Aktualizováno říjen 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 201 děl umělce Émile Bernard v našem katalogu
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Nejslavnější dílo umělce Émile Bernard je Iron Bridges at Asnières (1887). Najdete ho v muzeu MoMA - Museum of Modern Art ve městě New York. Další v pořadí jsou Portrait of Marie Lemasson (1892) a Self-Portrait 1918 (1919). V našem katalogu máme 201 děl umělce Émile Bernard; tento průvodce vybral 100 nejznámějších z nich včetně roku vzniku, muzea a příběhu každého díla.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
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Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Van Goghovo muzeum
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Board decorated with tendrils and flowers1906 · Van Goghovo muzeum
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Study for The Buckwheat Harvesters1888 · Musée de Pont-Aven
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Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
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Woman Walking on the Banks of the Aven1890 · Muzeum umění Houston
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Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
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Čtyři nejčastější motivy těchto děl, z nichž každý má svůj nejznámější příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Émile Bernard | Obrazy z tohoto seznamu |
|---|---|---|---|
 Van Goghovo muzeum |
Amsterdam | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Thyssen-Bornemisza Museum |
Madrid | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
Kolín | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Reims | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Na vrcholu žebříčku je Iron Bridges at Asnières (1887), MoMA - Museum of Modern Art, New York. Hned za ním následují: Portrait of Marie Lemasson (1892) a Self-Portrait 1918 (1919).
19 let. Émile Bernard se narodil(a) v 1868 a dílo Iron Bridges at Asnières pochází z roku 1887.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple a The Harvest at Saint-Briac. Rok vzniku a muzeum každého díla najdete v seznamu výše.
V našem katalogu máme 201 děl umělce Émile Bernard z let 1885 až 1940.
Většinu z nich najdete v Van Goghovo muzeum (Amsterdam), Musée de Pont-Aven (Hastenparck) a Thyssen-Bornemisza Museum (Madrid). Seznam muzeí výše obsahuje podrobný přehled.
V období 1880s, více než v jakémkoli jiném čase: 29 z 100 děl na této stránce pochází z této doby, z nichž Iron Bridges at Asnières.
Nejstarší dílo je z Funeral palls 1 (1885); nejnovější je z Breton Women (1940).
Women (12), People (6) a Woman (4) z celkových 100 kusů na této stránce.
Oil On Canvas, použito u 8 z 100 děl na této stránce.
Post-impressionist synthetism, jak je vidět u děl na této stránce.
Na této stránce můžete uvidět 10 děl v Van Goghovo muzeum, Amsterdam, včetně Self-Portrait 1918, Woman Sitting in a Field: Brittany a Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941).
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
