Formát papíru

Průvodce studentskou tvorbou

Shepherdess

Jméno Ročník Datum

Alexandre, Félix (Maker), Shepherdess (1863), The Fan Museum. Právo veřejné domény Podívejte se na toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Zásadní informace

Autor
Alexandre, Félix (Maker) artsdot.com/cs/artists/alexandre-felix-maker/
Datum vzniku díla
1823 – 1891
Malováno
1863
Místo konání
The Fan Museum artsdot.com/cs/museums/the-fan-museum-greenwich/

V kontextu

Shepherdess — Alexandre, Félix (Maker)

Kdy bylo toto dílo vytvořeno?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 68 při smrti.

Vymalováno v době, kdy bylo umělci 40 let. Umělec dožil se 68 let. 1 z celkových 3 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Alexandre, Félix (Maker) (1823–1891) ▲ toto dílo, 1863 každý obraz s datem vzniku, dekáda po dekádě

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/alexandre-felix-maker-shepherdess-D8FDCB-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Espresso #564f30

    Uložená paleta

    • #564F30
    • #020101
    • #8D8768
    • #C5C7BC

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Název hlavní barvy
    Espresso
    Sytost
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Balanced Harmony Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    O tomto uměleckém díle

    Shepherdess — Alexandre, Félix (Maker)

    Fan with mother of pearl sticks and guards applied with a lace-like filigree of pierced white mother of pearl. One guard is applied with a gold monogram and crown.The double canepin leaf is painted on the recto with a bucolic scene of figures in a landscape. The verso is painted with a diamond shaped coronet and monogram set in the centre and two further vignettes with cameos of putti. Signed and dated Alexandre, 1863.Alexandre, Félix (French, b. 1823) Designer and painter, who rose to fame during the 1850s to become fan-maker to Empress Eugenie, the Queen of the Netherlands and Queen Victoria.

    Umělec a muzeum

    Umělec

    Alexandre, Félix (Maker)

    Narozen(a) v Paris, France

    The Master of Elegance: The Life and Art of Félix Alexandre

    In the glittering heart of nineteenth-century Paris, a period defined by unparalleled luxury and social refinement, the name Félix Alexandre emerged as a symbol of supreme artistry. Born in 1823, Alexandre was more than a mere craftsman; he was a visionary designer whose delicate touch captured the very essence of European aristocracy. His journey into the heights of fashion began not with the grand canvases of oil painting, but through the intimate and intricate medium of fan-making. As a master of detail, his work bridged the gap between decorative arts and fine painting, creating portable masterpieces that whispered tales of romance, status, and seasonal beauty to the most influential figures of his era.

    The trajectory of Alexandre’s career was marked by a profound union of talent and enterprise. His early professional years were spent honing his skills in the delicate realms of textile and wallpaper design, a foundation that instilled in him an unparalleled understanding of pattern, color, and composition. In 1849, he joined the prestigious House of Desrochers, where he specialized in the exquisite painting of floral motifs. This period proved transformative; through his marriage to the daughter of M. Desrochers, Alexandre took the helm of the business, evolving it from a skilled workshop into an international powerhouse of luxury. Under his stewardship, the manufacture of fans reached a zenith of quality that was recognized across the continent, making his creations the gold standard for the European elite.

    A Royal Endorsement and Artistic Mastery

    The true measure of Alexandre’s success lay in the patronage he commanded. His artistry possessed a certain magnetic allure that captivated the most powerful women of the nineteenth century. He famously served as the fan-maker to Empress Eugénie of France, the Queen of the Netherlands, and even Queen Victoria of the United Kingdom. To hold an Alexandre fan was to possess a piece of the imperial court; these objects were frequently commissioned as prestigious gifts to commemorate significant milestones, weddings, and royal celebrations. His ability to translate the fleeting trends of Parisian high fashion into enduring art allowed him to become a central figure in the social fabric of the age.

    Technically, Alexandre’s work was characterized by an extraordinary marriage of precious materials and painterly skill. He moved beyond simple decoration, employing complex techniques that pushed the boundaries of what a handheld object could achieve. His mastery is evident in works such as Shepherdess, where he utilized mother-of-pearl sticks and guards, applying a lace-like filigree of pierced white mother-of-pearl to create a sense of ethereal lightness. Furthermore, his collaborative spirit allowed for breathtaking results; notable pieces like Bevy of Cherubs—painted by Parmentier E. but brought to life through Alexandre’s masterful construction—demonstrate his ability to showcase intricate depictions of birds and flora with unparalleled precision.

    Legacy in the Archives of History

    The impact of Félix Alexandre extends far beyond the ephemeral nature of fashion. He revolutionized the industry by being one of the first fan makers to actively employ fashionable painters and designers, effectively elevating the fan from a functional accessory to a legitimate medium of fine art. This innovation ensured that his work would not merely fade with the passing of seasons but would instead be preserved for posterity.

    Today, the legacy of this Parisian master is safeguarded within the world's most esteemed institutions. His delicate creations serve as vital historical documents, offering insight into the aesthetic values and social hierarchies of the nineteenth century. Collectors and historians can find his fingerprints in:

    The Fan Museum in Greenwich, United Kingdom: A premier destination for studying the evolution of fan design and Alexandre's pivotal role in its refinement.

    Musée Félix Ziem in Martigues, France: Where his contributions to French decorative arts are celebrated alongside other masters of the era.

    Private Global Collections: Where his pieces continue to be cherished as quintessential examples of French craftsmanship and aristocratic elegance.

    Félix Alexandre’s life remains a testament to the power of specialized excellence. Through his dedication to the fine details of floral motifs and the luxurious manipulation of materials like mother-of-pearl, he created an artistic language that spoke of grace, power, and the timeless beauty of the natural world.

    Muzeum

    The Fan Museum

    Vystaveno v Greenwich, United Kingdom

    A Glimpse into a Forgotten Art Form

    Nestled within the historic Georgian townhouses of Greenwich, a world away from the bustling streets of London, lies The Fan Museum – an unexpectedly captivating institution dedicated to the exquisite art and surprising history of hand fans. More than just cooling devices, these delicate objects have served as symbols of status, tools for communication, and miniature works of art across cultures and centuries. Founded in 1991 by a passionate collector, this unique museum offers visitors an intimate journey through the evolution of the fan, revealing its multifaceted role in society and showcasing the remarkable craftsmanship involved in its creation.

    The Museum’s story is intrinsically linked to Greenwich itself. Situated within two Grade II* listed buildings constructed in 1721, the setting immediately evokes a sense of timeless elegance and historical significance. These buildings, originally designed for naval officers, have been lovingly preserved, creating a serene and atmospheric space that perfectly complements the delicate beauty of the collection. Adding to this charm is an orangery adorned with intricate murals depicting scenes from fan history – a testament to the museum’s dedication to both preservation and artistic presentation. Beyond the main buildings, a Japanese-style garden provides a tranquil escape, featuring a meticulously crafted fan-shaped parterre, a soothing pond, and a gentle stream—a deliberate nod to the cultural roots of this fascinating art form.

    A Collection Spanning Millennia

    The Fan Museum’s collection is truly extraordinary, boasting over 6,000 fans and related materials – a testament to its founder's dedication and the enduring appeal of these objects. Spanning an impressive timeline from the 11th century to the present day, visitors can trace the evolution of fan design, construction techniques, and social significance. While the museum’s core strength lies in European fans, particularly those from the 18th and 19th centuries, the collection extends far beyond, encompassing examples from Asia, Africa, and Europe. The sheer variety is breathtaking – from simple, utilitarian folding fans to elaborately decorated brise-fans (open fans) adorned with precious metals, jewels, and intricate paintings.

    Notable highlights include a remarkably preserved 18th-century French fan featuring a miniature portrait of Marie Antoinette, a testament to the royal patronage that fueled much of the art’s development; an exceptionally rare brise-fan from the early 19th century incorporating a built-in ear trumpet – a clever and innovative adaptation reflecting the era's technological advancements; and a fascinating collection of repair kits, demonstrating the meticulous care taken in maintaining these delicate objects. The museum also houses a comprehensive reference library, providing researchers and enthusiasts with invaluable resources for further exploration.

    Beyond the Display: Hands-on Engagement

    The Fan Museum isn’t simply a repository of historical artifacts; it's an active center for learning and appreciation. The museum actively promotes engagement through a variety of programs, including regular fan-making classes where visitors can learn the fundamental techniques of crafting these beautiful objects firsthand. These workshops offer a tangible connection to the past, allowing participants to experience the skill and artistry involved in creating a fan from start to finish. Furthermore, the museum hosts lectures, demonstrations, and exhibitions that delve deeper into the history, symbolism, and cultural significance of fans.

    A Unique Legacy: The World’s First Dedicated Museum

    What truly sets The Fan Museum apart is its unique status as the world's first museum dedicated solely to hand fans. Established without public funding, relying instead on the generosity of visitors and private donations, it stands as a remarkable example of passion-driven preservation. This independent institution continues to champion the art of the fan, ensuring that this often overlooked form of artistry is celebrated and understood for generations to come. A visit to The Fan Museum is not just a museum experience; it’s an immersion into a hidden world of craftsmanship, history, and cultural significance – a truly unforgettable journey.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Shepherdess

    artsdot.com/cs/art/download/alexandre-felix-maker-shepherdess-D8FDCB-en/

    Citace tohoto díla

    MLA
    (Maker), Alexandre, Félix. Shepherdess. 1863, The Fan Museum. https://artsdot.com/cs/art/alexandre-felix-maker-shepherdess-D8FDCB-en/
    APA
    (Maker), Alexandre, Félix (1863). Shepherdess [Painting]. The Fan Museum. https://artsdot.com/cs/art/alexandre-felix-maker-shepherdess-D8FDCB-en/
    Chicago
    Alexandre, Félix (Maker). Shepherdess. 1863. The Fan Museum. https://artsdot.com/cs/art/alexandre-felix-maker-shepherdess-D8FDCB-en/
    Harvard
    (Maker), Alexandre, Félix (1863) Shepherdess. The Fan Museum. Available at: https://artsdot.com/cs/art/alexandre-felix-maker-shepherdess-D8FDCB-en/

    Zaměřte se pozorně

    Shepherdess — Alexandre, Félix (Maker)

    Detailní pohled

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu The Ball (1870), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Alexandre, Félix (Maker) bylo při vzniku tohoto díla ve věku přibližně 40. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Patří dílo „Shepherdess“ do volného užití?

    Dílo „Shepherdess“ od Alexandre, Félix (Maker) spadá do patří do volného užití – autorská práva vypršela. Tento stav určuje pravidla pro reprodukci obrazu tohoto díla.

    Odkud pocházejí návštěvníci díla „Shepherdess“ od Alexandre, Félix (Maker)?

    Statistiky k dílu „Shepherdess“ od Alexandre, Félix (Maker) naleznete na stránce Statistiky tohoto díla: měsíční návštěvnost díla, návštěvnost děl daného umělce a rozpis nedávných návštěvníků podle zemí a jazyků.

    Kdo je autorem díla "Shepherdess"?

    Dílo "Shepherdess" vytvořil/a Alexandre, Félix (Maker). Informace na této stránce popisují originální dílo umělce Alexandre, Félix (Maker).