Formát papíru

Průvodce studentskou tvorbou

Self-Portrait II

Jméno Ročník Datum

joseph obaní-ìbí, Self-Portrait II (2019). Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
joseph obaní-ìbí artsdot.com/cs/artists/joseph-obani-ibi/
Datum vzniku díla
1994 – ?
Malováno
2019
Medium
Photography
Původní rozměry
85 x 85 cm
Pohyb
Afro-futurism
Období
Contemporary
Artistic style
Afro-futuristic, Surreal
Notable elements
Camera on head, clock and scissors design
Subject or theme
Identity, fantasy, and globalization

V kontextu

Self-Portrait II — joseph obaní-ìbí

Jak velký je?

Původní rozměry jsou 85 × 85 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1990
  2. 2000
  3. 2010

Shaded: životopis joseph obaní-ìbí (1994–?) ▲ toto dílo, 2019

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/joseph-obani-ibi-self-portrait-ii-D67TR4-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Steel Blue #348dd1

    Uložená paleta

    • #348DD1
    • #853849
    • #E07A7F
    • #183A55
    Paleta
    Dark Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Steel Blue
    Sytost
    Vivid Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Gentle Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Strong Color Unity Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Balanced Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Clear Color Presence Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    O tomto uměleckém díle

    Self-Portrait II — joseph obaní-ìbí

    A Visionary Lens: The Afro-Futurist Dream of Joseph Obaní-ìbí

    In the vibrant, pulsating heart of Lagos, a new visual language is being forged, one that bridges the gap between the tangible present and a speculative future. Self-Portrait II, a profound work by the Nigerian-based multimedia artist Joseph Obaní-ìbí, serves as a breathtaking gateway into this realm. Created in 2019, this piece is far more than a mere depiction of a face; it is an intricate visual bricolage, a carefully reconstructed tapestry of identity and perception. Through his unique lens, Obaní-ìbí invites the viewer to step away from the mundane and into a world where reality and delusion dance in a seamless, surreal embrace.

    The composition captures a moment of intense creative introspection. At the center of this narrative is a figure adorned with a camera positioned atop their head, an evocative symbol of the artist’s role as both observer and participant in the construction of reality. This placement suggests a perspective that transcends human sight, implying a way of seeing that is omnidirectional and deeply integrated with technology. The subject's blue shirt, detailed with unexpected motifs such as a clock and scissors, hints at the themes of time, fragmentation, and the deliberate "cutting" and reassembling of cultural narratives that define Obaní-ìbí’s practice.

    Symbolism and the Afro-Futurist Aesthetic

    To encounter Self-Portrait II is to experience the essence of Afro-futurism. The artist utilizes elements of graphic design and advertising—disciplines that form his professional foundation—to layer meaning onto everyday objects. The presence of other figures and an umbrella in the periphery creates a sense of a lived, communal space, yet the central focus remains on the transformative power of the gaze. The clock serves as a poignant reminder of the temporal shifts inherent in globalization, while the scissors represent the artist's ability to deconstruct original contexts to breathe new life into subjects.

    This work functions as a psychological landscape. It explores how identity is not a fixed entity but a fluid construction shaped by memory, technology, and the surrounding environment. For the collector or the interior designer, this piece offers a profound intellectual depth. It does not merely decorate a wall; it challenges the viewer to reconsider their own perception of the world around them. The interplay between the blue hues and the complex textures creates an atmosphere that is simultaneously tranquil and intellectually stimulating, making it a centerpiece capable of anchoring a sophisticated contemporary space.

    An Essential Addition for the Discerning Collector

    For those seeking to curate a collection that speaks to the pulse of modern global art, Obaní-ìbí’s work represents a significant movement. His ability to blend the aesthetics of digital design with the soulful depth of fine art makes Self-Portrait II a timeless acquisition. The piece resonates with the energy of Lagos and the forward-looking spirit of the African diaspora, offering an emotional impact that is both haunting and hopeful.

    Whether placed in a minimalist gallery setting or integrated into a richly textured residential interior, this reproduction brings with it a sense of discovery. It is an invitation to look closer, to question the familiar, and to find beauty in the unusual places that lie around us. Owning a piece of this narrative is an opportunity to possess a fragment of a burgeoning artistic legacy—a testament to the power of reimagining our place within the globalized future.

    Umělec a muzeum

    Umělec

    joseph obaní-ìbí

    Narozen v Lagos, Nigeria

    A Lagosian Visionary: The Afro-Futurist Worlds of Joseph Obaní-ìbí

    Joseph Obaní-ìbí, born in the vibrant metropolis of Lagos, Nigeria in 1994, is a multimedia artist whose work pulsates with the energy of his origins and the boundless possibilities of the future. Currently based in Illinois, USA, Obaní-ìbí’s artistic journey is one of constant exploration—a dynamic interplay between visual design, art direction, and education that coalesces into a uniquely compelling vision. He doesn't simply create images; he constructs worlds, layered with personal narrative, cultural resonance, and technological innovation. His practice isn’t confined to a single medium but rather embraces a fluidity that allows him to navigate the complexities of identity, memory, and place with remarkable dexterity.

    Early Influences & Artistic Development

    Obaní-ìbí's foundation lies in a diverse background encompassing graphic design, advertising, and art education. This multifaceted training instilled within him not only technical proficiency but also a keen understanding of visual communication and its power to shape perception. His early work already hinted at the themes that would come to define his mature style: an interrogation of authorship in image-making, a fascination with the cyclical nature of time, and a deep engagement with the Black diaspora experience. The bustling streets of Lagos, steeped in history and brimming with contemporary life, served as an initial source of inspiration—a constant reminder of the interplay between tradition and modernity. He began experimenting with digital tools, recognizing their potential to transcend conventional boundaries and create spaces that existed beyond the constraints of reality. This exploration led him towards a distinctive aesthetic characterized by surreal compositions, vibrant color palettes, and a deliberate blurring of lines between the real and the imagined.

    Afro-Futurism & The Exploration of Identity

    The core of Obaní-ìbí’s artistic identity resides in his embrace of Afro-futurism—a cultural aesthetic that combines elements of science fiction, fantasy, history, and African mythology to explore themes of liberation, empowerment, and technological advancement. His work isn't merely a stylistic nod to the genre; it is a profound investigation into what it means to be Black in a rapidly changing world. He delves into the concept of “identity in transition,” recognizing that identity is not fixed but rather fluid—shaped by mobility, memory, and the politics of translation. Through his digital collages and installations, he constructs narratives that challenge conventional notions of belonging and celebrate the resilience and creativity of the African diaspora. His self-portraits, for example, are not straightforward representations but rather complex bricolages—digital reconstructions that incorporate elements of fantasy and technology to explore the multifaceted nature of selfhood.

    Major Achievements & Recognition

    Obaní-ìbí’s talent has garnered significant recognition within the art world. He has exhibited his work internationally, including a notable showing in Issy-les-Moulineaux, France, and Kinshasa, demonstrating his growing presence on the global stage. A particularly noteworthy achievement is his receipt of the CAP Prize in 2021—an award that acknowledges emerging artists pushing boundaries and challenging conventions. This recognition solidified his position as a leading voice within contemporary art and provided him with valuable opportunities to further develop his practice. Beyond exhibitions, Obaní-ìbí actively engages in art education, sharing his knowledge and inspiring the next generation of artists. He is also featured on platforms like ArtsDot.com and See-Zeen, broadening his reach and connecting with a wider audience.

    Historical Significance & Future Trajectory

    Joseph Obaní-ìbí’s work occupies a significant space within contemporary art—a bridge between cultures, disciplines, and generations. His exploration of Afro-futurism is not simply an aesthetic choice but rather a powerful statement about the importance of representation, agency, and cultural preservation. He challenges viewers to confront their own preconceptions about identity, history, and technology, prompting dialogue and fostering a deeper understanding of the complexities of the Black experience. As he continues to evolve as an artist, Obaní-ìbí’s trajectory promises even greater innovation and impact—a testament to his unwavering commitment to visual storytelling and his profound belief in the power of art to transform the world. His work is a reminder that the future isn't something to be passively awaited but rather actively constructed through creativity, imagination, and a deep engagement with the past.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Self-Portrait II

    artsdot.com/cs/art/download/joseph-obani-ibi-self-portrait-ii-D67TR4-en/

    Citace tohoto díla

    MLA
    obaní-ìbí, joseph. Self-Portrait II. 2019, https://artsdot.com/cs/art/joseph-obani-ibi-self-portrait-ii-D67TR4-en/
    APA
    obaní-ìbí, joseph (2019). Self-Portrait II [Painting]. https://artsdot.com/cs/art/joseph-obani-ibi-self-portrait-ii-D67TR4-en/
    Chicago
    joseph obaní-ìbí. Self-Portrait II. 2019. https://artsdot.com/cs/art/joseph-obani-ibi-self-portrait-ii-D67TR4-en/
    Harvard
    obaní-ìbí, joseph (2019) Self-Portrait II. Available at: https://artsdot.com/cs/art/joseph-obani-ibi-self-portrait-ii-D67TR4-en/

    Podívejte se pozorně

    Self-Portrait II — joseph obaní-ìbí

    Pohlédněte blíž

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    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Náš katalog řadí toto dílo pod: self-portrait, afro-futurism, surrealism. Souhlasíte? Co byste přidali nebo odebrali?
    4. Zhlédněte si znovu dílo Self-Portrait (2018), které jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. joseph obaní-ìbí bylo při vzniku tohoto díla ve věku přibližně 25. Co v něm vypadá jako práce umělce v této životní fázi?

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