fascinating study in the transition from historical grandeur to intimate, delicate storytelling. In his formative years, he sought to document significant historical incidents with a rigorous attention to detail, reflecting the era's fascination with monumental events and classical narratives. However, as his mastery grew, so too did his interest in the quiet, often overlooked moments of daily life. He moved away from the sweeping drama of history toward what critics often described as a dainty sentiment—a style characterized by charm, refinement, and an exquisite execution of light and color. This shift allowed him to explore themes of romantic longing, familial affection, and peaceful contemplation, making his work deeply resonant with the sensibilities of the late 19th-century public.
One cannot discuss the significance of Marcus Stone without acknowledging his profound connection to the literary giants of his age. His talent for visual storytelling found a perfect partner in the prose of Charles Dickens and Anthony Trollope. Through his celebrated illustrations, Stone did more than merely decorate pages; he breathed visual life into the characters and atmospheres of these iconic narratives. His ability to translate complex literary themes into evocative imagery helped cement his reputation as one of the premier illustrators of his generation. This symbiotic relationship between word and image allowed him to reach a vast audience, bridging the gap between fine art galleries and the widely circulated periodicals of the day.
Beyond his illustrations, Stone’s oil paintings stand as enduring monuments to Victorian romanticism. His works often feature:
The trajectory of Stone’s career was marked by consistent institutional recognition. His election as an Associate of the Royal Academy in 1877, followed by his ascent to full Academician in 1887, solidified his status within the highest echelons of the British art establishment. His influence extended far beyond the borders of England; his works were frequently engraved, allowing his imagery to circulate globally, and he was honored with medals from exhibitions across the world. Living in the prestigious Melbury Road alongside fellow painter Luke Fildes, Stone was part of a vibrant artistic community that shaped the visual identity of late Victorian London.
Today, the works of Marcus Stone serve as a poignant window into a vanished era. Whether through the profound symbolism found in his monochrome engravings or the luminous detail of his oil canvases, his art continues to invite viewers into a world of refined emotion and technical perfection. His legacy remains etched in the annals of art history, not merely as a chronicler of his time, but as an artist who possessed the rare gift of making the ephemeral moments of human connection feel eternal.
