Portrét Edward Smith

Váš průvodce 13 nejslavnějšími obrazy autora Edward Smith

Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 13 děl umělce Edward Smith v našem katalogu

Stručně řečeno

Nejslavnější dílo umělce Edward Smith je Market House, Dursley, Gloucestershire (1879). Najdete ho v muzeu Gloucester Life Museum ve městě Gloucester. Další v pořadí jsou An Angling Party (The Willyams Family at Carnanton ) (1773) a Edward Rushton (1795–1851) (1840). V našem katalogu máme 13 děl umělce Edward Smith; tento průvodce vybral 13 nejznámějších z nich včetně roku vzniku, muzea a příběhu každého díla.

Nejvíce děl: Museum of Gloucester

10 obrazů Edward Smith, které je třeba znát jako první

Čísla 11 až 13: více obrazů od Edward Smith

Kde si můžete prohlédnout obrazy autora Edward Smith

4 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Edward Smith Obrazy z tohoto seznamu
Museum of Gloucester, GloucesterMuseum of Gloucester Gloucester 8 Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire, The Quay and Docks, Gloucester, 1878
Gloucester Life Museum, GloucesterGloucester Life Museum Gloucester 2 Market House, Dursley, Gloucestershire, The Quay and Docks, Gloucester, 1890
Wimpole HallWimpole Hall 1 An Angling Party (The Willyams Family at Carnanton )
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 Edward Rushton (1795–1851)

Dekáda po dekádě: nejznámější dílo každého Edward Smith

Díla podle dekád

Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.

Edward Smith: rychlé odpovědi o obrazech

Který obraz je nejznámější u Edward Smith?Zobrazit odpověď

Na vrcholu žebříčku je Market House, Dursley, Gloucestershire (1879), Gloucester Life Museum, Gloucester. Hned za ním následují: An Angling Party (The Willyams Family at Carnanton ) (1773) a Edward Rushton (1795–1851) (1840).

Jakých je 10 nejlepších obrazů umělce Edward Smith?Zobrazit odpověď

Market House, Dursley, Gloucestershire, An Angling Party (The Willyams Family at Carnanton ), Edward Rushton (1795–1851), Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire, The Quay and Docks, Gloucester, 1878, The Quay and Docks, Gloucester, 1890, Llanthony Bridge, Gloucester, Southgate Street, Gloucester a Captain James Pendergrass (1767–1851), RN. Rok vzniku a muzeum každého díla najdete v seznamu výše.

Kolik děl umělce Edward Smith se nachází ve vašem katalogu?Zobrazit odpověď

V našem katalogu máme 13 děl umělce Edward Smith z let 1773 až 1880.

Ve kterých muzeích můžete vidět slavná díla umělce Edward Smith?Zobrazit odpověď

Většinu z nich najdete v Museum of Gloucester (Gloucester), Gloucester Life Museum (Gloucester) a Wimpole Hall. Seznam muzeí výše obsahuje podrobný přehled.

Kdy vytvořil/a Edward Smith svá nejznámější díla?Zobrazit odpověď

V období 1870s, více než v jakémkoli jiném čase: 4 z 13 děl na této stránce pochází z této doby, z nichž Market House, Dursley, Gloucestershire.

Jaká jsou první a poslední slavná díla umělce Edward Smith?Zobrazit odpověď

Nejstarší dílo je z An Angling Party (The Willyams Family at Carnanton ) (1773); nejnovější je z River Scene with Anglers, the Leadon, Gloucestershire (1880).

Která slavná díla autora Edward Smith se nacházejí v Museum of Gloucester?Zobrazit odpověď

Na této stránce můžete uvidět 8 děl v Museum of Gloucester, Gloucester, včetně Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire a The Quay and Docks, Gloucester, 1878.

Příběh umělce Edward Smith

The Visionary Landscapes of Edward Smith

Edward Smith (1850 – 1912) stands as a singular figure in Victorian British art, recognized primarily for his monumental canvases depicting mythological scenes—particularly the biblical Flood—and expansive landscapes imbued with an almost unsettling grandeur. While overshadowed by contemporaries like Turner and Constable during his lifetime, Smith’s distinctive style has garnered renewed appreciation in recent decades, cementing his place as a pivotal artist of the era and influencing subsequent generations of painters. His work transcends mere representation; it strives to convey profound emotional resonance and philosophical contemplation, reflecting the anxieties and aspirations of a society grappling with scientific advancements alongside spiritual yearning.

Born in Hanley, Staffordshire, Smith’s upbringing amidst a family of potters instilled an appreciation for craftsmanship and detail—traits that would become hallmarks of his artistic practice. His father's involvement in the American Civil War shaped his worldview, fostering a fascination with history and storytelling. Despite facing personal hardships including familial discord and debilitating illness, Smith persevered in pursuing his artistic ambitions. He honed his skills at the British School in Etruria before embarking on a self-directed artistic journey, absorbing inspiration from Romantic painters like Turner and Friedrich, particularly their masterful manipulation of light and atmosphere.

A Mastery of Atmosphere and Narrative

Smith’s artistic evolution was marked by an engagement with Symbolist aesthetics, evident in his use of muted palettes and evocative imagery that demonstrated an intellectual curiosity extending far beyond mere visual technique. His ability to blend naturalist observation with symbolic commentary allowed him to create works that felt both grounded in reality and elevated by myth. This is perhaps most strikingly realized in his depictions of the English countryside, where he captured the serene essence of rural life through scenes such as At Elmore, Gloucester. In these works, a sense of peace pervades the atmosphere, often punctuated by the delicate presence of birds flying overhead, adding to the harmony of the composition.

Beyond the tranquil, however, lies the dramatic power of his larger-scale compositions. His magnum opus, “The Flood,” exemplifies his grand artistic vision. Measuring over 10 feet by 20 feet, this monumental piece showcases his capacity for depicting apocalyptic landscapes with a sense of awe and terror. Whether he was painting the bustling town square of Market House, Dursley or the quiet river scenes of the Leadon, Smith possessed a unique ability to imbue every subject with a sense of historical weight and atmospheric depth.

Legacy and Historical Significance

The legacy of Edward Smith resides not only in the physical canvases he left behind but in the way his work continues to provoke thought regarding our relationship with the natural world. His paintings often serve as a striking blend of naturalist observation and symbolic commentary, reflecting deep-seated anxieties about environmental degradation and the passage of time. Today, his contributions to British art history are preserved in significant collections, including:

  • The Museum of Gloucester: Housing cherished works like At Elmore, Gloucester, which offer a window into late 19th-century rural life.
  • Louisiana State University Art Collection: Where his evocative depictions of birds and landscapes continue to inspire scholars and art enthusiasts alike.
  • Public Exhibitions: Showcasing his distinctive vision and the enduring power of his mythological and landscape narratives.

Through his meticulous attention to detail and his ability to capture the ephemeral qualities of light and shadow, Edward Smith remains a vital voice in the history of Victorian painting, reminding us of the profound connection between the landscapes we inhabit and the myths we carry within us.