Formát papíru

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Northern Setting

Jméno Ročník Datum

aina onabolu obe, Northern Setting (1944), Yemisi Shyllon Museum of Art. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
aina onabolu obe artsdot.com/cs/artists/aina-onabolu-obe/
Datum vzniku díla
1882 – 1963
Malováno
1944
Původní rozměry
122 x 86 cm
Místo konání
Yemisi Shyllon Museum of Art artsdot.com/cs/museums/yemisi-shyllon-museum-of-art-lagos_cs/

V kontextu

Northern Setting — aina onabolu obe

Rozměry

Původní rozměry jsou 122 × 86 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Shaded: životopis aina onabolu obe (1882–1963) ▲ toto dílo, 1944

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/aina-onabolu-obe-northern-setting-D764E8-en/

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    O tomto uměleckém díle

    Northern Setting — aina onabolu obe

    Born in 1882, Aina Onabolu was a pioneer modernist in Nigerian art and is generally considered the father of modernism in Nigerian artdue to his service and advocacy for the formalization of art education across different levels in the nation. The northern part of Nigeria is known for its dry lands due to its proximity to the Sahara Desert. Northern setting brings to mind a lot of significant imageries; from the grazing animals to the clustered houses and from the passers-by to the rocks and the sky. The clustered houses bring to mind the unity among the northerners of Nigeria. The grazing animals tells of the good pastures of northern Nigeria despite the dry grounds in some parts. In line with Onabolu

    Umělec a muzeum

    Umělec

    aina onabolu obe

    Narozen(a) v Ibadan, Nigeria

    A Visionary of the Canvas: The Life and Legacy of Aina Onabolu Obe

    In the vibrant tapestry of African art history, few threads shine as brightly or as foundational as that of Aina Onabolu Obe. Born in 1882 in the historic town of Ijebu-Ode, Nigeria, Onabolu emerged during a period of profound cultural transition. His journey from a young boy captivated by the illustrations in missionary religious texts and Western magazines to becoming the preeminent pioneer of modern Nigerian art is a testament to an indomitable creative spirit. This early exposure to European academic styles, disseminated through the printed word, planted the seeds of a lifelong fascination with verisimilitude—the pursuit of capturing life with striking accuracy.

    Onabolu’s path was not merely one of self-taught brilliance, though his initial mastery as a draftsman was remarkable. Driven by an unquenchable thirst for formal excellence, he ventured far beyond the borders of his homeland to seek training at the prestigious Académie Julian in Paris and later within the rigorous art schools of London. By 1922, he had secured a diploma in fine arts and a teacher’s certificate from St. John Woods College, bringing back to Nigeria a sophisticated command of Western techniques. This period of international study allowed him to refine his ability to manipulate light, shadow, and form, preparing him to introduce a new visual language to the Nigerian landscape.

    The Architect of Art Education

    Beyond the solitary act of creation, Onabolu’s most enduring contribution lies in his role as a transformative educator. He recognized that for a modern Nigerian identity to flourish, a formal structure for artistic training was essential. Taking up teaching positions at prestigious institutions such as King's College and CMS Grammar School in Lagos, he spearheaded the integration of fine arts into the secondary school curriculum. His pedagogical philosophy was revolutionary for its time; rather than focusing solely on abstract concepts, he encouraged students to observe and depict their immediate environments with a realistic, observational precision.

    This commitment to formalizing art education had a ripple effect that shaped generations of African artists. By championing the depiction of environmental forms and human subjects through a verisimilitudinous lens, he provided the tools for students to document their world with dignity and technical prowess. His influence was so profound that he is often credited with inviting the British educator Kenneth Murray to Nigeria, an event that further solidified the foundations of modern art instruction in the region. Through his classroom, Onabolu did not just teach painting; he cultivated a new way of seeing.

    Mastery of Portraiture and Historical Significance

    The works of Aina Onabolu Obe are characterized by an exquisite attention to detail and a profound respect for his subjects. He became most renowned for his portraiture, a genre that allowed him to explore the nuances of human character and the changing social fabric of colonial Nigeria. His ability to capture the essence of both local figures and historical personalities—such as his depictions related to the explorer Mungo Park—demonstrates a versatile mastery of the medium. In these portraits, one finds a delicate balance between the technical rigors of European academicism and a burgeoning sense of African modernism.

    The historical significance of Onabolu cannot be overstated. He stands as a bridge between traditional influences and the dawn of modernism in West Africa. While his early inspirations were rooted in Western imagery, his life's work was dedicated to establishing a professional artistic standard within his own nation. His achievements have been recognized with numerous honors, including the Medal of the British Empire in 1957 for his contributions to fine arts education. Today, as we look back upon his oeuvre—including notable works like Northern Setting and Portrait of an African Man—we see not just the paintings of a skilled craftsman, but the enduring legacy of a man who taught a nation how to capture its own soul on canvas.

    Muzeum

    Yemisi Shyllon Museum of Art

    Vystaveno v Lagos, Nigérie

    A Beacon of Nigerian Artistic Heritage: The Yemisi Shyllon Museum of Art

    Nestled on the campus of Pan-Atlantic University in Lekki, Lagos State, Nigeria, stands a singular institution – The Yemisi Shyllon Museum of Art. More than just an exhibition space, it’s a testament to visionary philanthropy and a celebration of Nigeria's vibrant artistic legacy, marking the nation’s first university art museum.

    Established in October 2019 thanks to the generous donation of Prince Yemisi Shyllon—one of Africa’s foremost art collectors—the museum embodies a remarkable blend of scholarly rigor and aesthetic beauty. Its creation stemmed from a desire to foster artistic appreciation within the university community and to safeguard Nigeria's cultural treasures for future generations.

    A Legacy Built on Passion:

    The genesis of YSMA lies in April 2011 with the launch of the Virtual Museum of Modern and Contemporary Nigerian Art, showcasing Shyllon’s dedication to disseminating art knowledge. Subsequent proposals from other collectors solidified the vision for a physical museum at PAU.

    Architectural Harmony:

    Designed by Jess Castellote, the museum building prioritizes natural light and open spaces, creating an inviting environment that complements its artistic collections.

    Celebrating Nigeria’s Artistic Soul

    The museum's core strength resides in its impressive collection of over 1000 artworks spanning pre-colonial times to the present day. These pieces represent a comprehensive panorama of Nigerian art history, reflecting diverse cultural traditions and artistic styles.

    Sculptural Diversity:

    From intricate Yoruba wooden sculptures by Lamidi Olonade Fakeye to monumental Ife head replicas—symbols of Nigeria’s ancient civilizations—the sculptural collection showcases remarkable craftsmanship and stylistic evolution.

    Painting Masters:

    Notable artists like Ben Enwonwu, El Anatsui, Bruce Onobrakpeya, and Aina Onabolu contribute to the museum's painting repertoire. Their canvases capture pivotal moments in Nigerian history and artistic expression.

    Historical Significance & Cultural Impact

    Beyond its aesthetic appeal, YSMA plays a crucial role in educating students and researchers about Nigeria’s artistic heritage. Exhibits on Ife art and Benin art—featuring iconic bronze sculptures like the Ife head—provide invaluable insights into the region's rich cultural past.

    Photographic Narratives:

    The museum’s photographic archive documents significant Nigerian cultural festivals, capturing the dynamism of traditions and artistic performances. Ariyo Oguntimehin’s photographs are particularly noteworthy.

    A Unique Contribution to Art Education

    The Yemisi Shyllon Museum of Art distinguishes itself as Nigeria's inaugural university art museum—a pioneering endeavor that underscores the importance of fostering creativity and cultural understanding. Its mission extends beyond mere display; it strives to inspire dialogue, promote artistic appreciation, and contribute to the intellectual enrichment of its visitors.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Northern Setting

    artsdot.com/cs/art/download/aina-onabolu-obe-northern-setting-D764E8-en/

    Citace tohoto díla

    MLA
    obe, aina onabolu. Northern Setting. 1944, Yemisi Shyllon Museum of Art. https://artsdot.com/cs/art/aina-onabolu-obe-northern-setting-D764E8-en/
    APA
    obe, aina onabolu (1944). Northern Setting [Painting]. Yemisi Shyllon Museum of Art. https://artsdot.com/cs/art/aina-onabolu-obe-northern-setting-D764E8-en/
    Chicago
    aina onabolu obe. Northern Setting. 1944. Yemisi Shyllon Museum of Art. https://artsdot.com/cs/art/aina-onabolu-obe-northern-setting-D764E8-en/
    Harvard
    obe, aina onabolu (1944) Northern Setting. Yemisi Shyllon Museum of Art. Available at: https://artsdot.com/cs/art/aina-onabolu-obe-northern-setting-D764E8-en/

    Zaměřte se pozorně

    Northern Setting — aina onabolu obe

    Detailní pohled

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu Awaiting the Verdict (1932), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. aina onabolu obe bylo při vzniku tohoto díla ve věku přibližně 62. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.