Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 1 děl umělce James Macbeth v našem katalogu
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Nejslavnější dílo umělce James Macbeth je Sir Daniel Macnee, 1806 - 1882. Artist (1870). Najdete ho v muzeu Scottish National Portrait Gallery ve městě Edinburgh. V našem katalogu máme 1 děl umělce James Macbeth; tento průvodce vybral 1 nejznámějších z nich včetně roku vzniku, muzea a příběhu každého díla.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora James Macbeth | Obrazy z tohoto seznamu |
|---|---|---|---|
 Scottish National Portrait Gallery |
Edinburgh | 1 | Sir Daniel Macnee, 1806 - 1882. Artist |
Díla umělce James Macbeth na této stránce pocházejí všechny z roku 1870. Zde jsou, seřazena podle slávy.
Vyberte rok a prohlédněte si jeho díla.
Na vrcholu seznamu je Sir Daniel Macnee, 1806 - 1882. Artist (1870).
23 let. James Macbeth se narodil(a) v 1847 a dílo Sir Daniel Macnee, 1806 - 1882. Artist pochází z roku 1870.
V našem katalogu máme 1 děl od James Macbeth.
Většinu z nich najdete v Scottish National Portrait Gallery (Edinburgh). Seznam muzeí výše obsahuje podrobný přehled.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
The year is 1847 in Glasgow. James Macbeth enters a world where the lines of Scottish identity are being drawn through brushstrokes and ink. He is born into a family of creators; his father, Norman Macbeth, is a portrait painter, and his brothers, Robert Walker and Henry, will also find their way into the arts. This lineage is not merely a coincidence of birth but a shared language of form and color. James moves between the creative hubs of London and Scotland, establishing a presence in both the metropolitan galleries and the local scenes of his homeland.
His work often turns toward the human figure and the quietude of domestic life. In his portrait of Sir Daniel Macnee, he captures the likeness of a contemporary artist, a choice that places him directly within the professional circles of his era. He does not merely record a face; he engages with the social fabric of the mid-nineteenth century.
As the 1880s approach, a shift occurs in the atmosphere of his compositions. His painting A quiet afternoon signals a departure from strict realism toward something more atmospheric. This work anticipates the mood of Aestheticism, a movement that prioritizes sensory experience and a specific kind of contemplative stillness. The scene is not one of action, but of a lingering, suspended moment.
His output is defined by two primary modes of expression:
The trajectory of James Macbeth is cut short in 1891. He leaves behind a body of work that bridges the gap between traditional Scottish portraiture and the emerging sensibilities of the late Victorian period. His presence in the National Galleries of Scotland ensures that his contribution to the visual history of his country remains documented, even as the movements he helped anticipate continue to evolve.
