Formát papíru

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The Lone Eater

Jméno Ročník Datum

uzo egonu, The Lone Eater (1979), Yemisi Shyllon Museum of Art. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
uzo egonu artsdot.com/cs/artists/uzo-egonu/
Datum vzniku díla
1931 – 1996
Malováno
1979
Původní rozměry
64 x 82 cm
Místo konání
Yemisi Shyllon Museum of Art artsdot.com/cs/museums/yemisi-shyllon-museum-of-art-lagos_cs/

V kontextu

The Lone Eater — uzo egonu

Rozměry

Původní rozměry jsou 64 × 82 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Shaded: životopis uzo egonu (1931–1996) ▲ toto dílo, 1979

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/uzo-egonu-the-lone-eater-D762TU-en/

Paleta barev

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    Hlavní barva

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    Uložená paleta

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    Název hlavní barvy
    Quinacridone Magenta
    Sytost
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Discordant Palette Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
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    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    O tomto uměleckém díle

    The Lone Eater — uzo egonu

    Uzo Egonu was born in Onitsha in 1931. His first signs of interest in art was evident in his drawings during his education at Sacred Heart College, Calabar. He left Nigeria to the UK as a teenager in 1945 and enrolled in the Camberwell School of Arts and Crafts, London where he studied painting and topography from 1949 to 1952. Till he died in London in 1996, he never came back to Nigeria except once on a 2-day visit in 1977 for the second World Festival of Black Arts and African Culture (FESTAC ’77) held in Lagos. However, Nigeria, and, in particular, Onitsha played a very central role in his art and he ensured he never lost touch with current events and activities in his homeland while abroad. He painted about his rich local culture and heritage back home in Onitsha and also explored the struggles of adaptation to independence by the continent. His new life in London was not left behind as well. He drew inspirations from the new world around him and painted about great sites in London, life and custom of the society etc. His paintings are an interesting, yet mind-bugging mix of very abstract and figurative forms with a dynamic blend of colours of different hues.The Lone Eater, as the name implies is an abstract depiction of a lady sitting down and enjoying her meal alone. The scene brings to mind a downtown restaurant with tables designed to sit at least 2 people. One cannot tell her current mood as her face has been deliberately left out. Meanwhile, the important parts of her body are portrayed in black with white surrounding margins for visual effects. Uzo is probably exploring the variety of urban life in London with this painting and the interesting ways women spend their personal moments of leisure in the city. Anyone interested is welcome to sit and have a nice conversation if she is in the mood for one.

    Umělec a muzeum

    Umělec

    uzo egonu

    Narozen(a) v Onitsha, Nigeria

    **early life and education**

    uzo egonu, a nigerian-born artist, was born on december 25, 1931. he settled in britain in the 1940s, with only one brief return to his homeland in the 1970s. despite this, he remained deeply concerned with african political struggles. according to rasheed araeen, egonu was 'perhaps the first person from africa, asia or the caribbean to come to britain after the war with the sole intention of becoming an artist.'

    **artistic style and contributions**

    egonu's work merged european and igbo traditions, redefining the boundaries of modernism. his art challenged the european myth of the naive, primitive african artist. the flutist, a notable piece, showcases egonu's graphic representation of his cultural heritage.

    **notable works and exhibitions**

    * the flutist (gouache on canvas, yemisi shyllon museum of art, lagos, nigeria) * featured in the uzo egonu's portfolio on AllPaintingsStore.com * exhibited at the yemisi shyllon museum of art, lagos, nigeria

    **legacy and impact**

    egonu's pioneering work in modernism has been recognized globally. his contributions to african art have been celebrated, inspiring a new generation of artists.

    view uzo egonu's artworks on AllPaintingsStore.com

    explore more on uzo egonu's life and art on wikipedia.org (not available due to instruction, but can be found on the actual website)

    discover other notable artists like saka aremu on AllPaintingsStore.com

    **experience uzo egonu's art in a new dimension**: clicking on the uzo egonu's name at the top of any page on AllPaintingsStore.com web site takes you to his 3d portfolio, where his artwork magically floats on the web page for a convenient display. move your mouse to browse better, and click on any work to view it in a larger size, already framed and hanging on the wall.

    Muzeum

    Yemisi Shyllon Museum of Art

    Vystaveno v Lagos, Nigérie

    A Beacon of Nigerian Artistic Heritage: The Yemisi Shyllon Museum of Art

    Nestled on the campus of Pan-Atlantic University in Lekki, Lagos State, Nigeria, stands a singular institution – The Yemisi Shyllon Museum of Art. More than just an exhibition space, it’s a testament to visionary philanthropy and a celebration of Nigeria's vibrant artistic legacy, marking the nation’s first university art museum.

    Established in October 2019 thanks to the generous donation of Prince Yemisi Shyllon—one of Africa’s foremost art collectors—the museum embodies a remarkable blend of scholarly rigor and aesthetic beauty. Its creation stemmed from a desire to foster artistic appreciation within the university community and to safeguard Nigeria's cultural treasures for future generations.

    A Legacy Built on Passion:

    The genesis of YSMA lies in April 2011 with the launch of the Virtual Museum of Modern and Contemporary Nigerian Art, showcasing Shyllon’s dedication to disseminating art knowledge. Subsequent proposals from other collectors solidified the vision for a physical museum at PAU.

    Architectural Harmony:

    Designed by Jess Castellote, the museum building prioritizes natural light and open spaces, creating an inviting environment that complements its artistic collections.

    Celebrating Nigeria’s Artistic Soul

    The museum's core strength resides in its impressive collection of over 1000 artworks spanning pre-colonial times to the present day. These pieces represent a comprehensive panorama of Nigerian art history, reflecting diverse cultural traditions and artistic styles.

    Sculptural Diversity:

    From intricate Yoruba wooden sculptures by Lamidi Olonade Fakeye to monumental Ife head replicas—symbols of Nigeria’s ancient civilizations—the sculptural collection showcases remarkable craftsmanship and stylistic evolution.

    Painting Masters:

    Notable artists like Ben Enwonwu, El Anatsui, Bruce Onobrakpeya, and Aina Onabolu contribute to the museum's painting repertoire. Their canvases capture pivotal moments in Nigerian history and artistic expression.

    Historical Significance & Cultural Impact

    Beyond its aesthetic appeal, YSMA plays a crucial role in educating students and researchers about Nigeria’s artistic heritage. Exhibits on Ife art and Benin art—featuring iconic bronze sculptures like the Ife head—provide invaluable insights into the region's rich cultural past.

    Photographic Narratives:

    The museum’s photographic archive documents significant Nigerian cultural festivals, capturing the dynamism of traditions and artistic performances. Ariyo Oguntimehin’s photographs are particularly noteworthy.

    A Unique Contribution to Art Education

    The Yemisi Shyllon Museum of Art distinguishes itself as Nigeria's inaugural university art museum—a pioneering endeavor that underscores the importance of fostering creativity and cultural understanding. Its mission extends beyond mere display; it strives to inspire dialogue, promote artistic appreciation, and contribute to the intellectual enrichment of its visitors.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení The Lone Eater

    artsdot.com/cs/art/download/uzo-egonu-the-lone-eater-D762TU-en/

    Citace tohoto díla

    MLA
    egonu, uzo. The Lone Eater. 1979, Yemisi Shyllon Museum of Art. https://artsdot.com/cs/art/uzo-egonu-the-lone-eater-D762TU-en/
    APA
    egonu, uzo (1979). The Lone Eater [Painting]. Yemisi Shyllon Museum of Art. https://artsdot.com/cs/art/uzo-egonu-the-lone-eater-D762TU-en/
    Chicago
    uzo egonu. The Lone Eater. 1979. Yemisi Shyllon Museum of Art. https://artsdot.com/cs/art/uzo-egonu-the-lone-eater-D762TU-en/
    Harvard
    egonu, uzo (1979) The Lone Eater. Yemisi Shyllon Museum of Art. Available at: https://artsdot.com/cs/art/uzo-egonu-the-lone-eater-D762TU-en/

    Zaměřte se pozorně

    The Lone Eater — uzo egonu

    Detailní pohled

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu The Flutist (1979), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. uzo egonu bylo při vzniku tohoto díla ve věku přibližně 48. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.