Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 24 děl umělce August Becker v našem katalogu
Stručně řečeno
Pokud znáte jedno dílo umělce August Becker, je to pravděpodobně Stags and Old Oak Near the Wallwitzburg near Dessau (1836). The Jungfrau (1853) a A view of Schloss Waldleiningen (1863) doplňují trojici děl, která lidé okamžitě poznají. Náš katalog obsahuje 24 děl umělce August Becker. Níže je 24 nejznámějších děl, u každého z nich najdete rok vzniku, místo, kde je lze najít, a to, co je výjimečné.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora August Becker | Obrazy z tohoto seznamu |
|---|---|---|---|
 Royal Collection |
Londýn | 23 | The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar |
Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.
Na vrcholu žebříčku je Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Hned za ním následují The Jungfrau (1853) a A view of Schloss Waldleiningen (1863).
15 let. August Becker se narodil(a) v 1821 a dílo Stags and Old Oak Near the Wallwitzburg near Dessau pochází z roku 1836.
Stags and Old Oak Near the Wallwitzburg near Dessau, The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar, Glen Gelder, The Valley of the Dee above Braemar, Caenlochan, Loch Avon, Balmoral a Loch Callater. Rok vzniku a muzeum každého díla najdete v seznamu výše.
V našem katalogu máme 24 děl umělce August Becker z let 1836 až 1877.
Většinu z nich najdete v Royal Collection (Londýn). Seznam muzeí výše obsahuje podrobný přehled.
V období 1860s, více než v jakémkoli jiném čase: 16 z 24 děl na této stránce pochází z této doby, z nichž A view of Schloss Waldleiningen.
Nejstarší dílo je z Stags and Old Oak Near the Wallwitzburg near Dessau (1836); nejnovější je z The Villa Hohenlohe (1877).
Na této stránce můžete uvidět 23 děl v Royal Collection, Londýn, včetně The Jungfrau, A view of Schloss Waldleiningen a The Valley of the Dee near Braemar.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
August Becker did not merely paint scenery; he captured the specific, rugged geography of the nineteenth century. His work belongs to the Düsseldorfer Malerschule, a movement defined by a rigorous approach to landscape that favored structural accuracy over mere sentiment. He moved from the initial guidance of Johann Heinrich Schilbach to the specialized landscape training of Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. This technical foundation allowed him to transition from local German vistas to the dramatic, vertical compositions of the North.
His ability to translate geological scale onto canvas earned him a place in the most prestigious collections of his era. In 1854, while studying in London, his work caught the attention of the British monarchy. Prince Albert purchased his painting "The Jungfrau" as a gift for Queen Victoria. This was no minor social victory; it established Becker as a painter of international standing, leading to further acquisitions by the Queen and invitations to visit Scotland and the Isle of Wight.
Becker’s career was defined by his movement through significant European landscapes. He did not stay confined to the Rhine valley, instead seeking out the specific light and form of diverse regions. His travels were purposeful, often dictated by the specific demands of his patrons or the availability of new subject matter.
The sheer volume of his work—over 360 paintings—indicates a highly disciplined professional practice. He was a painter of precision, capable of shifting from the intimate details of the Nahe region to the vast, sweeping scales of Norwegian fjords. His later years saw him teaching, including lessons for Princess Antonia, proving his technical authority was recognized by the aristocracy. While much of his work remains in private or royal hands, with about 80 paintings located in England, his presence in the Kunst Archiv Darmstadt ensures his place in the historical record of German landscape painting.
