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Nejslavnější dílo umělce David Morier je Private, 1st Royal Dragoons, 1751 (1755). Najdete ho v muzeu Royal Collection ve městě Londýn. Další v pořadí jsou Grenadiers, two unidentified Infantry Regiments and Infantry Regiment "Ujvary" (1748) a Grenadiers, 10th, 11th and 12th Regiments of Foot, 1751 (1755). V našem katalogu máme 149 děl umělce David Morier; tento průvodce vybral 100 nejznámějších z nich včetně roku vzniku, muzea a příběhu každého díla.
10 obrazů David Morier, které je třeba znát jako první
Čísla 11 až 100: více obrazů od David Morier
Kde si můžete prohlédnout obrazy autora David Morier
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora David Morier | Obrazy z tohoto seznamu |
|---|---|---|---|
| Londýn | 139 | Private, 1st Royal Dragoons, 1751, Grenadiers, two unidentified Infantry Regiments and Infantry Regiment "Ujvary", Grenadiers, 10th, 11th and 12th Regiments of Foot, 1751 |
Rok od roku: nejznámější díla umělce David Morier
Zde je desetiletí tvorby David Morier, v kostce: 11 let od 1745 do 1755, předvedených rok po roce prostřednictvím jejích nejznámějších děl.
Díla podle roku
Vyberte rok a prohlédněte si jeho díla.
Grenadiers, two unidentified Infantry Regiments and Infantry Regiment "Ujvary"
Více od 1748
Grenadiers, Infantry Regiments 8B "Block", 1A "Hattorf" and 10A "Hammerstein".
Více od 1752
David Morier: rychlé odpovědi o obrazech
Který obraz je nejznámější u David Morier?Zobrazit odpověď
Na vrcholu žebříčku je Private, 1st Royal Dragoons, 1751 (1755), Royal Collection, Londýn. Hned za ním následují: Grenadiers, two unidentified Infantry Regiments and Infantry Regiment "Ujvary" (1748) a Grenadiers, 10th, 11th and 12th Regiments of Foot, 1751 (1755).
Kdy byl/a David Morier při tvorbě díla Private, 1st Royal Dragoons, 1751?Zobrazit odpověď
50 let. David Morier se narodil(a) v 1705 a dílo Private, 1st Royal Dragoons, 1751 pochází z roku 1755.
Jakých je 10 nejlepších obrazů umělce David Morier?Zobrazit odpověď
Private, 1st Royal Dragoons, 1751, Grenadiers, two unidentified Infantry Regiments and Infantry Regiment "Ujvary", Grenadiers, 10th, 11th and 12th Regiments of Foot, 1751, Private, 1st Regiment of Cuirassiers 'Hohenzollern-Hechingen', Grenadiers, Infantry Regiments "Prinz Friedrich", "Prince Maximilian" and "Prinz Georg", Trumpeter, 1st Troop of Horse Guards, Private, 12th Dragoons, 1751, Grenadiers, 19th and 20th Regiments of Foot, and 21st Royal North British Fusiliers, 1751., Grenadier, Regiment of Dragoons "Althann" a Grenadier, 6th Regiment of Dragoons "Adelebsen". Rok vzniku a muzeum každého díla najdete v seznamu výše.
Kolik děl umělce David Morier se nachází ve vašem katalogu?Zobrazit odpověď
V našem katalogu máme 149 děl umělce David Morier z let 1745 až 1755.
Ve kterých muzeích můžete vidět slavná díla umělce David Morier?Zobrazit odpověď
Většinu z nich najdete v Royal Collection (Londýn). Seznam muzeí výše obsahuje podrobný přehled.
Kdy vytvořil/a David Morier svá nejznámější díla?Zobrazit odpověď
V období 1748, více než v jakémkoli jiném čase: 33 z 100 děl na této stránce pochází z této doby, z nichž Grenadiers, two unidentified Infantry Regiments and Infantry Regiment "Ujvary".
Jaká jsou první a poslední slavná díla umělce David Morier?Zobrazit odpověď
Nejstarší dílo je z George II (1683-1760) (1745); nejnovější je z Private, 1st Royal Dragoons, 1751 (1755).
Která slavná díla autora David Morier se nacházejí v Royal Collection?Zobrazit odpověď
Na této stránce můžete uvidět 100 děl v Royal Collection, Londýn, včetně Private, 1st Royal Dragoons, 1751, Grenadiers, two unidentified Infantry Regiments and Infantry Regiment "Ujvary" a Grenadiers, 10th, 11th and 12th Regiments of Foot, 1751.
Kde si mohu objednat reprodukci David Morier?Zobrazit odpověď
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
Příběh umělce David Morier
A Legacy of Valor: The Life and Art of David Morier
In the grand tapestry of eighteenth-century British art, few threads are as intricately woven with military precision and aristocratic splendor as those left by David Morier. An Anglo-Swiss master whose presence in England helped define the visual language of an era, Morier navigated a world of shifting political tides, from the echoes of the War of Austrian Succession to the profound upheaval of the Jacobite Rebellion. Though his early years remain partially veiled in the mists of history—with records suggesting a birth in Bern, Switzerland, around 1705—his arrival in England near 1743 marked the beginning of a transformative period for British equestrian and military portraiture.
Morier’s ascent within the competitive London art scene was not merely a matter of talent, but of profound professional acumen. He possessed a rare ability to secure the patronage of the highest echelons of society, most notably Duke Frederick Augustus II Cumberland. This relationship served as the cornerstone of his career, providing him with more than just financial stability; it granted him unprecedented access to the very heart of military life. Through this connection, Morier was able to observe the rhythms of the camp, the discipline of the regiment, and the raw intensity of the battlefield, translating these lived experiences into works that resonated with both accuracy and grandeur.
The Art of the Equestrian and the Military Landscape
What distinguishes Morier from his contemporaries is his unparalleled ability to marry the anatomical rigor of equestrian portraiture with the dramatic narrative of military history. He did not merely paint horses and men; he captured the spirit of command. His works often centered on the idealized vision of leadership, where the powerful musculature of a mount and the resolute posture of a commander served as symbols of martial virtue and stability. This mastery is perhaps most evident in his depictions of the Duke of Cumberland, where the artist utilized the scarlet military state coat and the commanding presence of the cavalry to convey an image of unshakeable authority.
Beyond the singular portrait, Morier’s oeuvre extends into the realm of historical documentation. His engravings and paintings serve as vital windows into the chaos and consequence of 18th-century conflicts. One might consider his contributions through the following thematic lenses:
- The Drama of Conflict: Works such as his depiction of the Battle of Culloden (1746) utilize a sense of movement and atmospheric tension to convey the harrowing reality of the Jacobite defeat.
- Regimental Identity: His meticulous attention to detail allowed him to document specific military figures, such as Sir Armine Wodehouse and Major General Sir Charles Howard, preserving the lineage and pride of various regiments for posterity.
- Anatomical Excellence: A profound understanding of equine anatomy, which allowed him to celebrate legendary animals like the Godolphin Arabian alongside their human counterparts.
Historical Significance and Enduring Impression
The significance of David Morier lies in his role as a visual chronicler of a pivotal moment in British history. At a time when the nation was defining its imperial identity and navigating internal rebellions, Morier provided the imagery that helped solidify the mythos of the British military. His paintings were not merely decorative; they were instruments of prestige, designed to commemorate triumphs and immortalize the figures who shaped the destiny of the realm.
As we look back upon his career, we see an artist who successfully bridged the gap between the observational precision of a documentary artist and the emotive power of a classical painter. Though he passed away in London around 1770, leaving behind a legacy that continues to fascinate historians and art enthusiasts alike, Morier’s ability to capture the intersection of human ambition and animal grace ensures his place in the pantheon of great historical painters. His work remains an essential study in how art can serve as both a mirror to the turbulence of war and a monument to the enduring ideals of heroism.