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Autorská práva Toto dílo je volno v rámci veřejného vlastnictví. Giuseppe Zais zemřel(a) v roce 1781; autorská práva trvají 70 let po smrti umělce, takže vypršela v roce 1851.
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Landscape — Giuseppe Zais
Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 72 při smrti.
Shaded: životopis Giuseppe Zais (1709–1781) každý obraz s datem vzniku, dekáda po dekádě
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Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/giuseppe-zais-landscape-8Y3MBQ-en/
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Tyto práce společně tvoří 99,9% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 16 děl tohoto umělce, z nichž 8 byla prohlédnuta alespoň jednou. Tento obraz se v tomto žebříčku nachází na 8 místě, přičemž si připravuje 8,3% této pozornosti. Stále stejné, měsíc po měsíci
Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.
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Narozen(a) v Forno di Canale, Italy
Giuseppe Zais, born in the humble mountain town of Forno di Canale near Belluno in 1709, emerged as a significant, though often overlooked, figure within the vibrant landscape painting tradition of 18th-century Venice. His life story, while lacking dramatic flourishes, speaks to the dedication and subtle artistry that characterized his nearly five decades of work. Moving to Venice at a young age – likely around 1725 or 1730 – Zais immersed himself in the artistic currents of the city, a period already steeped in the legacy of masters like Canaletto and Guardi. While he wouldn’t achieve their widespread renown, his contribution to the veduta genre—the highly detailed, often panoramic views of cities—is nonetheless noteworthy, offering a unique perspective on the beauty and atmosphere of the Venetian lagoon.
Zais's artistic journey was shaped by two key figures: Marco Ricci and Francesco Zuccarelli. Ricci, also hailing from Belluno, profoundly influenced his initial approach to landscape. He absorbed Ricci’s penchant for scenographic compositions—landscapes framed by lush trees with villages nestled within—and adopted the use of etching as a means of disseminating his designs. These early works reveal a focus on descriptive power and a pleasing aesthetic simplicity. However, Zais soon sought further refinement, turning to Francesco Zuccarelli for guidance. Zuccarelli’s influence softened Ricci's dramatic effects, introducing an increased elegance into Zais’s palette and technique. This period saw the development of his distinctive style—a blend of atmospheric luminosity, rich color, and a delicate touch that often bordered on affectation. While contemporaries like Bartolomeo Pedon and Matteo Stom had already established a strong tradition of Venetian landscape painting, Zais carved out his own niche through this synthesis of influences.
Zais’s career unfolded primarily within the confines of Venice itself. Registered with the Fraglia, the city's painters’ guild, from 1748 to 1768, he steadily built a reputation as a skilled landscape artist. His most celebrated achievement lies in the frescoes adorning Villa Pisani in Stra, created between 1760 and 1765. These expansive works showcase his mastery of decorative painting and his ability to capture the idyllic beauty of the Venetian countryside. Beyond this commission, Zais benefited from a network of patrons, including Joseph Smith, a prominent English consul residing in Venice. Smith’s support likely played a crucial role in establishing Zais's position within the artistic community. In 1774, he was elected to the Accademia Veneziana—a testament to his growing recognition among his peers.
Despite achieving membership in the Academy, Zais’s later years were marked by financial hardship. He died in poverty at Treviso in 1784, a fate not uncommon for artists of the period. However, his artistic legacy endures through the surviving examples of his work. His paintings—often depicting pastoral scenes and tranquil harbor views—offer a glimpse into the everyday life and picturesque landscapes of 18th-century Venice. While he may not have possessed the virtuosity of Canaletto or the dramatic flair of Guardi, Zais’s art possesses a unique charm and sensitivity. He excelled at capturing the subtle nuances of light and atmosphere, creating scenes that evoke a sense of peace and serenity. His vedute paintings, though less focused on architectural precision than those of his contemporaries, offer a more intimate and emotionally resonant portrayal of the Venetian world.
Today, Giuseppe Zais is increasingly recognized as an important figure within the broader context of Italian landscape painting. His works can be found in prominent collections such as the Gallerie dell'Accademia in Venice and the Museum of Bassano del Grappa. Scholars continue to explore his artistic development, highlighting the influence of Ricci and Zuccarelli while also acknowledging his unique contributions to the veduta genre. Zais’s art serves as a reminder that beauty can be found not only in grand spectacle but also in quiet contemplation. His paintings offer a valuable window into the social and cultural life of 18th-century Venice, capturing the essence of a city renowned for its artistic splendor and enduring allure. His legacy is one of tranquility, skillful execution, and a deep appreciation for the natural world—qualities that continue to resonate with viewers today.
artsdot.com/cs/art/download/giuseppe-zais-landscape-8Y3MBQ-en/
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Landscape — Giuseppe Zais
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Dílo „Landscape“ od Giuseppe Zais je zachyceno s Muted saturací a Monochromatic intenzitou.
Dominantní barvou díla „Landscape“ od Giuseppe Zais je Phthalo Green (#2f1c1e).
„Landscape“ od Giuseppe Zais vykazuje Statement kontrast mezi světlými a tmavými částmi.