Хартия

Ръководство за ученически творби

Self Portrait

Име Клас Дата

John King, Self Portrait (1839). Репродуцирано с цел справка; всички права са запазени от правопритежателя. Вижте това платно под движеща се светлина: рисунката, истинския цвят под лака, чистия пигмент

Факти

Художник
John King artsdot.com/bg/artists/john-king/
Дати на създаване от художника
1929 – 2014
Картина с боя
1839
Първоначален размер
61 x 51 cm

В контекста

Self Portrait — John King

Какви са размерите?

Оригиналните размери са 61 × 51 см (височина × ширина), изобразени тук до възрастен със среден ръст.

Кога е боядисана тази творба?

  1. 1820
  2. 1840
  3. 1860
  4. 1880
  5. 1900
  6. 1920
  7. 1940
  8. 1960
  9. 1980
  10. 2000

Горният ред: години. Долният ред: възраст на художника в началото и в края на всеки период — 0 при раждането, 85 при смъртта.

Засенчен: животът на John King (1929–2014) ▲ тази творба, 1839 всяка датирана картина, десетилетие по десетилетие

Сравнение с

Изберете едно от произведенията по-горе: посочете две общи черти с това произведение и една различност между тях.

Други произведения, които биха допълнили това: artsdot.com/bg/art/similar/john-king-self-portrait-AQU6RN-en/

Цветове

Измерено по изображението

    Основен цвят

    Espresso #3c2e20

    Каталогизирана палитра

    • #3C2E20
    • #1B1916
    • #B5825D
    • #81553C

    Тези цветове са част от цялата палитра на художника Намерете други картини по цвят

    Палитра
    Earthy Доминиращата цветова гама в изображението.
    Основен цвят
    Espresso
    Наситеност
    Monochromatic Колко са наситени и разнообразни цветовете – от един приглушен нюанс до множество ярки такива.
    Контраст
    Serene Доколко цветовете се различават по светлота и наситеност в рамките на картината.
    Хармония
    Strong Color Unity Колко добре цветовете си взаимодействат – от контрастни до напълно обединени.
    Яркост
    Deep_shadow Общата светлост или тъмнина на изображението – от дълбока сянка до ярък акцент.
    Наситенност
    Muted Колко чисти и наситени са цветовете – от почти сиви до напълно живи.

    От кои части на света се разглежда тази картина?

    • под 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и повече
    Тази картина сама по себе си има твърде малко записани посетители, за да бъде картографирана, затова на плочката са изброени всички произведения на John King през последните дванадесет месеца — общо 1 държави. Източник на тези данни

    Десетте водещи държави

    1. 1 Китай 100,0%

    Намерете трите най-тъмни държави на картата. Намира ли се музейът, в който се съхранява тази картина, в някоя от тях? Напишете една причина, поради която хора от далечни места биха дошли да я разгледат.

    3 най-разглеждани творби на John King

    1. 1 Sir John Bowring, 1826 50,0%
    2. 2 Raja Ram Roy, Son of Raja Ram Mohan Roy, 1833 50,0%
    3. — Self Portrait, 1839 тази творба 0,0%

    В съвкупност тези творби привличат 100,0% от цялото внимание, което са получили картините на този артист през последните дванадесет месеца. Каталогът съдържа 11 творби на този артист, като 2 от тях са разглеждани поне веднъж. Тази картина все още не е била разглеждана за този период — тя завършва списъка без определен ранг. Всичко е същото, месец по месец

    Графиките измерват вниманието, а не качеството. Изберете произведението най-отгоре и това: посочете нещо, което би могло да направи една картина известна, освен самото ѝ техническо изпълнение.

    За това произведение

    Self Portrait — John King

    The Self Portrait by John King is a captivating oil on canvas painting that has left art enthusiasts and critics alike in awe. Created in 1839, this masterpiece is currently housed at the Brixham Heritage Museum in the United Kingdom. Measuring 61 x 51 cm, the painting is a remarkable example of 19th-century art, showcasing the artist's exceptional skill and attention to detail.

    Delving into the Artist's Background

    While information about John King is limited, his work speaks volumes about his talent and dedication to his craft. The Self Portrait is a testament to his ability to capture the essence of his subject, in this case, himself. The painting features the artist with brown hair and a beard, dressed in a black suit and tie, holding a brush in his hand as he gazes directly at the viewer.

    The use of oil on canvas allows for a depth and richness that is characteristic of this medium.

    The artist's attention to detail is evident in the intricate folds of his clothing and the subtle expression on his face.

    The overall effect is one of quiet contemplation, inviting the viewer to reflect on the artist's inner world.

    Discover more about the artworks at /art/list/?Filter=A@D3C9GK-Discovering-the-Artworks-of-University-of-Chichester-Chichester-United-King.. View John King's painting at /art/list/?Filter=AQU6RN-John-King-Self-Portrait. Other notable self-portraits can be found at https://AllPaintingsStore.com, including works by Johannes Daniël Susan and John Kelso Hunter.

    The Self Portrait by John King is a significant addition to the world of art, offering a glimpse into the life and mind of a talented artist. As we continue to appreciate and learn from this masterpiece, we are reminded of the power of art to transcend time and touch our lives in profound ways.

    Художник и музей

    Художник

    John King

    John King: A Sporting Legacy Forged in Observation

    Born on April 16, 1929, in West Tytherley, Hampshire, John Gregory King’s artistic journey was deeply intertwined with the rhythms of rural life and a profound appreciation for the equestrian world. His early training at Cranford and Salisbury School of Art laid the foundation for his distinctive style – one characterized by meticulous detail, vibrant colors, and an almost palpable sense of movement captured within each canvas. From a young age, King’s passion lay in depicting the grace and power of horses, a fascination that would define his career and cement his place as a leading British sporting artist.

    King's artistic development was significantly influenced by Lionel Edwards, a contemporary sporting artist whose dynamic compositions and keen observation served as a crucial model. Edwards’ ability to capture the spirit of the hunt – the anticipation, the pursuit, the camaraderie – resonated deeply with King, shaping his own approach to portraying these exhilarating scenes. He wasn't merely rendering horses; he was conveying their essence, their relationship with humans, and the very soul of the sporting tradition.

    The Rise of a Sporting Master

    King’s career truly blossomed in the mid-20th century, coinciding with a resurgence of interest in traditional British sports. He quickly gained recognition for his watercolor and oil paintings, initially focusing on hunting scenes – fox hunts, deer hunts, and steeplechases – but expanding his repertoire to include racing, polo, and even military subjects reflecting the era’s social fabric. His work appeared regularly in prestigious publications like Horse & Hound, reaching a vast audience of enthusiasts and solidifying his reputation.

    A pivotal moment arrived with a monumental commission in 2013: The Queen’s Horses. This expansive painting, measuring an impressive size, depicted the British Royal Family engaged in equestrian pursuits – Princess Elizabeth riding with George VI at Sandringham, the Queen seated side-saddle on her favorite trooping horse, Burmese, and scenes of royal processions. The sheer scale of the work demonstrated King's technical prowess and his ability to capture a significant historical moment with remarkable detail and emotional resonance. The painting’s creation involved logistical challenges – transporting the canvas to Dubai for a special exhibition – highlighting King’s dedication and professionalism.

    Technique and Style: A Painterly Approach

    King's artistic technique was characterized by a meticulous attention to detail, achieved through numerous layers of thin washes and careful blending. He employed a vibrant palette, often utilizing rich blues, greens, and reds to capture the intensity of light and shadow within his scenes. His compositions were typically dynamic, incorporating elements of movement and perspective to create a sense of immediacy and excitement. Unlike some sporting artists who relied on simplified forms, King’s figures – both human and equine – possessed a remarkable degree of realism, reflecting his deep understanding of anatomy and behavior.

    He was known for his ability to capture the subtle nuances of horse movement—the flick of an ear, the shift in weight, the powerful stride. This wasn't simply about depicting a horse; it was about conveying its spirit, its energy, and its connection to its rider. His work is often described as “painterly,” emphasizing the texture and quality of the paint itself, rather than striving for photographic realism.

    Legacy and Influence

    John King’s influence extends far beyond his own paintings. He played a significant role in establishing The Society of Equestrian Artists, fostering a community dedicated to celebrating the art of sporting subjects. His work continues to be exhibited and collected worldwide, demonstrating enduring appeal among both equestrian enthusiasts and art collectors. King's legacy lies not only in his stunning visual representations of the sporting world but also in his commitment to preserving and promoting this rich tradition.

    He passed away on September 8, 2014, leaving behind a substantial body of work that stands as a testament to his skill, dedication, and profound appreciation for the beauty and excitement of equestrian life. His paintings offer a captivating glimpse into a bygone era, reminding us of the enduring connection between humans and horses – a bond celebrated by John King through his masterful artistry.

    Къде можете да прочетете повече

    Намерете го онлайн

    QR код, който препраща към страницата за изтегляне на Self Portrait

    artsdot.com/bg/art/download/john-king-self-portrait-AQU6RN-en/

    Цитиране на това произведение

    MLA
    King, John. Self Portrait. 1839, https://artsdot.com/bg/art/john-king-self-portrait-AQU6RN-en/
    APA
    King, John (1839). Self Portrait [Painting]. https://artsdot.com/bg/art/john-king-self-portrait-AQU6RN-en/
    Chicago
    John King. Self Portrait. 1839. https://artsdot.com/bg/art/john-king-self-portrait-AQU6RN-en/
    Harvard
    King, John (1839) Self Portrait. Available at: https://artsdot.com/bg/art/john-king-self-portrait-AQU6RN-en/

    Разгледайте внимателно

    Self Portrait — John King

    Разгледайте внимателно

    Отговорете с ваши собствени думи. Тук няма грешни отговори — само такива, които можете да обясните.

    1. Какво привлича погледа ви първо и защо?
    2. Кои цветове или форми създават настроението — и какво представлява то?
    3. Върнете се към Dr Henry Beeke (1834), разгледани по-рано в това ръководство. Намерете две прилики между него и тази творба, както и една разлика.
    4. Какво е искал да ви накара да почувствате художникът?
    5. Ако можехте да зададете само един въпрос на художника за тази творба, какъв щеше той да бъде?

    Вашият отговор

    Напишете кратък абзац за това произведение на изкуството, като използвате фактическата информация от предишните части на това ръководство и вашите отговори по-горе.

    Въпроси и отговори

    Кой е доминиращият цвят на „Self Portrait“ на John King?

    Доминиращият цвят на „Self Portrait“ на John King е Espresso (#3c2e20).

    Мога ли да видя „Self Portrait“ на John King под различно осветление?

    X-Ray изгледът на „Self Portrait“ на John King може да бъде открит на страницата Рентгенови лъчи за произведението: интерактивно разглеждане на изображението чрез единадесет оптични слоя.

    С каква наситеност на цветовете се отличава „Self Portrait“ на John King?

    „Self Portrait“ на John King е заснето с Muted наситеност.