Portrét John Dee

Seznamte se s 4 nejznámějšími obrazy autora John Dee

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 4 děl umělce John Dee v našem katalogu

Stručně řečeno

Pokud znáte jedno dílo umělce John Dee, je to pravděpodobně Obsidian Mirror (1400). Four Castles Gold Disk (1560) a Sigillum Dei, Wax Disks (1582) doplňují trojici děl, která lidé okamžitě poznají. Náš katalog obsahuje 4 děl umělce John Dee. Níže je 4 nejznámějších děl, u každého z nich najdete rok vzniku, místo, kde je lze najít, a to, co je výjimečné.

1527 – 1608

Začněte zde: 10 nejlepších obrazů umělce John Dee

John Dee rok po roce: nejvýraznější díla

Díla umělce John Dee se zde táhnou po dobu 23 let, od 1560 do 1582. Prohlédněte si je rok po roce spolu s jeho nejznámějšími díly.

Díla podle roku

Vyberte rok a prohlédněte si jeho díla.

Vaše dotazy k obrazům autora John Dee

Který obraz od John Dee je nejznámější?Zobrazit odpověď

Na vrcholu žebříčku je Obsidian Mirror (1400). Hned za ním následují Four Castles Gold Disk (1560) a Sigillum Dei, Wax Disks (1582).

Kolik obrazů vytvořil/a John Dee?Zobrazit odpověď

V našem katalogu máme 4 děl umělce John Dee z let 1560 až 1582.

Kdy John Dee namaloval svá nejznámější díla?Zobrazit odpověď

V období 1582, více než v jakémkoli jiném čase: 2 z 4 děl na této stránce pochází z této doby, z nichž Sigillum Dei, Wax Disks.

Která slavná obrazová díla umělce John Dee vznikla jako první a která jako poslední?Zobrazit odpověď

Nejstarší dílo je z Four Castles Gold Disk (1560); nejnovější je z Sigillum Dei, Wax Disks (1582).

Mohu si pořídit reprodukci obrazu od John Dee?Zobrazit odpověď

Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.

Seznámit se s umělcem John Dee

The Life and Family of John Dee

John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.

Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.

The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.

Travels and Connections in Europe

John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.

His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.