Formát papíru

Průvodce studentskou tvorbou

Untitled (Monolith Silver)

Jméno Ročník Datum

gisela colon, Untitled (Monolith Silver) (2016), Los Angeles County Museum of Art. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
gisela colon artsdot.com/cs/artists/gisela-colon/
Datum vzniku díla
1966 – ?
Malováno
2016
Medium
Sculpture Bronze Molten metal poured into a mould made from the artist’s model, then finished and polished by hand.
Původní rozměry
366 x 102 cm
Pohyb
Contemporary Minimalism
Místo konání
Los Angeles County Museum of Art artsdot.com/cs/museums/los-angeles-county-museum-of-art-los-angeles_cs/
Artistic style
Minimalist Sculpture
Influences
Aerospace Materials
Notable elements or techniques
Precise fabrication; Reflective surface
Subject or theme
Abstract Form; Strength & Permanence

V kontextu

Untitled (Monolith Silver) — gisela colon

Jak velký je?

Původní rozměry jsou 366 × 102 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky. Je příliš velký na to, aby mohl být na této stránce zobrazen v měřítku.

Kdy bylo toto dílo vytvořeno?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Shaded: životopis gisela colon (1966–?) ▲ toto dílo, 2016

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    O tomto uměleckém díle

    Untitled (Monolith Silver) — gisela colon

    A Singular Presence: Exploring Gisela Colon’s “Untitled (Monolith Silver)”

    The artwork presents a minimalist and modern sculpture titled “Untitled (Monolith Silver)” by gisela colon, a Canadian international contemporary artist whose roots lie in Puerto Rico. This striking piece embodies the spirit of Organic Minimalism – a stylistic approach that breathes life into reductive forms, resulting in sculptures that possess both precision and an undeniable sense of vitality. Colon’s work delves into the intersection of art and science, meticulously crafted through industrial processes while simultaneously prioritizing artistic vision.

    Composition & Form: Geometric Simplicity Meets Subtle Depth

    Dominating its surroundings within a spacious neutral-toned room is “Untitled (Monolith Silver),” a monumental sculpture composed of polished metal – likely aluminum or stainless steel – that commands immediate attention. The artist employs a straightforward perspective, placing the viewer at eye level with the monolith, which occupies slightly off-center position to create visual interest and subtly counterbalancing the room’s architectural lines. Its elongated oval shape, characterized by smooth curving lines tapering to a point, contrasts sharply with the angular geometry of the gallery space, establishing a dynamic relationship between form and environment. The sculpture's polished surface reflects ambient light, generating subtle gradients that hint at hidden depths and adding visual complexity beyond its apparent simplicity.

    Material Innovation & Technique: Precision Crafted from Aerospace Origins

    Colon’s artistic process leverages innovative sculptural materials drawn from aerospace engineering – a testament to her dedication to pushing the boundaries of materiality. The sculpture is created through subtractive fabrication, meticulously shaping metal into its final form with exacting precision. Following fabrication, extensive polishing ensures that the surface achieves an unparalleled level of reflectivity, capturing and dispersing light in captivating ways. This technique highlights the interplay between industrial craftsmanship and artistic sensibility, resulting in a piece that speaks to both technological advancement and aesthetic contemplation.

    Symbolism & Emotional Resonance: Echoes of Permanence and Mystery

    The monolith itself serves as more than just an object; it embodies profound symbolic concepts – strength, permanence, and an inherent sense of mystery. Its smooth surface reflects not only light but also the artist’s intention to convey a feeling of timelessness and contemplation. The sculpture's stark form invites viewers to consider questions about existence and resilience, prompting introspection on themes of solidity and transformation. Colon’s work transcends mere visual representation, aiming to evoke an emotional response rooted in the viewer’s experience of encountering this singular presence within a carefully curated space.

    Historical Context & Influences: Embracing Light and Space

    Colon's artistic trajectory is inextricably linked to the influential Light and Space movement that flourished in Los Angeles during the 1960s and 70s. Artists like Robert Irwin and Larry Bell championed minimalist aesthetics, prioritizing perceptual experience over traditional representation—a philosophy that profoundly shaped Colon’s approach to sculpture. “Untitled (Monolith Silver)” reflects this legacy by emphasizing materiality, spatial relationships, and the subtle manipulation of light, furthering the movement's exploration of how art can engage with the viewer's senses and intellect.

    Umělec a muzeum

    Umělec

    gisela colon

    Narozen v Vancouver, Canada

    gisela colon: A Biography

    Early Life and Background

    Born in Vancouver, Canada in 1966, gisela colon is an American international contemporary artist with a diverse cultural background.

    Originally from San Juan, Puerto Rico, her upbringing instilled a cross-cultural perspective that profoundly influences her artistic practice.

    She currently lives and works in Los Angeles, California, a hub for the Light and Space movement which significantly impacted her development.

    Artistic Development & Style

    Organic Minimalism: colon has developed a unique artistic vocabulary characterized by organic minimalism. She breathes lifelike qualities into reductive forms, creating sculptures that feel both precise and alive.

    Intersection of Art and Science: Her work operates at the intersection of art and science, meticulously crafted through industrial and technological processes.

    Material Innovation: colon utilizes innovative sculptural materials drawn from aerospace and other scientific realms, such as carbon fiber and advanced optical materials. This choice reflects a fascination with cutting-edge technology and its aesthetic potential.

    Her sculptures often embody qualities of energy, movement, and growth, challenging the traditional perception of minimalist objects as static and purely geometric.

    Influences & Artistic Lineage

    California Minimalism & Light and Space: colon is recognized as a successor and legatee of California Minimalism and the Light and Space movements. She exhibits alongside veterans of these movements, including Robert Irwin, Larry Bell, Dewain Valentine, Peter Alexander, Helen Pashgian, and Mary Corse.

    Earlier Influences: Her work draws comparisons to artists like Craig Kaufman, Dewain Valentine, Doug Wheeler, and Peter Alexander for her use of materials and light as a primary medium.

    Feminist Perspective: While acknowledging these influences, critics emphasize that colon’s work is distinctly her own. Her employ of industrial materials structurally redoubles an earlier industry-driven technophilia while eschewing outsourcing production.

    Themes and Significance

    Gender & Form: colon’s gender-fluid sculptures disrupt the traditionally masculine view of minimalist objects, imbuing them with feminine qualities and challenging conventional notions of form and space.

    Assertively Feminist Art: Her use of color, shapes, and internal layering is considered “assertively feminist” and deeply rooted in minimalism.

    Redefining Industrial Beauty: colon redefines industrial beauty by merging the precision of technology with organic forms, creating sculptures that are both visually striking and conceptually rich.

    Exhibitions & Achievements

    International Recognition: gisela colon has exhibited internationally throughout the United States, Europe, and the Middle East.

    Her work is gaining increasing recognition for its innovative use of materials, conceptual depth, and contribution to contemporary sculpture.

    She continues to push boundaries in her exploration of light, space, and form, solidifying her position as a significant voice in the art world.

    Muzeum

    Los Angeles County Museum of Art

    Vystaveno v Los Angeles, Spojené státy americké

    A Journey Through Artistic Expression: The Los Angeles County Museum of Art

    Nestled within the verdant embrace of Hancock Park, a mere stone’s throw from both the boundless expanse of the Pacific Ocean and the vibrant pulse of downtown Los Angeles, lies the Los Angeles County Museum of Art (LACMA). More than simply a repository of artistic treasures, LACMA stands as a testament to the city's enduring spirit—a dynamic crossroads where history converges with imagination, and where the echoes of countless cultures resonate through its expansive halls. Founded in 1961 with a bold vision, born from the shared ambition of Edward W. Carter and Howard F. Ahmanson Sr., LACMA has evolved into one of America’s most significant art institutions, a place where visitors embark on an unforgettable journey through millennia of creative expression.

    The museum's genesis is inextricably linked to William Pereira’s visionary architecture—a modernist masterpiece characterized by soaring glass facades and geometric forms that immediately established LACMA as a landmark. This architectural statement wasn’t merely about aesthetics; it was a declaration of aspiration, reflecting the city’s burgeoning cultural landscape. However, the building’s initial design presented challenges – the reflective pools surrounding the structure were soon overwhelmed by tar from the adjacent La Brea Tar Pits, leading to ingenious modifications that ultimately enhanced the museum’s visual impact. The subsequent additions by Hardy Holzman Pfeiffer Associates and Bruce Goff—the Robert O. Anderson Building for 20th-century art and the Pavilion for Japanese Art respectively—further solidified LACMA's reputation as a champion of innovation and diverse artistic voices. Each building, in its own distinct style, contributes to the museum’s overall narrative – a story of continuous growth and engagement with the world of art.

    A Kaleidoscope of Collections

    LACMA’s strength resides not just in its impressive physical space but, crucially, within the breadth and depth of its collection. Spanning an astonishing range of eras and artistic traditions, LACMA boasts holdings that tell a compelling story of human creativity. From the haunting cave paintings of prehistoric times to the cutting-edge installations of today, the museum’s inventory is a veritable timeline of artistic development. A particular highlight lies in its European painting collection—a dazzling array of Renaissance portraits by masters like Titian and Raphael, offering intimate glimpses into the lives and aspirations of bygone eras. Equally captivating are the Californian art holdings, celebrating the unique identity of the region through works by artists such as Norman Charles Zammitt and Marianne Sadowski. The museum’s commitment to global representation is powerfully demonstrated in its Asian Art collection—a breathtaking assemblage of intricate sculptures from Japan and China, each piece a testament to centuries of artistic heritage. And, of course, LACMA's modern and contemporary art holdings are consistently pushing boundaries, showcasing works by influential figures like Bruce Goff and Chris Burden.

    Architectural Marvels & Engaging Exhibitions

    Beyond its collections, LACMA itself is an immersive work of art. The campus is a carefully orchestrated environment, featuring buildings designed by renowned architects—each contributing to the museum’s overall aesthetic harmony. Notably, Chris Burden's Urban Light, a mesmerizing assemblage of vintage street lamps, has become an iconic symbol of LACMA—a radiant beacon attracting visitors and photographers alike. Throughout its history, LACMA has consistently championed artistic experimentation and fostered critical conversations about social issues. Past exhibitions have honored artists like Robert Irwin, whose perceptual explorations redefined the boundaries of art, and Barbara Kruger, whose provocative text-based works challenged societal norms. More recently, presentations have delved into themes of family life through photography and celebrated the influence of Scandinavian design—demonstrating the museum’s ongoing commitment to engaging with contemporary audiences.

    Connections & Community

    LACMA's dedication extends beyond its walls, fostering a vibrant connection with other institutions within Exposition Park. The George C. Page Museum at La Brea Tar Pits and the California Science Center are integral partners, offering visitors a holistic understanding of scientific discovery alongside artistic contemplation. The museum’s location provides unparalleled access to the cultural heart of Los Angeles, further solidifying its role as a vital community resource. LACMA's commitment to inclusivity is evident in its educational programs, accessible facilities, and ongoing efforts to engage audiences from all backgrounds—inspiring creativity, fostering understanding, and reaffirming art’s transformative power for generations to come. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its mission to celebrate the enduring legacy of human artistic expression.

    Useful Links

    Los Angeles County Museum of Art

    Los Angeles County Museum of Art - Google Arts & Culture

    Více informací zde

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    QR kód odkazující na stránku ke stažení Untitled (Monolith Silver)

    artsdot.com/cs/art/download/gisela-colon-untitled-monolith-silver-D2UUCE-en/

    Citace tohoto díla

    MLA
    colon, gisela. Untitled (Monolith Silver). 2016, Los Angeles County Museum of Art. https://artsdot.com/cs/art/gisela-colon-untitled-monolith-silver-D2UUCE-en/
    APA
    colon, gisela (2016). Untitled (Monolith Silver) [Painting]. Los Angeles County Museum of Art. https://artsdot.com/cs/art/gisela-colon-untitled-monolith-silver-D2UUCE-en/
    Chicago
    gisela colon. Untitled (Monolith Silver). 2016. Los Angeles County Museum of Art. https://artsdot.com/cs/art/gisela-colon-untitled-monolith-silver-D2UUCE-en/
    Harvard
    colon, gisela (2016) Untitled (Monolith Silver). Los Angeles County Museum of Art. Available at: https://artsdot.com/cs/art/gisela-colon-untitled-monolith-silver-D2UUCE-en/

    Podívejte se pozorně

    Untitled (Monolith Silver) — gisela colon

    Pohlédněte blíž

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Náš katalog řadí toto dílo pod: sculpture, minimalism, silver. Souhlasíte? Co byste přidali nebo odebrali?
    4. gisela colon bylo při vzniku tohoto díla ve věku přibližně 50. Co v něm vypadá jako práce umělce v této životní fázi?
    5. Témata, která se v díle gisela colon opakovaně objevují: light space movement, aerospace materials, geometric precision. Které z nich vidíte i zde?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Využijte k tomu fakta z předchozích částí tohoto průvodce a své odpovědi uvedené výše.

    Artový kvíz

    Untitled (Monolith Silver) — gisela colon

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. What is the predominant material used in Gisela Colon’s sculpture ‘Untitled (Monolith Silver)’?

      • A Marble
      • B Bronze
      • C Polished Aluminum
    2. 2. The sculpture's minimalist aesthetic aligns with which artistic movement?

      • A Renaissance Painting
      • B Impressionism
      • C Light and Space
    3. 3. Describe the lighting used in the photograph of ‘Untitled (Monolith Silver)’.

      • A Harsh spotlights illuminating the sculpture directly.
      • B Warm incandescent light creating dramatic shadows.
      • C Soft diffused light enhancing the sculpture’s reflectivity.
    4. 4. What technique is likely employed in the creation of ‘Untitled (Monolith Silver)’?

      • A Additive sculpting using clay
      • B Relief carving with chisels and hammers
      • C Subtractive fabrication involving casting or polishing
    5. 5. The sculpture’s form—smooth, curving lines tapering to a point—suggests what artistic concept?

      • A Emphasis on detailed realism
      • B Exploration of geometric abstraction
      • C Representation of organic forms

    Můj výsledek: ____ z 5

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