Formát papíru

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Jonah

Jméno Ročník Datum

George Frederic Watts, Jonah (1894), Tate Britain. Právo veřejné domény

Zásadní informace

Autor
George Frederic Watts artsdot.com/cs/artists/george-frederic-watts_cs/
Datum vzniku díla
1817 – 1904
Malováno
1894
Medium
Oil On Canvas
Původní rozměry
91 x 155 cm
Pohyb
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Místo konání
Tate Britain artsdot.com/cs/museums/tate-britain-londyn_cs/
Artistic style
Romanticism
Influences
Classical, Victorian
Notable elements
Egyptian relief
Subject or theme
Biblical Narrative

V kontextu

Jonah — George Frederic Watts

Jak velký je?

Původní rozměry jsou 91 × 155 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890
  10. 1900

Shaded: životopis George Frederic Watts (1817–1904) ▲ toto dílo, 1894

Podobná díla

  • The Minotaur, 1885 artsdot.com/cs/art/george-frederic-watts-the-minotaur-D3UAB8-en/
  • The Minotaur, 1877 artsdot.com/cs/art/george-frederic-watts-the-minotaur-8BWQCC-en/
  • Chaos, 1875 artsdot.com/cs/art/george-frederic-watts-chaos-D3UBDJ-en/

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/george-frederic-watts-jonah-D3UBDG-en/

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    O tomto uměleckém díle

    Jonah — George Frederic Watts

    A Vision of Faith and Majesty: George Frederic Watts’ “Jonah”

    George Frederic Watts' "Jonah," completed in 1894, is not merely a biblical depiction; it’s a profound meditation on faith, resilience, and the human condition. This monumental oil painting, measuring an impressive 91 x 155 cm, immediately commands attention with its dramatic composition and rich, layered textures. Watts, a leading figure of the Symbolist movement, masterfully blends elements of Egyptian relief – evident in the colossal stone wall dominating the background – with the narrative of the Old Testament story of Jonah’s ordeal in the belly of the great fish. The painting transcends simple illustration, offering instead a complex tapestry of symbolism and emotional resonance.

    The Figure: A Portrait of Inner Strength

    At the heart of “Jonah” stands a solitary female figure, rendered with remarkable anatomical detail and imbued with an almost ecstatic intensity. Her posture is one of profound contemplation, her arms outstretched as if reaching for something beyond earthly grasp. The lighting, originating from above and behind her, casts a halo effect around her head, suggesting a connection to divine power or perhaps the acceptance of a challenging fate. Watts’ skill in capturing human emotion is particularly evident in the figure's face – a subtle blend of sorrow, determination, and an underlying sense of serenity. The drapery, meticulously rendered with visible brushstrokes, adds to the overall impression of strength and dignity.

    Technique and Style: Romantic Symbolism at its Finest

    Watts’ technique is firmly rooted in the traditions of oil painting, yet he employs it with a distinctly Symbolist sensibility. The use of impasto – thick, textured paint application – creates a palpable sense of volume and depth, drawing the viewer into the scene. The color palette, dominated by deep greens and browns punctuated by flashes of gold and ochre in the background relief, evokes a feeling of ancient mystery and spiritual significance. While clearly influenced by Romanticism’s emphasis on emotion and dramatic landscapes, Watts departs from purely representational art, prioritizing symbolic meaning over literal accuracy. The flattened perspective, with its subtle recession into the background, further contributes to the painting's dreamlike quality.

    Symbolic Layers: Echoes of Ancient Egypt and Biblical Narrative

    “Jonah” is rich in layered symbolism. The Egyptian relief motif speaks to themes of eternity, power, and the enduring nature of faith – concepts central to Watts’ worldview. The figure herself has been interpreted as representing various biblical women, including Miriam (a prophetess and leader) or Deborah (a judge and warrior). Her outstretched arms suggest supplication, but also a triumphant assertion of her spirit in the face of adversity. The very act of being swallowed by the fish – a potent image of suffering and isolation – is transformed into an opportunity for spiritual growth and renewal. Watts’ masterful integration of these disparate elements creates a work that invites endless interpretation and contemplation.

    A Legacy of Spiritual Depth

    George Frederic Watts' "Jonah" remains a powerfully evocative masterpiece, showcasing his unique ability to synthesize classical influences with Symbolist ideals. It’s a painting that speaks not just to the biblical story but also to universal themes of faith, resilience, and the search for meaning in life. Reproductions of this work offer an exceptional opportunity to bring this profound vision into any space, inviting viewers to engage with its rich symbolism and emotional depth – a testament to Watts’ enduring legacy as one of Victorian England's most significant artists.

    Umělec a muzeum

    Umělec

    George Frederic Watts

    Narozen v Marylebone, Spojené království

    raný život a vzdělání

    George Frederic Watts, významná postava symbolistického hnutí, se narodil 23. února 1817 v londýnské čtvrti Marylebone. Jeho raná léta byla poznamenána křehkým zdravím a bolestnou ztrátou matky v mladém věku. Wattsův otec, výrobce klavírů, mu poskytl konzervativní křesťanskou výchovu a představil mu klasickou literaturu, včetně Iliady. Tento klasický vliv se později stal základním kamenem jeho uměleckého stylu.

    kariéra

    Watts zahájil svou uměleckou cestu již ve věku deseti let, kdy se učil sochařství pod vedením Williama Behnese. V osmnácti letech se následně zapsal jako student do Royal Academy Schools. Jeho první výstava v Akademii v roce 1837 znamenala počátek jeho mimořádně plodivé kariéry.

    Caractacus, kresba předložená do soutěže o návrh nástěnných malbas pro nové budovy parlamentu, Wattsovi v roce 1apo43 přinesla první cenu.

    Jeho pozdější cesty do Itálie (1843–1847) a jeho spojenost s britským velvyslancem Henrym Foxem zásadně ovlivnily jeho styl, což lze vidět například v jeho portrétu Lady Holland, který byl vystaven v roce 1848.

    Wattsův návrat do Británie vedl k získání zakázky na fresku pro budovy parlamentu, kterou dokončil v letech 1848 až 1853.

    symbolistická mistrovská díla

    Mezi nejznámější práce Wattsa patří:

    „Naděje“ a „Láska a život“, které měly být součástí epického symbolického cyklu nazvaného „Dům života“.

    „Triumf červeného rytíře (z Faerie Queene)“, dokončený v letech 1852–53, který prokazuje jeho mistrovství v alegorických quitech.

    Jeho portrét herečky Ellen Terry, namalovaný v roce 1864, který je dokonalým příkladem jeho schopnosti zachytit podstatu svých subjektů.

    odkaz

    Wattsův vliv na svět umění je nepopiratelný. Jeho spojení se symbolistickým hnutím a jeho inovativní využívání barvy a formy z něj učinily milovanou postavu v historii britského umění. Prohlédněte si díla George Fredericke Wattsa na AllPaintingsStore.com

    muzea prezentující díla Wattsa

    Lincoln's Inn, kde je vystavena jeho freska Spravedlnost, hemicirkel zákonodárců.

    Watts Gallery – Artists' Village v Guildfordu ve Spojeném království, věnovaná zachování děl Wattsa a dalších umělců.

    Zjistěte více o George Fredericku Wattsovi a jeho přínosu k symbolistickému hnutí na AllPaintingsStore.com.

    Muzeum

    Tate Britain

    Vystaveno v Londýn, Spojené království

    A Journey Through British Artistic Legacy at Tate Britain

    Tate Britain stands as a monumental testament to the enduring spirit of British art, nestled along the tranquil banks of the River Thames in London—a location itself steeped in centuries of creative endeavor. Founded in 1897 by Roland Cockerell and Kenneth Clark, its initial mission was ambitious: to champion the breadth and depth of British painting and sculpture from the medieval period through to the present day, fostering a vital dialogue between artistic movements past and those burgeoning today. More than simply a repository for masterpieces, Tate Britain is an immersive experience meticulously designed to ignite curiosity, spark contemplation, and ultimately deepen appreciation for the rich tapestry of artistic expression woven within the nation’s cultural landscape. The building itself, completed in 1978, is a breathtaking embodiment of Edwardian elegance—a harmonious blend of classical proportions and modern sensibilities. Its soaring atrium, bathed in an abundance of natural light, creates an atmosphere perfectly suited to quiet reflection and the pursuit of artistic understanding. The striking terracotta façade, echoing the principles of Arts and Crafts design, serves as a proud declaration of Britain’s profound artistic heritage. It's a space where history breathes alongside innovation, inviting visitors on a continuous exploration of British creativity.

    A Storied Collection: Echoes Through Time

    The heart of Tate Britain lies within its remarkably comprehensive collection, encompassing over 500 years of British art—a chronological odyssey through innovation, rebellion, and unwavering beauty. Visitors embark on a captivating journey, beginning with the solemn grandeur of medieval illuminated manuscripts, their intricate details whispering tales from the Gospels. These early works demonstrate a mastery of craftsmanship and symbolism, offering glimpses into religious life and artistic techniques that have endured for centuries. The gallery then ascends to monumental sculptures by Henry Moore and Barbara Hepworth, reflecting the dynamism of mid-20th century British art – figures that seem to capture both strength and vulnerability, embodying the spirit of a nation grappling with change. The collection’s breadth is truly staggering: you'll encounter the dramatic landscapes of J.M.W. Turner, whose masterful use of light and color continues to mesmerize viewers; his ability to capture fleeting moments and evoke powerful emotions remains unparalleled. Alongside Turner, one finds the poignant portraits of Sir Thomas Lawrence, capturing the elegance of Georgian society with meticulous detail and a keen understanding of social dynamics. And then there’s William Hogarth, offering a sharp critique of 18th-century life through his satirical paintings – works brimming with wit and social commentary. Notable highlights include John William Waterhouse’s “The Lady of Shalott,” a hauntingly beautiful depiction of Arthurian legend—a work rich in symbolism, representing feminine beauty, isolation, and the tragic consequences of defying societal expectations; and Eva Rothschild's "Boys and Sculpture," an arresting exploration of masculinity and artistic creation through its textured surface, inviting tactile engagement and profound reflection. The gallery’s commitment to showcasing both established masters and emerging talents ensures that Tate Britain remains a vibrant hub for contemporary art discourse.

    Architectural Grandeur: A Space for Inspiration

    Beyond the artwork itself, the building of Tate Britain is an integral part of the visitor experience. Designed by Sir Hugh Casson and constructed in 1978, it’s a remarkable example of Edwardian architecture—a harmonious blend of classical influences and modern design principles. The soaring atrium, flooded with natural light, immediately establishes a sense of spaciousness and tranquility, creating an ideal environment for contemplation and artistic discovery. The terracotta façade, reminiscent of the Arts and Crafts movement, pays homage to Britain’s rich artistic past. A key feature is the Clore Gallery (1987), designed by James Stirling, which houses a significant collection of Turner works and serves as a striking example of Postmodern architecture—a deliberate juxtaposition of materials and styles that adds an element of surprise and delight. The gallery also incorporates a spiral staircase beneath its rotunda, offering stunning views of the Thames River and creating a unique spatial experience. The building’s thoughtful design has been carefully preserved throughout renovations, ensuring that it continues to inspire visitors for generations to come. It's more than just a museum; it’s a work of art in itself, designed to complement and enhance the artistic treasures within.

    Recent Exhibitions: Catalysts for Dialogue

    Tate Britain consistently attracts audiences with its thoughtfully curated exhibitions, cementing its reputation as a catalyst for critical engagement with art. Recent years have witnessed captivating displays such as “David Hockney: Arrival,” which showcased the prolific artist’s groundbreaking use of iPad technology to capture landscapes and portraits—demonstrating how artistic mediums adapt to technological advancements while retaining their expressive power. “Nigerian Modernism” offered a compelling exploration of the vibrant artistic movement that emerged in Nigeria during the mid-20th century, highlighting the contributions of artists who challenged colonial narratives and embraced experimentation. More recently, exhibitions have delved into the works of Claude Monet, capturing his Impressionistic fascination with fleeting moments and atmospheric effects, exemplified by “The London Harbour,” a delicate study of light reflecting off the Thames. These exhibitions underscore Tate Britain’s commitment to showcasing both established masters and contemporary artists, fostering dialogue and expanding our understanding of British art history. The gallery actively seeks to connect these works with current conversations, ensuring that visitors leave not just informed but inspired.

    Beyond the Walls: A Legacy of Connection

    Tate Britain distinguishes itself not only through its collection but also through its dedication to fostering connections between artists and audiences. Interactive displays encourage visitors to delve deeper into artworks’ histories and contexts—promoting a nuanced understanding of artistic influences and cultural significance. The gallery's riverside setting provides an unparalleled opportunity for contemplation amidst the beauty of London’s urban environment, solidifying its position as a cornerstone of British art appreciation. Furthermore, Tate Britain actively engages with the wider community through educational programs, public lectures, and artist talks, ensuring that the legacy of British art continues to inspire and enrich lives. The gallery's commitment to accessibility is evident in its free admission policy and its efforts to create a welcoming environment for all visitors. It’s a place where art isn’t confined to walls but becomes an integral part of London’s cultural fabric, inviting everyone to participate in the ongoing conversation about creativity and beauty.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Jonah

    artsdot.com/cs/art/download/george-frederic-watts-jonah-D3UBDG-en/

    Citace tohoto díla

    MLA
    Watts, George Frederic. Jonah. 1894, Tate Britain. https://artsdot.com/cs/art/george-frederic-watts-jonah-D3UBDG-en/
    APA
    Watts, George Frederic (1894). Jonah [Painting]. Tate Britain. https://artsdot.com/cs/art/george-frederic-watts-jonah-D3UBDG-en/
    Chicago
    George Frederic Watts. Jonah. 1894. Tate Britain. https://artsdot.com/cs/art/george-frederic-watts-jonah-D3UBDG-en/
    Harvard
    Watts, George Frederic (1894) Jonah. Tate Britain. Available at: https://artsdot.com/cs/art/george-frederic-watts-jonah-D3UBDG-en/

    Podívejte se pozorně

    Jonah — George Frederic Watts

    Pohlédněte blíž

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Kolik tváří dokážete najít? ____ (náš katalog jich počítá 1 — souhlasíte?)
    4. Náš katalog řadí toto dílo pod: ancient egypt, biblical figure, female spirituality. Souhlasíte? Co byste přidali nebo odebrali?
    5. Zhlédněte si znovu dílo The Minotaur (1885), které jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Využijte k tomu fakta z předchozích částí tohoto průvodce a své odpovědi uvedené výše.

    Artový kvíz

    Jonah — George Frederic Watts

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. What artistic movement is George Frederic Watts’ ‘Jonah’ primarily associated with?

      • A Impressionism
      • B Symbolism
      • C Realism
    2. 2. The depiction of the stone wall in 'Jonah' is most likely referencing which ancient culture?

      • A Roman
      • B Egyptian
      • C Greek
    3. 3. What is a key characteristic of George Frederic Watts’ artistic style, evident in ‘Jonah’?

      • A Emphasis on capturing fleeting moments of light
      • B Use of bright, vibrant colors to create visual excitement
      • C Exploration of symbolic and allegorical themes
    4. 4. The lighting in ‘Jonah’ is primarily from which direction?

      • A Directly overhead
      • B Behind the figure, creating a halo effect
      • C From the side, illuminating the background
    5. 5. What does the pose of the female figure in ‘Jonah’ most likely symbolize?

      • A A depiction of everyday life
      • B A plea for divine intervention or spiritual connection
      • C A celebration of human strength and resilience

    Můj výsledek: ____ z 5

    Klíč k odpovědím — pro učitele

    Tato část začíná na nové vytištěné straně, takže ji lze z kopií jednoduše vynechat.

    1A · 2B · 3C · 4B · 5B