Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 1 děl umělce Bror Andsten v našem katalogu
Stručně řečeno
Pokud znáte jedno dílo umělce Bror Andsten, je to pravděpodobně Self-Portrait (1945), které je vystaveno v Finnish National Gallery, Helsinki. Náš katalog obsahuje 1 děl umělce Bror Andsten. Níže je 1 nejznámějších děl, u každého z nich najdete rok vzniku, místo, kde je lze najít, a to, co je výjimečné.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Bror Andsten | Obrazy z tohoto seznamu |
|---|---|---|---|
 Finnish National Gallery |
Helsinki | 1 | Self-Portrait |
Všechna díla s datem vzniku od Bror Andsten na této stránce pocházejí z jediného roku, 1945. Zde jsou.
Vyberte rok a prohlédněte si jeho díla.
Na vrcholu seznamu je Self-Portrait (1945).
35 let. Bror Andsten se narodil(a) v 1910 a dílo Self-Portrait pochází z roku 1945.
V našem katalogu máme 1 děl od Bror Andsten.
Většinu z nich najdete v Finnish National Gallery (Helsinki). Seznam muzeí výše obsahuje podrobný přehled.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
The studio light in Helsinki carries a specific weight, one that Bror Andsten navigated through the formative years of the 1940s. Born in 1910, he moved through the halls of the Free Art School between 1941 and 1943, a period of intense technical refinement. By 1942, his debut was already a reality. He did not merely exist in the periphery of the Finnish art scene; he moved into its center through a series of exhibitions. His presence was felt in the Young Artists exhibitions of 1942, 1945, and the late 1940s, eventually leading to a place in the group exhibitions of the Finnish Artists' Association.
His development was marked by a steady ascent. In 1949, he secured second prize in the Dukat competition, a moment that solidified his standing among his contemporaries. His life was anchored by his marriage to Aina Greta Jansson in 1946, a domestic stability that ran parallel to his professional rise in the capital.
The trajectory of his career is defined by specific recognitions and the institutional acceptance of his vision. His work found a permanent home within the most significant collections in Finland.
By the mid-1940s, the focus of his output turned toward the self. In 1945, he produced a Self-Portrait that remains his most significant contribution to the Finnish National Gallery. This work captures a moment of introspection, a psychological study that resides within the Ateneum. It is a piece that looks back at the man who would pass away in Helsinki in 1953, leaving behind a body of work that remains a part of the national visual record.
