Aktualizováno listopad 2026 · seřazeno podle našeho skóre popularity (vyhledávání, návštěvy a objednávky u každého díla) · 238 děl umělce John Sloan v našem katalogu
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Pokud znáte jedno dílo umělce John Sloan, je to pravděpodobně McSorley's Bar (1912), které je vystaveno v Detroit Institute of Arts, Detroit. The Lafayette (1927) a Wake of the Ferry (1907) doplňují trojici děl, která lidé okamžitě poznají. Náš katalog obsahuje 238 děl umělce John Sloan. Níže je 100 nejznámějších děl, u každého z nich najdete rok vzniku, místo, kde je lze najít, a to, co je výjimečné.
The Artist and His Work John Sloan, a prominent American artist, was a founding member of The Eight, a group of painters known for their realistic depictions of urban life. He played a significant role in the Ashcan School of realism artists, which aimed to capture the essence of New York City and its residents during the early 20th century. The Painting: McSorley's Bar McSorley's Bar, painted in 1912, is…
The scene unfolds at the intersection of 9th Street and University Place in New York City, centered on the entrance of the Hotel Lafayette. A group of pedestrians descends the double awning-covered stairways, their forms caught in mid-motion as they engage in conversation. The ground appears wet, reflecting the artificial light of a damp evening. In the foreground, a yellow Checker taxicab occupies a significant portion of the lower frame,…
To stand before Wake of the Ferry is to step across a threshold into a moment suspended between worlds—a quiet breath taken on the vast, indifferent expanse of water. This painting does not shout its drama; rather, it whispers secrets carried upon the fog. The scene, captured from the deck of a ferry, immediately envelops the viewer in an atmosphere of muted contemplation. One feels the chill dampness rising from…
A young woman emerges from a deep, velvet darkness, her presence defined by the way light catches the soft textures of her attire. She sits in a moment of stillness, her gaze turned inward as if lost in a private thought. The light falls across her face with a gentle, directional touch, illuminating the warmth of her skin and the pale, ruffled folds of a white scarf that rests against…
In the quiet intimacy of a bedroom, a woman sits on the edge of her bed in The Cot. Painted by John Sloan about 1907, the scene captures a private moment of stillness. She looks down, her attention fixed on something unseen, while the soft textures of white sheets and pillows surround her. The atmosphere feels heavy with the weight of a lived-in space, a room where the mundane becomes…
The air in the room feels heavy, thick with the scent of oil and the weight of unspoken thought. A man sits before us, his presence commanding the space through a quiet, intense gravity. This is Edgar Varèse, caught in a moment of profound stillness that seems to vibrate with an internal rhythm. His dark, wavy hair frames a face etched with seriousness, a countenance that refuses to offer easy…
John French Sloan’s “A Mechanical Baa-Baa!” isn't merely a depiction of an antique shop; it’s a meticulously crafted narrative frozen in time, offering a poignant window into the burgeoning fascination with industrial innovation and the quiet rhythms of everyday life at the turn of the 20th century. Painted in 1906, during his tenure as a key figure within the Ashcan School movement – an American realist style that championed the…
A group of elegantly dressed figures gathers around a central table, captured in a fleeting moment of evening leisure. The scene unfolds within the courtyard of a boardinghouse, a space defined by the warm, diffused light of a Parisian-style cafe. Figures are arranged in a crowded, organic composition, their forms defined by loose, expressive brushstrokes that prioritize atmosphere over rigid anatomical precision. The palette is dominated by warm yellows, oranges,…
is an oil on canvas painted by John Sloan in 1918. The work captures a specific moment of urban life within a neighborhood of New York City. It presents a view of the street as it functioned during a Saturday night, focusing on the immediate activity of the city.
The artwork titled Self-portrait is a painting by the artist John Sloan. Created about 1890, this work functions as a straightforward representation intended to capture the likeness of the artist himself. The subject is depicted as a young man, presented in a formal manner that focuses on his physical features and attire.
Čtyři nejčastější motivy těchto děl, z nichž každý má svůj nejznámější příklad.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora John Sloan | Obrazy z tohoto seznamu |
|---|---|---|---|
 Detroit Institute of Arts |
Detroit | 3 | McSorley's Bar, Wake of the Ferry |
 New Britain Museum of American Art |
New Britain | 2 | Girl in Fur Hat, Main Street, Gloucester |
 Clevelandské muzeum umění |
Cleveland | 2 | The Rathskeller, A Woman's Work |
 National Gallery of Art |
Washington | 2 | Yeats at Petitpas |
 National Portrait Gallery |
Washington, D.C. | 1 | Edgar Varèse |
 Amon Carter Museum of American Art |
Fort Worth | 1 | A mechanical Baa-Baa! |
 Crystal Bridges Museum of American Art |
Bentonville | 1 | Bleecker Street, Saturday Night |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 1 | Dramatic Music |
Vyberte si desetiletí a prohlédněte si jeho nejvýraznější dílo.
The artwork titled Self-portrait is a painting by the artist John Sloan. Created about 1890, this work functions as a straightforward representation intended to capture the likeness of the artist himself. The subject is depicted as a young man, presented in a formal manner that focuses on his physical features and attire.
To stand before Wake of the Ferry is to step across a threshold into a moment suspended between worlds—a quiet breath taken on the vast, indifferent expanse of water. This painting does not shout its drama; rather, it whispers secrets carried upon the fog. The scene, captured from the deck of a ferry, immediately envelops the viewer in an atmosphere of muted contemplation. One feels the chill dampness rising from…
The Artist and His Work John Sloan, a prominent American artist, was a founding member of The Eight, a group of painters known for their realistic depictions of urban life. He played a significant role in the Ashcan School of realism artists, which aimed to capture the essence of New York City and its residents during the early 20th century. The Painting: McSorley's Bar McSorley's Bar, painted in 1912, is…
The scene unfolds at the intersection of 9th Street and University Place in New York City, centered on the entrance of the Hotel Lafayette. A group of pedestrians descends the double awning-covered stairways, their forms caught in mid-motion as they engage in conversation. The ground appears wet, reflecting the artificial light of a damp evening. In the foreground, a yellow Checker taxicab occupies a significant portion of the lower frame,…
In the tempera painting Nude, Terra Cotta by John Sloan, a nude female figure is the central subject. She is seated within an ornate red armchair. The figure is positioned slightly off-center to the left of the frame. Surrounding the subject, draped fabric recedes into the background, creating a sense of depth within the composition. The lighting is soft and diffused, suggesting an interior setting.
In this 1949 work, we find ourselves in a private, sun-drenched interior that feels far removed from the frantic energy of urban life. A reclining nude female figure rests upon a low platform, her form bathed in a soft, diffused light that seems to emanate from both the window and an unseen interior source. There is a profound sense of stillness here. A small dog rests at the foot of…
A woman sits alone within the stillness of an interior room, her body turned toward a small, red hand mirror. The light spills in from a nearby window, catching the curve of her shoulder and casting deep shadows that define her form against the textured walls. She is caught in a private act of looking, her gaze fixed upon her own reflection. The space feels intimate, perhaps even a little…
Na vrcholu žebříčku je McSorley's Bar (1912), Detroit Institute of Arts, Detroit. Hned za ním následují: The Lafayette (1927) a Wake of the Ferry (1907).
41 let. John Sloan se narodil(a) v 1871 a dílo McSorley's Bar pochází z roku 1912.
McSorley's Bar, The Lafayette, Wake of the Ferry, Girl in Fur Hat, The Cot, Edgar Varèse, A mechanical Baa-Baa!, Yeats at Petitpas, Bleecker Street, Saturday Night a Self-portrait. Rok vzniku a muzeum každého díla najdete v seznamu výše.
V našem katalogu máme 238 děl umělce John Sloan z let 1890 až 1950.
Většinu z nich najdete v Detroit Institute of Arts (Detroit), New Britain Museum of American Art (New Britain) a Clevelandské muzeum umění (Cleveland). Seznam muzeí výše obsahuje podrobný přehled.
V období 1900s, více než v jakémkoli jiném čase: 20 z 100 děl na této stránce pochází z této doby, z nichž Wake of the Ferry.
Nejstarší dílo je z Self-portrait (1890); nejnovější je z Nude with Red Hand Mirror (1950).
People (12), Woman (10) a Urban scene (9) z celkových 100 kusů na této stránce.
Oil On Canvas, použito u 19 z 100 děl na této stránce.
Ashcan school, jak je vidět u děl na této stránce.
Na této stránce můžete uvidět 2 děl v Detroit Institute of Arts, Detroit, včetně McSorley's Bar a Wake of the Ferry.
Ano. Každý obraz na této stránce je k dispozici jako ručně malovaná olejná reprodukce nebo jako tisk v rozměru, který vám vyhovuje. Pro objednání stačí otevřít stránku daného obrazu.
