Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 7 děl umělce Alexandre Robert v našem katalogu
Stručně řečeno
Nejslavnější dílo umělce Alexandre Robert je Regret (1849). Najdete ho v muzeu Museum of Fine Arts Ghent (MSK) ve městě Ghent. Další v pořadí jsou The Architect Tieleman Franciscus Suys (1860) a The Painter Jean Baptiste Madou (1862). V našem katalogu máme 7 děl umělce Alexandre Robert; tento průvodce vybral 5 nejznámějších z nich včetně roku vzniku, muzea a příběhu každého díla.
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Alexandre Robert | Obrazy z tohoto seznamu |
|---|---|---|---|
 Královské muzeum výtvarného umění Antverpy |
Antverpy | 3 | The Architect Tieleman Franciscus Suys, The Painter Jean Baptiste Madou, Singing Lesson |
 Museum of Fine Arts Ghent (MSK) |
Ghent | 2 | Regret, Portrait of the Professor Adolphe Burggraeve |
Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.
Na vrcholu žebříčku je Regret (1849), Museum of Fine Arts Ghent (MSK), Ghent. Hned za ním následují: The Architect Tieleman Franciscus Suys (1860) a The Painter Jean Baptiste Madou (1862).
32 let. Alexandre Robert se narodil(a) v 1817 a dílo Regret pochází z roku 1849.
V našem katalogu máme 7 děl umělce Alexandre Robert z let 1849 až 1889.
Většinu z nich najdete v Královské muzeum výtvarného umění Antverpy (Antverpy) a Museum of Fine Arts Ghent (MSK) (Ghent). Seznam muzeí výše obsahuje podrobný přehled.
V období 1860s, více než v jakémkoli jiném čase: 2 z 5 děl na této stránce pochází z této doby, z nichž The Architect Tieleman Franciscus Suys.
Nejstarší dílo je z Regret (1849); nejnovější je z Singing Lesson (1889).
Na této stránce můžete uvidět 3 děl v Královské muzeum výtvarného umění Antverpy, Antverpy, včetně The Architect Tieleman Franciscus Suys, The Painter Jean Baptiste Madou a Singing Lesson.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
Born in Trazegnies, Belgium, Alexandre Robert was a man whose destiny shifted from the rigid expectations of a military career to the quiet devotion of the studio. Though his father, a notary, had envisioned a life of service in the armed forces, the young boy found his true calling through the simple act of sketching his classmates in small notebooks. This innate talent led him to the Brussels Academy, where he studied under François-Joseph Navez. Under this guidance, his early works began to emerge, including a 1838 portrait of his own father that marked the beginning of his professional path.
His thirst for knowledge eventually pulled him away from the familiar borders of Belgium. He traveled through Paris and later settled in Rome between 1846 and 1849, accompanied by Jean-François Portaels. These years abroad were formative, as he spent much of his time studying the great masters within the Louvre, finding inspiration in the works of Raphael and Poussin, as well as the Spanish paintings held in the Aguado de las Marismas gallery. This period of wandering through Germany, Switzerland, and Italy allowed him to refine a style that would later define his reputation.
As his career matured, Robert became a sought-after figure among the Belgian aristocracy and the bourgeoisie. His ability to capture the human spirit was particularly noted in his portraiture, where he possessed an introspective skill that brought faces to life. He was commissioned by the government to paint Baron de Stassart and found favor with the royal family, painting portraits of Leopold II and other members of the Belgian court. His work often featured a deep realism, characterized by eyes that seemed to hold a living presence and skin tones that reacted to light with remarkable sensitivity.
Beyond the faces of the elite, Robert dedicated much of his energy to religious and historical subjects. He achieved significant recognition at the Brussels Salon, earning a gold medal in 1848 for his work Lucas Signorelli Painting His Dead Son. His religious paintings, such as The Martyrdom of Sainte-Barbe and Moses on the Mountain, found homes in the churches of Trazegnies and Courcelles. This duality of subject matter—the intimate portrait and the grand historical narrative—formed the core of his artistic output.
The later years of Robert's life were defined by his commitment to passing on his knowledge to the next generation. He held significant positions at the Académie royale des beaux-arts de Bruxelles, serving as a professor from 1864 and eventually rising to the position of director of the painting course in 1881. His influence extended through his students, including Auguste Bourotte, Rémy Cogghe, and Albert Delstanche, ensuring that his technical approach to oil on canvas and wood continued to resonate.
His life concluded in Saint-Josse-ten-Noode, Brussels, leaving behind a body of work that remains distributed across various prestigious institutions. His paintings can be found in the following locations:
