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Toldos

Jméno Ročník Datum

Horacio Coppola, Toldos (1931), Centro Cultural Banco do Brasil Rio de Janeiro. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
Horacio Coppola artsdot.com/cs/artists/horacio-coppola/
Datum vzniku díla
1906 – 2012
Malováno
1931
Místo konání
Centro Cultural Banco do Brasil Rio de Janeiro artsdot.com/cs/museums/centro-cultural-banco-do-brasil-rio-de-janeiro-rio-de-janeiro_cs/

V kontextu

Toldos — Horacio Coppola

Kdy bylo toto dílo vytvořeno?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990
  11. 2000
  12. 2010

Shaded: životopis Horacio Coppola (1906–2012) ▲ toto dílo, 1931

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    Umělec a muzeum

    Umělec

    Horacio Coppola

    The Visionary Eye of Horacio Coppola

    In the grand tapestry of twentieth-century Latin American art, few threads are as luminous or as enduring as those woven by Horacio Coppola. Born in Buenos Aires on July 31st, 1906, to Italian immigrants, Coppola was raised in an environment of profound intellectual richness. As the youngest of ten children, his upbringing was steeped in the cultural currents of a burgeoning metropolis, fostering a curiosity that would eventually lead him far beyond the borders of Argentina. His early years were marked by a polymathic pursuit of knowledge; he did not merely observe the world but sought to understand its rhythms through the study of art, music, law, and languages. This multifaceted foundation provided the essential scaffolding for his later photographic mastery, allowing him to approach the camera not just as a recording device, but as an instrument of profound philosophical inquiry.

    The trajectory of Coppola’s life changed irrevocably during his travels through Europe in the 1920s and 30s, a period when photography was undergoing a radical metamorphosis. It was in Germany that he encountered the transformative principles of the Bauhaus movement, an influential school that championed functionalism, geometric experimentation, and a new way of seeing. This encounter with European modernism deeply imprinted his aesthetic, teaching him to utilize odd angles, dramatic cropping, and a keen sense of composition to evoke emotion. It was also during this formative era in Berlin that he met the German photographer Grete Stern. Their union became one of the most significant artistic partnerships of the century, as they traveled together, documenting the shifting landscapes of diverse cultures through a shared lens of modernism.

    Capturing the Soul of Buenos Aires

    Upon returning to Argentina in 1936, Coppola embarked on a monumental undertaking that would cement his legacy as a pioneer of Argentine modernism. Commissioned to document Buenos Aires for its 400th anniversary, he turned his gaze toward the urban landscape with an unparalleled sensitivity. His work during this period transcended mere documentation; through his lens, the city became a living, breathing protagonist. He captured the sweeping grandeur of its architecture alongside the gritty, unvarnished realities of its streets, presenting a nuanced portrayal of Argentine society that balanced romance with squalor. By employing techniques reminiscent of German Expressionism and Surrealism, Coppola prioritized mood and atmosphere, transforming streetscapes into evocative meditations on light, shadow, and human existence.

    His photographic reach was remarkably expansive, moving seamlessly between the intimate and the monumental. His ability to find poetry in the mundane—whether in a still life or a sprawling urban panorama—demonstrated a profound command over the medium. This versatility allowed him to contribute significantly to the literary and cultural fabric of his time; notably, he provided the photographic accompaniment for the first edition of Evaristo Carriego, a biography by the legendary Jorge Luis Borges. Such collaborations highlight how Coppola’s visual language was deeply intertwined with the intellectual movements of Argentina, helping to define the very essence of the nation's modern identity.

    A Legacy of Light and Longevity

    The historical significance of Horacio Coppola lies in his role as a bridge between European avant-garde movements and the burgeoning Latin American modernism. He did not simply import foreign styles; he synthesized them with the local spirit, creating a visual vocabulary that was uniquely his own. His work remains a vital record of a transformative era, capturing the vitality, tension, and evolution of a city and a continent in flux. Even as the decades passed, his commitment to the art form never wavered, and his influence continued to resonate through subsequent generations of photographers.

    As he reached the remarkable age of 105, Coppola’s life came to a close in June 2012, leaving behind an immense and evocative body of work. His achievements were recognized with the highest honors, including being named an Illustrious Citizen of Buenos Aires. The enduring power of his vision was perhaps most poignantly realized during a retrospective exhibit at the Malba Museum in Buenos Aires, held when he was one hundred years old—a testament to a career that spanned the entire breadth of the modern era. Through his mastery of light and shadow, Coppola ensured that the fleeting moments of the twentieth century would be preserved with eternal grace.

    Muzeum

    Centro Cultural Banco do Brasil Rio de Janeiro

    Vystaveno v Rio de Janeiro, Brazílie

    A Jewel of Brazilian Culture: The Centro Cultural Banco do Brasil Rio de Janeiro

    Nestled within the historic heart of Rio de Janeiro, opposite the vibrant Largo da Candelária, stands a building that transcends its brick and mortar – it’s a living embodiment of Brazil's artistic soul. The Centro Cultural Banco do Brasil (CCBB) Rio de Janeiro isn’t merely a museum; it’s an immersive experience, a carefully curated journey through Brazilian art, theatre, cinema, and the very spirit of this captivating nation. Originally conceived as the headquarters for the Commercial Association of Rio de Janeiro in 1880, this architectural masterpiece underwent a dramatic transformation when acquired by Banco do Brasil in the 1920s, blossoming into the dynamic cultural center it is today – a testament to preservation and an embrace of evolving creativity.

    The building itself immediately commands attention. Designed by the visionary architect Francisco Joaquim Béthencourt da Silva, it’s a symphony in stone and light, a masterful blend of Art Deco elegance and Brazilian Modernism. Soaring columns reach towards the heavens, intricately ornamented facades hint at the treasures within, and a breathtaking marble staircase – seemingly ascending into the very clouds – invites visitors to step back in time. The geometric patterns adorning the exterior are not merely decorative; they’re a reflection of the building's rich past and a promise of the creative experiences awaiting inside. The CCBB Rio de Janeiro stands as a powerful symbol of Brazilian cultural heritage, an invitation to connect with the nation’s artistic legacy and witness its ongoing evolution.

    A Kaleidoscope of Artistic Expressions

    The heart of the CCBB lies in its remarkably diverse programming, catering to a vast spectrum of interests. At its core resides a truly impressive collection of Brazilian and international art exhibitions – from established masters whose works have shaped generations to emerging talents pushing the boundaries of contemporary expression. But the center’s offerings extend far beyond visual arts; it's a genuine multidisciplinary hub. Throughout the year, visitors can immerse themselves in captivating theatrical performances ranging from grand-scale productions that fill the space with drama and emotion, to intimate experimental shows offering unique perspectives on art and life. A vibrant cinema screens everything from independent Brazilian films that capture the essence of local stories, to internationally acclaimed blockbusters. And a comprehensive library provides access to a wealth of knowledge, fostering a deeper understanding of both artistic movements and individual creative visions.

    Notably, the CCBB Rio de Janeiro has consistently hosted exhibitions that have garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” stands as a shining example – it achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries – a commitment to ambitious projects, large-scale retrospectives, and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    Echoes of Brazilian Masters

    Delving deeper into the collection reveals a fascinating array of Brazilian artists whose work reflects the nation’s diverse cultural landscape. The museum's holdings include significant works by Francisco Togni, known for his evocative depictions of industrial São Paulo – particularly “Utilitário Centro Cultural (lado B),” which masterfully captures the city’s essence through geometric forms and cool tones, reflecting a unique perspective on urban life. Equally compelling are pieces by Hélio Oiticica, a pioneering Neo-Concrete artist whose innovative use of color, environmental art, and immersive installations pushed the boundaries of artistic expression, inviting viewers to engage with art in entirely new ways. Rubens Teixeira Scavone, a celebrated novelist and artist, is also represented, showcasing his unique blend of creativity and wit – often incorporating literary themes into his visual works.

    These artists, alongside many others, contribute to a rich tapestry of Brazilian artistic heritage. The CCBB Rio de Janeiro serves as a vital platform for showcasing their work, ensuring that their legacies continue to inspire future generations. The museum’s commitment to representing diverse voices within the Brazilian art world is a testament to its dedication to cultural inclusivity and preservation – a conscious effort to ensure that all facets of Brazil's artistic identity are celebrated.

    A Legacy Forged in Landmark Exhibitions

    Beyond individual artists, the CCBB Rio de Janeiro has consistently hosted exhibitions that have captivated audiences and garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries. The institution doesn’t shy away from ambitious projects, frequently presenting large-scale retrospectives and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    More Than a Museum: A Cultural Heartbeat

    What truly sets the CCBB Rio de Janeiro apart is its accessibility and comprehensive approach to culture. It’s not simply a place for passive observation; it's an immersive environment designed to engage, inspire, and foster a deeper appreciation for the arts. Its central location near Largo da Candelária ensures easy access for both locals and tourists alike, making cultural enrichment readily available to all. The CCBB is a space where one can lose themselves in the brushstrokes of a masterpiece, be moved by a powerful theatrical performance, or discover new perspectives through independent cinema – all under one magnificent roof. It embodies the vibrant soul of Rio de Janeiro and serves as a vital cultural landmark for Brazil as a whole. It’s a place where art breathes, lives, and connects with the community on a profound level.

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    QR kód odkazující na stránku ke stažení Toldos

    artsdot.com/cs/art/download/horacio-coppola-toldos-D934Z9-en/

    Citace tohoto díla

    MLA
    Coppola, Horacio. Toldos. 1931, Centro Cultural Banco do Brasil Rio de Janeiro. https://artsdot.com/cs/art/horacio-coppola-toldos-D934Z9-en/
    APA
    Coppola, Horacio (1931). Toldos [Painting]. Centro Cultural Banco do Brasil Rio de Janeiro. https://artsdot.com/cs/art/horacio-coppola-toldos-D934Z9-en/
    Chicago
    Horacio Coppola. Toldos. 1931. Centro Cultural Banco do Brasil Rio de Janeiro. https://artsdot.com/cs/art/horacio-coppola-toldos-D934Z9-en/
    Harvard
    Coppola, Horacio (1931) Toldos. Centro Cultural Banco do Brasil Rio de Janeiro. Available at: https://artsdot.com/cs/art/horacio-coppola-toldos-D934Z9-en/

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    Toldos — Horacio Coppola

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    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Zhlédněte si znovu dílo Medianera Con Aire y Luz (1931), které jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Horacio Coppola bylo při vzniku tohoto díla ve věku přibližně 25. Co v něm vypadá jako práce umělce v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

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