Formát papíru

Průvodce studentskou tvorbou

Grey Day

Jméno Ročník Datum

Adolf Dehn, Grey Day (1963). Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
Adolf Dehn artsdot.com/cs/artists/adolf-dehn/
Datum vzniku díla
1895 – 1968
Malováno
1963
Původní rozměry
39 x 59 cm
Pohyb
Regionalism American painters turning away from Europe to paint their own small towns and farmland.

V kontextu

Grey Day — Adolf Dehn

Jak velký je?

Původní rozměry jsou 39 × 59 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Shaded: životopis Adolf Dehn (1895–1968) ▲ toto dílo, 1963

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: artsdot.com/cs/art/similar/adolf-dehn-grey-day-AQRRFF-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Rosy Brown #bfa488

    Uložená paleta

    • #BFA488
    • #E7D4BB
    • #9A775B
    • #6F4C37
    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Rosy Brown
    Sytost
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Bold Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Unified Palette Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    O tomto uměleckém díle

    Grey Day — Adolf Dehn

    The Smithsonian American Art Museum is home to a stunning collection of artworks, including the captivating piece Grey Day by Adolf Dehn. Created in 1963, this color lithograph on paper measures 15 3/8 x 23 1/4 in. and is a testament to Dehn's exceptional skill as an artist.

    The Artist's Background

    Adolf Dehn was an American artist known for his work in lithography, illustration, drawing, watercolors, and casein painting. Born on November 22, 1895, in Waterville, Minnesota, Dehn began creating artwork at the age of six and went on to produce nearly 650 images throughout his career. He was a two-time recipient of the Guggenheim Fellowship and was known for his technical skills and high-spirited depictions of human foibles.

    The Painting

    Grey Day is a beautiful example of Dehn's work, showcasing his ability to capture the essence of everyday life. The piece features a cityscape with snow on the ground, trees that have lost their leaves, and people scattered throughout the scene. Two dogs are also present in the painting, adding a touch of warmth and humanity to the otherwise cold and snowy landscape.

    Medium: Color lithograph on paper

    Size: 15 3/8 x 23 1/4 in.

    Location: Smithsonian American Art Museum

    AllPaintingsStore.com offers a wide range of handmade oil painting reproductions, including works by Adolf Dehn and other renowned artists. For more information on Grey Day and other artworks, visit /art/list/?Filter=AQRRFF-Adolf-Dehn-Grey-Day.

    To learn more about Adolf Dehn and his work, check out his biography on Wikipedia.

    Umělec a muzeum

    Umělec

    Adolf Dehn

    Narozen v Waterville, United States of America

    Early Life and Education

    Born: November 22, 1895, in Waterville, Minnesota

    Parents: Arthur Clark Dehn (father) and Emilie Haas Dehn (mother), both socialists.

    Early artistic talent evident from the age of six.

    Graduated as valedictorian from Waterville High School in 1914.

    Attended the Minneapolis School of Art (later Minneapolis College of Art and Design) from 1914 to 1917. Studied under Robert Kohler.

    Formed a close friendship with Wanda Gág, also an artist.

    Received a scholarship to the Art Students League of New York in 1917.

    World War I and Early Career

    Drafted into World War I in 1918 but declared himself a conscientious objector.

    Imprisoned for four months in Spartanburg, South Carolina, due to his objection.

    Later worked as a painting teacher at an army rehabilitation hospital in Asheville, North Carolina.

    Returned to the Art Students League for further study.

    Created his first lithograph, The Harvest, around 1920.

    Exhibited his lithographs at the Weyhe Gallery in New York City in 1921.

    European Period and Development as an Artist

    Traveled to Europe in 1921, residing primarily in Paris and Vienna.

    Associated with a group of intellectuals and artists including Andrée Ruellan, Gertrude Stein, and E.E. Cummings.

    Supported himself through illustration work for magazines like Vanity Fair.

    Developed his distinctive style characterized by unusual tonal and textural effects in printmaking.

    His work began to reflect the social scene of Europe, particularly Vienna and Berlin.

    Return to America and Mature Artistic Style

    Returned to New York City in 1929.

    Artwork featured in magazines such as The New Yorker and Vogue.

    Began focusing on watercolor painting in the mid-1930s, achieving significant recognition.

    Received a Guggenheim Fellowship in 1939, enabling travel to the Western United States and Mexico.

    His watercolors depicted scenes of farms and farmlands in rural America, inspired by trips back to Minnesota.

    Became known for his vibrant landscapes and depictions of everyday life.

    Second Guggenheim Fellowship awarded in 1951.

    Legacy and Historical Significance

    Elected as a full academician to the National Academy of Design and a member of the National Institute of Arts and Letters.

    His works are held in over 100 museums worldwide, including the Smithsonian American Art Museum, Metropolitan Museum of Art, and Museum of Modern Art.

    Recognized for his contributions to lithography, watercolor painting, and caricature.

    Influenced other artists, notably Jackson Pollock, with his innovative techniques.

    Died on May 19, 1968, leaving behind a prolific body of work that reflects his diverse experiences and artistic evolution.

    His art is considered representative of Regionalism, Social Realism, and caricature movements in American art.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Grey Day

    artsdot.com/cs/art/download/adolf-dehn-grey-day-AQRRFF-en/

    Citace tohoto díla

    MLA
    Dehn, Adolf. Grey Day. 1963, https://artsdot.com/cs/art/adolf-dehn-grey-day-AQRRFF-en/
    APA
    Dehn, Adolf (1963). Grey Day [Painting]. https://artsdot.com/cs/art/adolf-dehn-grey-day-AQRRFF-en/
    Chicago
    Adolf Dehn. Grey Day. 1963. https://artsdot.com/cs/art/adolf-dehn-grey-day-AQRRFF-en/
    Harvard
    Dehn, Adolf (1963) Grey Day. Available at: https://artsdot.com/cs/art/adolf-dehn-grey-day-AQRRFF-en/

    Podívejte se pozorně

    Grey Day — Adolf Dehn

    Pohlédněte blíž

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Kolik tváří dokážete najít? ____ (náš katalog jich počítá 2 — souhlasíte?)
    4. Náš katalog řadí toto dílo pod: winter scene, cityscape, snowfall. Souhlasíte? Co byste přidali nebo odebrali?
    5. Zhlédněte si znovu dílo Minnesota Shower (1946), které jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Využijte k tomu fakta z předchozích částí tohoto průvodce a své odpovědi uvedené výše.