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Průvodce studentskou tvorbou

Gallery View

Jméno Třída Datum

Soji Adesina, Gallery View (2015), Rele Arts Foundation. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Soji Adesina artsdot.com/cs/artists/soji-adesina/
Datum vzniku díla
1981 –
Malováno
2015
Koná se v
Rele Arts Foundation artsdot.com/cs/museums/rele-arts-foundation-lagos/

V kontextu

Gallery View — Soji Adesina

Kdy bylo toto dílo namalováno?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období, přičemž rok narození se počítá jako nula.

Vymalováno v době, kdy bylo umělci 34 let. 0 z celkových 7 děl tohoto umělce v našem katalogu je datováno dříve.

▲ toto dílo, 2015 každý obraz s datem vzniku, dekáda po dekádě

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/soji-adesina-gallery-view-DD2EMD-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Phthalo Green #2b251d

    Katalogizovaná paleta

    • #2B251D
    • #A29384
    • #E2D4C4
    • #73675B

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Phthalo Green
    Intenzita
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Balanced Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Unified Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Bright Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Soji Adesina za posledních dvanáct měsíců — celkem 2 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 50,0%
    2. 2 Spojené státy americké 50,0%

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 2 nejvíce prohlížených děl umělce Soji Adesina

    1. 1 Coffee Cure II, 2015 100,0%
    2. — Gallery View, 2015 tento obraz 0,0%

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 7 děl tohoto umělce, z nichž 1 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Autor

    Soji Adesina

    Narozen(a) v Lagos, Nigeria

    Soji Adesina: A Visionary of Memory and Identity

    Born in Lagos, Nigeria, in 1981, Soji Adesina is a compelling contemporary artist whose work delves into the complexities of memory, identity, globalization, and conflict. His practice, rooted deeply within Nigerian culture yet reaching outwards to engage with universal themes, has quickly established him as a significant voice in both African and international art scenes. Adesina’s journey began with a Higher National Diploma in Painting from Yaba College of Technology, Lagos – an institution renowned for nurturing artistic talent – providing him with a foundational understanding of technique and visual language that he would later radically transform.

    Central to Adesina's artistic vision is a deliberate interrogation of the self. He doesn’t simply depict subjects; he excavates them, layering narratives and challenging conventional representations. His work frequently features figures rendered in abstracted hues, prompting viewers to confront fundamental questions about perception – particularly the often-overlooked “color of skin.” This exploration extends beyond mere aesthetics, serving as a gateway to broader inquiries into culture, colonialism, and the enduring legacy of historical power dynamics.

    A Distinctive Impasto Technique

    What immediately distinguishes Adesina’s work is his unique application of paint. He has developed a highly distinctive impasto technique – building up layers of thick, textured paint to create surfaces that are both visually arresting and deeply tactile. This isn't merely decorative; it’s a deliberate strategy for conveying emotion and meaning. He describes this process as an exploration, constantly experimenting with materials and pushing the boundaries of what painting can achieve. Adesina’s early influences included artists like Frank Frazetta and Mike Omoighe, but he quickly forged his own path, incorporating elements of Wangechi Mutu and Egin Schieles into his distinctive style.

    The physicality of his technique mirrors the intensity of the themes he explores. Figures appear involved, sometimes deconstructed, occasionally afflicted, and at other times brazenly confident – reflecting a complex interplay of vulnerability and strength. This deliberate distortion and exaggeration is not simply stylistic; it’s a means of amplifying the emotional weight of his subjects.

    Themes of Globalization and Conflict

    Adesina's work consistently grapples with the forces shaping contemporary society, particularly the impact of globalization and conflict. He employs irony, metaphor, and paradox to dissect how these dynamics influence radicalization, statehood, migration, and sexuality. His paintings aren’t simply representations; they are critical commentaries on the world around us, prompting viewers to consider the often-uncomfortable truths beneath the surface.

    He draws inspiration from a wide range of sources – historical events, social issues, and personal experiences – weaving them together into layered narratives that demand engagement. His exploration of memory is particularly potent, suggesting that our understanding of the present is inextricably linked to the past. Adesina’s work has been collected by private individuals, art enthusiasts, and corporate organizations both in Nigeria and abroad, a testament to its growing recognition within the art world.

    Recognition and Exhibitions

    Soji Adesina's artistic journey has been marked by significant exhibitions both within Nigeria and internationally. He has showcased his work in major cities such as New York, Paris, London, and São Paulo, solidifying his position as a rising star on the global art scene. His commitment to pushing boundaries and exploring complex themes ensures that he will continue to be a vital voice in contemporary art for years to come.

    His work is held in esteemed private and corporate collections worldwide, reflecting its enduring appeal and critical acclaim. Adesina’s ongoing exploration of identity, memory, and the human condition promises to yield further compelling works that resonate with audiences across cultures.

    Muzeum

    Rele Arts Foundation

    Vystaveno v Lagos, Nigeria

    Rele Arts Foundation: A Pulse of Contemporary African Art

    Nestled in the vibrant heart of Lagos, Nigeria, the Rele Arts Foundation stands as a beacon illuminating the dynamic landscape of contemporary and traditional African art. More than just a gallery, it’s a carefully cultivated space—a cultural hub where established masters converse with emerging voices, and where the echoes of ancient traditions resonate within the framework of modern expression. Founded by Adenrele Sonariwo in 2010, Rele has rapidly become a pivotal force, not only within Nigeria but increasingly on the global stage, bridging continents and fostering a deeper appreciation for the rich artistic heritage of the continent.

    The foundation’s ethos is rooted in a commitment to providing opportunities for Nigerian artists – particularly those often overlooked by mainstream institutions. This dedication manifests powerfully through its Young Contemporaries program, a prestigious initiative offering mentorship, residencies, and exhibition platforms to a select group of rising talents. But Rele's impact extends far beyond this single program; it’s woven into the very fabric of the gallery itself, a carefully curated environment designed to showcase the breadth and depth of African creativity. The architecture reflects this philosophy – clean lines and minimalist design create a neutral backdrop that allows the artwork to command center stage, while strategic use of natural light enhances the colors and textures, inviting viewers to fully immerse themselves in each piece.

    A Tapestry of Tradition and Innovation

    Rele’s collection is a compelling dialogue between the past and present. Alongside a significant selection of traditional masks and sculptures – powerful embodiments of Nigerian cultural history and spiritual beliefs – you'll discover a diverse array of sculptural works, ranging from abstract explorations of form to evocative figurative representations. These pieces often grapple with themes of identity, social commentary, and environmental concerns, reflecting the complexities of contemporary African life. The gallery’s commitment to showcasing cutting-edge work from emerging Nigerian artists is particularly noteworthy; they are actively shaping the future of art in Africa, pushing boundaries and challenging conventions.

    Notable exhibitions have cemented Rele's reputation as a vital platform for artistic discourse. “The Atlantic Triangle,” curated by Alfons Hug in 2017, offered a powerful exploration of interconnectedness across continents, while "Her Story" provided a poignant lens through which to examine the experiences of women within African society. Perhaps most strikingly, Rele has partnered with Samsung on an ongoing initiative, “Tech Meets Art,” demonstrating a willingness to embrace innovation and explore the intersection of art and technology – a testament to its forward-thinking approach.

    Expanding Horizons: Los Angeles and Beyond

    In 2021, Rele Arts Foundation took a bold step, establishing a location in Los Angeles, California—a landmark achievement as it marked the first African gallery to call the city home. This expansion represents more than just geographical growth; it signifies a deliberate effort to connect African art with a global audience and foster cross-cultural exchange. The Los Angeles space mirrors the ethos of the Lagos gallery – prioritizing emerging talent and creating a welcoming environment for both local collectors and international visitors.

    A Unique Cultural Hub

    What truly distinguishes Rele Arts Foundation is its role as a vibrant cultural hub. It’s a place where artists, curators, critics, and enthusiasts converge to exchange ideas, celebrate creativity, and build connections. The foundation actively promotes dialogue and appreciation for the diverse artistic expressions of Africa, fostering a sense of community and belonging. Rele's influence extends beyond its physical spaces; it has become synonymous with contemporary African art, inspiring artists and collectors alike to embrace the continent’s rich creative legacy.

    Notable Artists at Rele

    Olumide Onadipe:

    A Nigerian artist blending traditional and contemporary techniques to tackle environmental themes and social commentary. His work offers a powerful reflection on the challenges facing Africa today.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Gallery View

    artsdot.com/cs/art/download/soji-adesina-gallery-view-DD2EMD-en/

    Jak citovat toto dílo

    MLA
    Adesina, Soji. Gallery View. 2015, Rele Arts Foundation. https://artsdot.com/cs/art/soji-adesina-gallery-view-DD2EMD-en/
    APA
    Adesina, Soji (2015). Gallery View [Painting]. Rele Arts Foundation. https://artsdot.com/cs/art/soji-adesina-gallery-view-DD2EMD-en/
    Chicago
    Soji Adesina. Gallery View. 2015. Rele Arts Foundation. https://artsdot.com/cs/art/soji-adesina-gallery-view-DD2EMD-en/
    Harvard
    Adesina, Soji (2015) Gallery View. Rele Arts Foundation. Available at: https://artsdot.com/cs/art/soji-adesina-gallery-view-DD2EMD-en/

    Zaměřte se pozorně

    Gallery View — Soji Adesina

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Kolik tváří dokážete najít? ____ (v našem katalogu jich vidíme 6 — souhlasíte?)
    4. V našem katalogu je toto dílo zařazeno pod: abstract portraits, gallery setting, impasto texture. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    5. Vraťte se k dílu Talking Smoke II (2015), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Jak intenzivní jsou barvy v díle „Gallery View“ od Soji Adesina?

    Intenzita barev díla „Gallery View“ je Monochromatic. Tato hodnota vyjadřuje, jak výrazné barvy působí.

    Kde si mohu koupit print díla „Gallery View“ od Soji Adesina?

    Pokud si chcete pořídit tisk díla „Gallery View“ od Soji Adesina, stačí si jej objednat přímo na jeho stránce Kvalitní umělecký tisk: umělecký tisk na bavlněném plátně nebo archivním plátnovém papíře.

    Je dílo „Gallery View“ od Soji Adesina spíše světlé, nebo tmavé?

    Zaznamenané hodnoty pro dílo „Gallery View“ od Soji Adesina jsou: jas bright, luminance Gentle Luminance.