Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 3 děl umělce Friedrich Eibner v našem katalogu
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Nejslavnější dílo umělce Friedrich Eibner je Neupfarrplatz in Regensburg (1849). Najdete ho v muzeu Bavarské státní sbírky malby ve městě Mnichov. Další v pořadí jsou gothic cathedral in Freiburg (1850) a Nuremberg seen from Tullnau (1848). V našem katalogu máme 3 děl umělce Friedrich Eibner; tento průvodce vybral 3 nejznámějších z nich včetně roku vzniku, muzea a příběhu každého díla.
Friedrich Eibner wasinterested primarily in architectural renditions. Beyond his Bavarian homeland,he also worked along the Rhine, in France, and in Northern Italy. On a trip toSpain in the entourage of Russian Prince Meshchersky, he produced numerousdrawings and watercolors, 65 of which the prince acquired and arranged toreproduce as a facsimile album. Later, from 1868 onward, Eibner also beganreceiving commissions from Bavarian King Ludwig II.Here Eibner shows anatmospheric, romantic scene. He…
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Friedrich Eibner | Obrazy z tohoto seznamu |
|---|---|---|---|
 Bavarské státní sbírky malby |
Mnichov | 1 | Neupfarrplatz in Regensburg |
 Nuremberg Municipal Museums |
Norimberk | 1 | Nuremberg seen from Tullnau |
1848 až 1850: každé dílo umělce Friedrich Eibner s uvedeným datem má zde svůj vlastní rok v období 3 let. Prohlédněte si je rok po roce.
Vyberte rok a prohlédněte si jeho díla.
Friedrich Eibner wasinterested primarily in architectural renditions. Beyond his Bavarian homeland,he also worked along the Rhine, in France, and in Northern Italy. On a trip toSpain in the entourage of Russian Prince Meshchersky, he produced numerousdrawings and watercolors, 65 of which the prince acquired and arranged toreproduce as a facsimile album. Later, from 1868 onward, Eibner also beganreceiving commissions from Bavarian King Ludwig II.Here Eibner shows anatmospheric, romantic scene. He…
Na vrcholu žebříčku je Neupfarrplatz in Regensburg (1849), Bavarské státní sbírky malby, Mnichov. Hned za ním následují: gothic cathedral in Freiburg (1850) a Nuremberg seen from Tullnau (1848).
24 let. Friedrich Eibner se narodil(a) v 1825 a dílo Neupfarrplatz in Regensburg pochází z roku 1849.
V našem katalogu máme 3 děl umělce Friedrich Eibner z let 1848 až 1850.
Většinu z nich najdete v Bavarské státní sbírky malby (Mnichov) a Nuremberg Municipal Museums (Norimberk). Seznam muzeí výše obsahuje podrobný přehled.
Nejstarší dílo je z Nuremberg seen from Tullnau (1848); nejnovější je z gothic cathedral in Freiburg (1850).
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
Friedrich Eibner was a German painter whose artistic soul was deeply entwined with the grandeur of the built environment. Primarily focused on architectural renditions, his work captured the structural elegance and historical weight of the landscapes he traversed. Born in Hilpoltstein, Bavaria, Eibner developed a keen eye for the interplay between light and stone, a skill nurtured through his early studies after the works of Heinrich Schönfeld. His artistic journey was one of constant movement, as he wandered far beyond his Bavarian homeland to document the world through delicate watercolours and precise drawings.
His travels were not merely geographical but served as an expansive exploration of European architectural heritage. Eib．ner’s path took him along the Rhine, through the landscapes of France, and into Northern Italy. One of the most significant chapters of his life occurred during a journey to Spain in 1860–61, traveling in the entourage of Russian Prince Meshchersky. This expedition proved immensely fruitful for his legacy; Eibner produced a vast collection of drawings and watercolours, sixty-five of which were acquired by the Prince to be arranged into a magnificent facsimile album. This body of work remains a testament to his ability to translate foreign vistas into intimate, detailed records.
Beyond the mere documentation of structures, Eibner possessed a profound ability to infuse his architectural subjects with emotion and atmosphere. He utilized lighting as a transformative medium, employing it to set moods that could blur the edges of a city or sharpen the silhouette of a cathedral. This romantic approach allowed him to move beyond technical accuracy into the realm of the evocative, creating scenes where light and shadow dance across facades to suggest a sense of time and memory.
The depth of his talent eventually brought him to the attention of the highest echelons of German society. From 1868 onward, Eibner began receiving prestigious commissions from Bavarian King Ludwig II. Working under such patronage allowed him to further refine his ability to depict atmospheric, romantic scenes that resonated with the aesthetic sensibilities of the era. His work stands as a bridge between the rigorous study of architecture and the emotive power of Romanticism, leaving behind a legacy of beauty captured through the lens of a wandering observer.
