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Autorská práva Toto dílo je volno v rámci veřejného vlastnictví. mori ransai zemřel(a) v roce 1827; autorská práva trvají 70 let po smrti umělce, takže vypršela v roce 1897.
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Rabbit and Roses — mori ransai
Původní rozměry jsou 108 × 42 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.
Shaded: životopis mori ransai (1754–1827) ▲ toto dílo, 701
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O tomto uměleckém díle
Rabbit and Roses — mori ransai
This depiction of a crouching rabbit and a leaning boulder from behind which two clusters of roses emerge, combines the effect of brilliant polychrome on the leaves and blossoms with lighter washes of ink and color on the rock and the fur of the rabbit. It bears the stylistic hallmarks of the Edo period’s Nagasaki school of painting which was based stylistically on the work of Shen Nanpin (also known as Shen Quan, fl. 1725–80), a Chinese artist who lived in Japan, in the port city of Nagasaki, from 1731 to 1733, and other Chinese painters who visited Japan during the eighteenth century. The pictorial elements are carefully and meticulously detailed, and are concentrated within one side of the picture plane, a Chinese convention used in bird-and-flower and plant and animal paintings from the Southern Song dynasty (1127–1279) on. The artist Mori Ransai, who specialized in the bird-and-flower genre, was one of several Japanese painters who mastered this Chinese style of depicting close-up images of nature in a naturalistic but richly decorative manner against a background of blank silk. The inscription above the image was brushed by Jiun Onkō, one of the premier Buddhist scholars, writers, and reformers of the Edo period. A cleric concerned with monastic discipline and ethics, he authored a number of works on the subject, and was also one of Japan’s most accomplished Sanskrit scholars.
Umělec a muzeum
Narozen v Nagasaki, Japan
mori ransai, a japanese painter of the edo period, left an indelible mark on the world of art. born in 1754 and passing away in 1827, mori ransai's life was a testament to his dedication to the craft. as a pupil of kumashiro yūhi, a member of the nanpin school who studied under the chinese painter shen quan, mori ransai was considered one of the school's most passionate members.
mori ransai's work was characterized by the 'nagasaki style', a unique blend of chinese and japanese influences. this style, which emphasized individual expression and personal interpretation over technical skill, would go on to influence numerous artists in the region. mori ransai's own contributions to this style can be seen in his paintings, such as rabbit and roses (available for viewing at mori ransai: rabbit and roses on AllPaintingsStore), which showcases his mastery of polychrome and ink.
not content with merely creating art, mori ransai also taught other artists, spreading the 'nagasaki style' to major cities like edo, osaka, and kyoto. this legacy can be seen in the numerous artists who followed in his footsteps, including kano einō (whose work one hundred boys is available on AllPaintingsStore), who continued to push the boundaries of japanese art.
key works:
rabbit and roses (mori ransai, silk)
one hundred boys (kano einō, panel)
influences:
shen quan (chinese painter)
kumashiro yūhi (japanese painter and member of the nanpin school)
museums and collections:
mori ransai's collection on AllPaintingsStore
liebieghaus (frankfurt, germany)
periods and styles:
edo period
nagasaki style
nanpin school
mori ransai's impact on the world of japanese painting is undeniable. through his passionate approach to art and his dedication to teaching, he left a lasting legacy that can still be seen today. for those interested in exploring more of mori ransai's work or delving into the world of japanese art, AllPaintingsStore's extensive collection (AllPaintingsStore: the virtual museum for art aficionados) is an invaluable resource.
artsdot.com/cs/art/download/mori-ransai-rabbit-and-roses-D32AAW-en/
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Rabbit and Roses — mori ransai
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