Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 1 děl umělce Hippolyte Guy v našem katalogu
Stručně řečeno
Pokud znáte jedno dílo umělce Hippolyte Guy, je to pravděpodobně Dead End of the Bœufs (1900), které je vystaveno v Musée Carnavalet, Paříž. Náš katalog obsahuje 1 děl umělce Hippolyte Guy. Níže je 1 nejznámějších děl, u každého z nich najdete rok vzniku, místo, kde je lze najít, a to, co je výjimečné.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Hippolyte Guy | Obrazy z tohoto seznamu |
|---|---|---|---|
 Musée Carnavalet |
Paříž | 1 | Dead End of the Bœufs |
Všechna díla s datem vzniku od Hippolyte Guy na této stránce pocházejí z jediného roku, 1900. Zde jsou.
Vyberte rok a prohlédněte si jeho díla.
Na vrcholu seznamu je Dead End of the Bœufs (1900).
32 let. Hippolyte Guy se narodil(a) v 1868 a dílo Dead End of the Bœufs pochází z roku 1900.
V našem katalogu máme 1 děl od Hippolyte Guy.
Většinu z nich najdete v Musée Carnavalet (Paříž). Seznam muzeí výše obsahuje podrobný přehled.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
Born in the southern city of Toulouse, France, Hippolyte Guy emerged from a lineage of craftsmanship, being the son of a lithographer. His early years in the south provided the foundation for a life dedicated to the brush and the canvas. He eventually moved toward the academic traditions of Paris, seeking the guidance of masters such as Albert Maignan and Léon Bonnat. Under their tutelage, he refined a technique that would eventually lead him to the prestigious Salon, where he began exhibiting his vision to the public starting in 1886.
His ascent within the French art establishment was marked by steady recognition and formal honors. He became a member of the Société des artistes français, a distinction that spoke to his standing among his peers. His career was punctuated by several significant accolades that reflected the evolving respect of his contemporaries:
As his reputation grew, Guy settled in Paris, residing on the rue de la Tombe-Issoire. His life was one of quiet dedication to his craft, far from the tumultuous shifts of the avant-garde movements that often defined the era. He lived a solitary life, eventually passing away in Clichy at the age of sixty-eight. His presence in the Parisian art scene was felt through his contributions to the Salon and his ability to secure medals that validated his technical skill and his adherence to the traditions of French painting.
His work often captured specific, localized scenes that have found their way into the permanent collections of various institutions. One such work, Dead End of the Bœufs, painted around 1900, resides in the Musée Carnavalet. This piece, along with others held in the Musée des Augustins and the Musée Joseph-Denais, reflects a painter deeply concerned with the atmosphere and the quiet details of French life and religious devotion.
