Formát papíru

Průvodce studentskou tvorbou

Slapton Sands, Devon

Jméno Ročník Datum

hazel king farlow, Slapton Sands, Devon, Ferens Art Gallery. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
hazel king farlow artsdot.com/cs/artists/hazel-king-farlow/
Datum vzniku díla
1903 – 1995
Původní rozměry
50 x 60 cm
Místo konání
Ferens Art Gallery artsdot.com/cs/museums/ferens-art-gallery-hull_cs/

V kontextu

Slapton Sands, Devon — hazel king farlow

Jak velký je?

Původní rozměry jsou 50 × 60 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy mohl být tento obraz vytvořen?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Shaded: životopis hazel king farlow (1903–1995)

U tohoto záznamu není uvedeno přesné datum — vzhledem k délce života umělce a stylu díla, jaké desetiletí byste odhadli?

Podobná díla

  • The Black Jug (Cyclamen) artsdot.com/cs/art/hazel-king-farlow-the-black-jug-cyclamen-AR2B42-en/
  • Dahlias artsdot.com/cs/art/hazel-king-farlow-dahlias-AR2B3Y-en/
  • Unicorn, 1937 artsdot.com/cs/art/hazel-king-farlow-unicorn-AR2B3U-en/

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/hazel-king-farlow-slapton-sands-devon-AR2B3W-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Celadon #91b4d2

    Uložená paleta

    • #91B4D2
    • #B9B39E
    • #414F4C
    • #6A8B88
    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Celadon
    Sytost
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Gentle Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Balanced Harmony Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Umělec a muzeum

    Umělec

    hazel king farlow

    A Life Painted in Shadows and Light: The Enigmatic World of Hazel King Farlow

    Hazel King Farlow (1903-1995) remains a captivating figure within the annals of American art, an artist whose life was as richly layered and subtly complex as her evocative paintings. Born Barbara Hazel Guggenheim, the youngest daughter of the shipping magnate Benjamin Guggenheim and Fleurette Seligman, she inherited not only immense wealth but also a legacy of familial drama and artistic aspiration. Her early years were steeped in the glamour and privilege of New York society, yet shadowed by the tragic loss of her father aboard the Titanic – an event that profoundly shaped her outlook and fueled a lifelong fascination with memory and loss.

    Farlow’s artistic journey began unexpectedly, spurred by a desire to escape the constraints of her upbringing and forge her own identity. Unlike her more flamboyant sisters, Benita and Peggy Guggenheim, who embraced bohemian lifestyles and gallery ownership, Hazel pursued painting with a quiet intensity. She studied at Washington Square College in New York, absorbing the principles of modern art while simultaneously navigating the complexities of her personal life – a series of marriages marked by both passion and heartbreak. Her early work reflected a burgeoning interest in portraiture and landscape, but it was through her exploration of rural American scenes—particularly dahlias, powder mill houses, and the quiet dignity of farm life—that she ultimately established her distinctive artistic voice.

    The Palette of Memory: Style and Technique

    Farlow’s paintings are characterized by a remarkable sensitivity to light and texture. She eschewed bold, expressive brushstrokes in favor of a more subtle, almost impressionistic approach, meticulously layering colors to create a sense of atmosphere and depth. Her use of muted tones—ochres, browns, greens, and blues—evokes the quiet beauty of the New England countryside she so often depicted. A key element of her style is her ability to capture fleeting moments of light – the dappled sunlight filtering through trees, the golden glow of a sunset, or the soft illumination within a farmhouse window. This meticulous attention to detail, combined with an intuitive understanding of color and composition, results in paintings that are both visually arresting and emotionally resonant.

    Influenced by artists such as Winslow Homer and Frederic Church, Farlow developed her own unique style—one that blended realism with a touch of melancholy. Her subjects were often imbued with a sense of nostalgia, as if she were attempting to capture the essence of a bygone era. She frequently employed a slightly off-kilter perspective, creating a subtle feeling of unease or disorientation – mirroring perhaps the fragmented nature of memory itself.

    A Life Intertwined with Tragedy and Resilience

    Farlow’s personal life was marked by a series of significant losses and challenges. The death of her father aboard the Titanic cast a long shadow over her childhood, while the untimely deaths of her two sons in a 1928 New York skyscraper accident left her deeply scarred. Her marriage to journalist Milton S. Waldman, followed by subsequent unions with Englishman Denys King-Farlow and later Charles McKinley, each brought its own share of heartache and upheaval. Despite these personal tragedies, Farlow remained remarkably resilient, continuing to paint throughout her life—a testament to her inner strength and unwavering artistic spirit.

    The mystery surrounding the deaths of her sons fueled speculation about her mental state, with some suggesting she was responsible for their demise. While never formally charged, the incident cast a pall over her reputation and contributed to the enduring enigma that surrounds her life and work. However, it’s important to note that investigations concluded the deaths were accidental, yet the lingering questions surrounding them undoubtedly shaped her artistic perspective.

    Legacy and Rediscovery

    For decades, Hazel King Farlow's paintings remained largely unknown outside of a small circle of collectors and dealers. It wasn’t until the late 1990s, following the Peggy Guggenheim Collection’s retrospective exhibition, that her work began to receive wider recognition. Her paintings are now appreciated for their quiet beauty, evocative atmosphere, and subtle emotional depth. They offer a poignant glimpse into the life of an artist who navigated personal tragedy with remarkable grace and continued to create works of enduring artistic merit.

    Today, Farlow’s paintings can be found in prestigious collections across the United States and Europe, serving as a reminder of her unique contribution to American art. Her legacy is one of resilience, creativity, and an unwavering commitment to capturing the beauty—and the melancholy—of the world around her.

    Muzeum

    Ferens Art Gallery

    Vystaveno v Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established in 1927 by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    Beyond the classical splendors, the Ferens Art Gallery serves as a vital bridge to the 20th century and beyond. The halls resonate with the stylistic shifts of Impressionism and the intellectual rigors of Conceptual Art, featuring works by luminaries such as

    Frederic Lord Leighton

    ,

    Stanley Spencer

    , and the contemporary provocations of

    Helen Chadwick

    and

    Gillian Wearing

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. The museum’s ability to host significant temporary exhibitions—ranging from explorations of the Royal Collection to celebrated features on artists like Francis Bacon—ensures that the gallery remains a dynamic, breathing entity within the global art discourse.

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is more than a destination; it is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Slapton Sands, Devon

    artsdot.com/cs/art/download/hazel-king-farlow-slapton-sands-devon-AR2B3W-en/

    Citace tohoto díla

    MLA
    farlow, hazel king. Slapton Sands, Devon. n.d., Ferens Art Gallery. https://artsdot.com/cs/art/hazel-king-farlow-slapton-sands-devon-AR2B3W-en/
    APA
    farlow, hazel king (n.d.). Slapton Sands, Devon [Painting]. Ferens Art Gallery. https://artsdot.com/cs/art/hazel-king-farlow-slapton-sands-devon-AR2B3W-en/
    Chicago
    hazel king farlow. Slapton Sands, Devon. n.d. Ferens Art Gallery. https://artsdot.com/cs/art/hazel-king-farlow-slapton-sands-devon-AR2B3W-en/
    Harvard
    farlow, hazel king (n.d.) Slapton Sands, Devon. Ferens Art Gallery. Available at: https://artsdot.com/cs/art/hazel-king-farlow-slapton-sands-devon-AR2B3W-en/

    Podívejte se pozorně

    Slapton Sands, Devon — hazel king farlow

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    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Znovu se podívejte na dílo The Black Jug (Cyclamen), které jste v tomto průvodci viděli dříve. Jmenujte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Co by vás umělec mohl chtít vyvolat?
    5. Kdybyste mohli umělci položit o tomto díle jednu jedinou otázku, co by to bylo?

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