Formát papíru

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Onteora

Jméno Ročník Datum

Alice Pike Barneyová, Onteora (1903). Právo veřejné domény

Zásadní informace

Autor
Alice Pike Barneyová artsdot.com/cs/artists/alice-pike-barneyova_cs/
Datum vzniku díla
1857 – 1931
Malováno
1903

V kontextu

Onteora — Alice Pike Barneyová

Kdy bylo toto dílo vytvořeno?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Shaded: životopis Alice Pike Barneyová (1857–1931) ▲ toto dílo, 1903

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Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/alice-pike-barney-onteora-8YDKQJ-en/

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    Umělec a muzeum

    Umělec

    Alice Pike Barneyová

    Narozen(a) v Cincinnati, Spojené státy americké

    A Defiant Bloom: The Life and Art of Alice Pike Barney

    Alice Pike Barney, born in Cincinnati in 1857, wasn’t simply a painter; she was an embodiment of defiance – a woman who carved her own path through the restrictive landscape of late 19th-century America, establishing herself as a significant figure in Washington D.C.’s vibrant artistic and intellectual scene. Her life unfolded against a backdrop of societal expectations that often sought to confine women to domestic roles, yet she relentlessly pursued her creative passions, becoming a pioneering Symbolist artist, a celebrated salonnière, and a tireless advocate for the arts. From her privileged upbringing steeped in cultural patronage to her groundbreaking work in Washington, Barney’s journey is one of remarkable resilience, artistic evolution, and unwavering commitment to self-expression.

    Early Influences and Parisian Awakening

    Alice Pike's early life was profoundly shaped by her father, Samuel Napthali Pike, a successful businessman who had built his fortune through the production of Magnolia whiskey and later established Pike’s Opera House in Cincinnati. This family history instilled within her a deep appreciation for the arts and a connection to the world of performance and entertainment. Her mother, Ellen Pike, was a Dutch Christian, adding another layer to Alice's diverse heritage. Following a brief engagement with explorer Henry Morton Stanley, she married Albert Clifford Barney, a railway car manufacturer in Dayton, Ohio. However, it was a chance encounter during a summer sojourn at New York City’s Long Beach Hotel in 1882 that irrevocably altered the course of her life – a conversation with Oscar Wilde ignited within her an unyielding desire to create and challenge the limitations imposed upon women artists. Wilde's encouragement served as a catalyst, propelling her toward a life dedicated to artistic pursuit despite initial reservations from her husband regarding her ambitions. This pivotal moment fueled her decision to pursue formal training in Paris, immersing herself in the burgeoning Symbolist movement that was transforming the European art world. She studied under masters like Charles Émile Auguste Carolus-Duran and James Abbott McNeill Whistler, absorbing their techniques and philosophies while developing a distinctly personal artistic vision.

    The Embrace of Symbolism and Early Works

    Paris became Alice’s crucible, where she honed her skills and began to explore the evocative power of symbolism – an approach that prioritized expressing ideas and emotions through suggestive imagery rather than literal representation. Her early works reflect this influence, often featuring portraits imbued with a sense of mystery and introspection, alongside landscapes painted with muted colors and symbolic motifs. Paintings like In Shadow (1910) exemplify this style, capturing the ethereal quality of light and atmosphere while hinting at deeper emotional currents. Barney’s artistic development wasn't solely shaped by her instructors; she was also deeply influenced by the writings of Baudelaire and Verlaine, whose exploration of beauty, melancholy, and the subconscious resonated profoundly with her own creative sensibilities. She sought to capture not just appearances but the underlying essence of her subjects – their inner lives, their dreams, and their unspoken desires.

    A Salonnière in Washington D.C.: Cultivating a Cultural Hub

    Returning to the United States, Alice Pike Barney established herself as a prominent figure in Washington D.C.’s vibrant social and artistic circles. She transformed her home into a lavish salon – a gathering place for artists, writers, politicians, and intellectuals—becoming known as one of the city’s most influential salonnières. This wasn't merely a social event; it was a carefully curated space designed to foster creativity and intellectual exchange. Barney actively cultivated an environment where artistic experimentation flourished, showcasing her own work alongside that of emerging talents. Her influence extended beyond her personal art collection; she played a crucial role in promoting the arts within the city, advocating for public funding and supporting local artists. Her commitment to Washington’s cultural scene culminated in the creation of Studio House, an architectural masterpiece designed as a dedicated artistic hub—a space where artists could live, work, and exhibit their creations.

    Legacy and Enduring Influence

    Alice Pike Barney's legacy extends far beyond her individual artworks. She was a trailblazer for women in the art world, defying societal expectations and carving out a successful career in a male-dominated field. Her salon life served as a model for future generations of artists and patrons, demonstrating the importance of creating inclusive spaces where creativity could thrive. Her two daughters, Natalie Clifford Barney and Laura Clifford Barney, continued her legacy of artistic innovation and social activism. Natalie’s literary gatherings in Paris became legendary, while Laura's translation of Some Answered Questions by ʻAbdu'l-Bahá brought a new audience to the Bahaʼi faith. Today, Alice Pike Barney’s paintings are celebrated for their evocative symbolism, delicate brushwork, and profound emotional depth. Her story serves as an enduring reminder of the power of artistic expression, the importance of challenging societal norms, and the transformative potential of a life dedicated to one's passions. Her influence resonates not only through her artwork but also through her unwavering dedication to fostering creativity and challenging societal expectations.

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    Citace tohoto díla

    MLA
    Barneyová, Alice Pike. Onteora. 1903, https://artsdot.com/cs/art/alice-pike-barney-onteora-8YDKQJ-en/
    APA
    Barneyová, Alice Pike (1903). Onteora [Painting]. https://artsdot.com/cs/art/alice-pike-barney-onteora-8YDKQJ-en/
    Chicago
    Alice Pike Barneyová. Onteora. 1903. https://artsdot.com/cs/art/alice-pike-barney-onteora-8YDKQJ-en/
    Harvard
    Barneyová, Alice Pike (1903) Onteora. Available at: https://artsdot.com/cs/art/alice-pike-barney-onteora-8YDKQJ-en/

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    Onteora — Alice Pike Barneyová

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    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu The Field (1922), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Alice Pike Barneyová bylo při vzniku tohoto díla ve věku přibližně 46. Co v něm vypadá jako práce umělce právě v této životní fázi?
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