Формат на хартията

Ръководство за ученически творби

Leave-taking

Име Клас Дата

Август Макке, Leave-taking (1914). Обществено достояние Вижте това платно под движеща се светлина: рисунката, истинския цвят под лака, чистия пигмент

Основни факти

Художник
Август Макке artsdot.com/bg/artists/%D0%B0%D0%B2%D0%B3%D1%83%D1%81%D1%82-%D0%BC%D0%B0%D0%BA%D0%BA%D0%B5_bg/
Дати на създаване от художника
1887 – 1914
Картина с боя
1914
Движение
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Период
Modern
Artistic style
German Expressionism
Subject or theme
People and dogs walking on a street

В контекста

Leave-taking — Август Макке

Година на създаване

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Горният ред: годините. Долният ред: възрастта на художника в началото и в края на всеки период — 0 при раждането, 27 при смъртта.

Написана, когато художникът е бил на 27 години. Художникът е дожил до 27 години. 83 от 138 датираните творби на този артист в нашия каталог са създадени по-рано.

Засенчен: животът на Август Макке (1887–1914) ▲ тази творба, 1914 всяка датирана картина, десетилетие по десетилетие

Сравнение с подобни произведения

  • Жената в зелен жилет, 1913 artsdot.com/bg/art/%D0%B0%D0%B2%D0%B3%D1%83%D1%81%D1%82-%D0%BC%D0%B0%D0%BA%D0%BA%D0%B5-%D0%B6%D0%B5%D0%BD%D0%B0%D1%82%D0%B0-%D0%B2-%D0%B7%D0%B5%D0%BB%D0%B5%D0%BD-%D0%B6%D0%B8%D0%BB%D0%B5%D1%82-8XXPEQ-bg/
  • Басейни с момичета и град на заден план, 1913 artsdot.com/bg/art/%D0%B0%D0%B2%D0%B3%D1%83%D1%81%D1%82-%D0%BC%D0%B0%D0%BA%D0%BA%D0%B5-%D0%B1%D0%B0%D1%81%D0%B5%D0%B9%D0%BD%D0%B8-%D1%81-%D0%BC%D0%BE%D0%BC%D0%B8%D1%87%D0%B5%D1%82%D0%B0-%D0%B8-%D0%B3%D1%80%D0%B0%D0%B4-%D0%BD%D0%B0-%D0%B7%D0%B0%D0%B4%D0%B5%D0%BD-%D0%BF%D0%BB%D0%B0%D0%BD-8XXPFV-bg/
  • Хат Шоп, 1913 artsdot.com/bg/art/%D0%B0%D0%B2%D0%B3%D1%83%D1%81%D1%82-%D0%BC%D0%B0%D0%BA%D0%BA%D0%B5-%D1%85%D0%B0%D1%82-%D1%88%D0%BE%D0%BF-8XXPEP-bg/

Изберете едно от произведенията по-горе: посочете две неща, които то споделя с това произведение, и едно нещо, което го отличава.

Други произведения, които биха допълнили това: artsdot.com/bg/art/similar/august-macke-leave-taking-8BWN54-en/

Цветова палитра

Измерено по изображението

    Основен цвят

    Walnut #724526

    Запазена палитра

    • #724526
    • #DCCD9F
    • #381F13
    • #B08B49

    Тези цветове са част от цялата палитра на художника Намерете други картини по цвят

    Палитра
    Earthy Доминиращата цветова гама в изображението.
    Име на основния цвят
    Walnut
    Интензивност
    Balanced Колко са наситени и разнообразни цветовете – от един приглушен нюанс до множество ярки такива.
    Контраст
    Statement Доколко цветовете се различават по светлота и наситеност в рамките на картината.
    Хармония
    Strong Color Unity Колко добре цветовете си взаимодействат – от контрастни до напълно обединени.
    Яркост
    Shadow Общата светлост или тъмнина на изображението – от дълбока сянка до ярък акцент.
    Наситенност
    Balanced Soft Колко чисти и силни са цветовете – от почти сиви до напълно живи.

    От кои части на света се разглежда тази картина?

    • под 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% и повече
    Тази картина сама по себе зависи твърде малко записани посетители, за да бъде картографирана, затова на плочката е посочено всяко произведение на Август Макке през последните дванадесет месеца — общо 40 държави. Откъде идват тези данни

    Десетте водещи държави

    1. 1 Китай 44,1%
    2. 2 Съединени Американски Щати 5,8%
    3. 3 Мексико 5,1%
    4. 4 Германия 4,7%
    5. 5 Испания 4,1%
    6. 6 Франция 3,4%
    7. 7 Хонк Конг 3,4%
    8. 8 Южна Корея 3,4%
    9. 9 Колумбия 2,4%
    10. 10 Индия 2,0%
    11. · 30 други държави 21,6%

    Намерете трите най-тъмни държави на картата. Намира ли се музей, който съхранява тази картина, в някоя от тях? Напишете една причина, поради която хора от далечни места биха я разгледали.

    20 най-разглеждани творби на Август Макке

    1. 1 Жената в зелен жилет, 1913 39,9%
    2. 2 Пейзаж с крави и еднорог, 1914 4,5%
    3. 3 Басейни с момичета и град на заден план, 1913 3,4%
    4. 4 Хат Шоп, 1913 2,6%
    5. 5 Market in Tunis II 2,6%
    6. 6 Still life hyacinths carpet, 1910 1,6%
    7. 7 Three girls in yellow straw hats I, 1913 1,3%
    8. 8 Milliner 1,3%
    9. 9 Little Walter, 1912 1,0%
    10. 10 Inner courtyard of house in St. Germain, 1914 1,0%
    11. 11 Man Reading in a Park, 1914 0,8%
    12. 12 Portrait of Franz Marc, 1910 0,8%
    13. 13 At the Garden Table, 1914 0,8%
    14. 14 Red house in park, 1914 0,8%
    15. 15 Church with Flags, 1914 0,8%
    16. 16 Sailing boat on the Tegernsee, 1910 0,8%
    17. 17 Promenade, 1913 0,8%
    18. 18 Bright House, 1914 0,8%
    19. 19 Hat Shop, 1914 0,8%
    20. Leave-taking, 1914 тази картина 0,0%

    В съвкупност тези творби привличат 66,4% от цялото внимание, което са получили картините на този артист през последните дванадесет месеца. Каталогът съдържа 228 творби на този артист, като 118 от тях са разглеждани поне веднъж. Тази картина все още не е била разглеждана за този период — тя завършва списъка без определен ранг. Всичко е същото, месец по месец

    Показателите измерват вниманието, а не качеството. Изберете произведението най-отгоре и това: посочете нещо, което би могло да направи една картина известна, освен самото ѝ техническо изпълнение.

    Художник и музей

    Художник

    Август Макке

    Роден в Меседе, Германия

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name now inextricably linked to the brief but intensely vibrant flowering of German Expressionism, lived a life tragically curtailed by the horrors of the First World War. Born in 1887 in Meschede, a small town nestled within the Westphalian countryside, his artistic journey was one of rapid evolution and profound exploration – a relentless pursuit of capturing not just what he saw, but how he felt about the world around him. Macke’s early years were marked by a restless spirit and an insatiable curiosity, leading him to move with his family to Bonn, where he received his initial education and began to nurture his burgeoning talent. Despite being formally trained at the Düsseldorf Art Academy from 1904-1906 under Adolf Maennchen, it was through independent study, travel, and a deep engagement with contemporary artistic movements that his unique voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques – not merely as imitation, but as a foundation upon which he would build his own distinctive style. He supplemented his income through stage design work, honing his compositional skills and developing a keen eye for color and light, essential tools in his future artistic endeavors.

    Influences and Artistic Development: A Synthesis of Styles

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements that defined the early 20th century. The pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and the ecstatic harmony of color. This encounter proved transformative, introducing Macke to the revolutionary concept of simultaneous contrast – the idea that colors can influence each other’s perception, creating dynamic visual effects. He began experimenting with broken planes of color, fragmented forms, and a deliberate rejection of traditional perspective, seeking to convey not just what he saw, but how he felt about it. Simultaneously, his close friendship with Franz Marc, a fellow artist and a central figure in the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations – he retained a grounding in representational form – he embraced the group’s spirit of artistic freedom, spiritual inquiry, and their belief in art as a vehicle for expressing profound emotions. The influence of Henri Matisse, whose bold use of color and simplified forms captivated Macke during his visits to Paris in 1909, further shaped his approach, encouraging him to embrace brighter, more expressive hues and broad brushstrokes. He also absorbed elements from Fauvism – the deliberate use of non-naturalistic colors for emotional impact – and Futurism’s emphasis on dynamism and movement.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group's exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn’t simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes – often reflecting the anxieties of the time – Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements from Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. He wasn’t interested in depicting the suffering of war or the despair of modern life; instead, he focused on capturing moments of joy, connection, and beauty—the simple pleasures of everyday existence. His later works, like Türkisches Café, demonstrate his luminist approach – a subtle exploration of light and shadow that imbues his scenes with an almost dreamlike quality.

    Major Achievements and Artistic Style

    Macke’s artistic style can be described as a remarkably personal synthesis of various influences. He was particularly adept at capturing the emotional resonance of landscapes, often depicting them in broad, luminous washes of color – a technique he developed through observation of Impressionist masters like Monet and Pissarro. His use of line was equally distinctive: strong, confident strokes that conveyed both energy and stability. He avoided the rigid geometric forms of Cubism, instead favoring more fluid, organic shapes that seemed to pulse with life. Macke’s work is characterized by a remarkable sense of optimism—a belief in the inherent beauty of the world and the potential for human connection. This is evident in his depictions of families, children playing, and intimate moments between lovers – scenes imbued with warmth, affection, and a quiet joy. His paintings are not simply representations of reality; they are expressions of feeling, filtered through his unique artistic sensibility. He was also a skilled watercolorist, using the medium to capture fleeting moments of light and color with remarkable delicacy.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor – a sentiment tragically common among many artists at the time – he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent – a haunting image of figures bidding each other farewell against a bleak and desolate landscape. Despite his tragically short life, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change – a world grappling with modernity, industrialization, and the looming threat of war—imbued with a sense of beauty and hope amidst growing uncertainty. Exploring his works today reveals an artist who not only captured the spirit of his time but also offered a timeless message of joy, connection, and the enduring power of art to illuminate the human experience.

    Научете повече тук

    Намерете го онлайн

    QR код, който препраща към страницата за изтегляне на Leave-taking

    artsdot.com/bg/art/download/august-macke-leave-taking-8BWN54-en/

    Цитиране на това произведение

    MLA
    Макке, Август. Leave-taking. 1914, https://artsdot.com/bg/art/august-macke-leave-taking-8BWN54-en/
    APA
    Макке, Август (1914). Leave-taking [Painting]. https://artsdot.com/bg/art/august-macke-leave-taking-8BWN54-en/
    Chicago
    Август Макке. Leave-taking. 1914. https://artsdot.com/bg/art/august-macke-leave-taking-8BWN54-en/
    Harvard
    Макке, Август (1914) Leave-taking. Available at: https://artsdot.com/bg/art/august-macke-leave-taking-8BWN54-en/

    Разгледайте внимателно

    Leave-taking — Август Макке

    Разгледайте по-отблизо

    Отговорете с ваши собствени думи. Тук няма грешни отговори — само такива, които можете да обясните.

    1. Какво привлича погледа ви първо и защо?
    2. Кои цветове или форми създават настроението — и какво представлява то?
    3. В нашия каталог това произведение е класифицирано под: people walking, dogs, street scene. Съгласни ли сте с това? Какво бихте добавили или премахнали?
    4. Върнете се към Жената в зелен жилет (1913), разгледани по-рано в това ръководство. Намерете две прилики между него и тази творба, както и една разлика.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Къде можете да забележите това в тази творба?

    Вашият отговор

    Напишете кратък абзац за това произведение на изкуството, като използвате информацията от предишните части на това ръководство и вашите отговори по-горе.

    Въпроси и отговори

    За какво място и за каква цел се препоръчва "Leave-taking"?

    Leave-taking“ е предложена за Conversation, а препоръчителното пространство е Coffee Shop.

    За коя стая се препоръчва „Leave-taking“ на Август Макке?

    Репродукция на „Leave-taking“ се вписва отлично в Coffee Shop.

    Какво настроение изразява „Leave-taking“ на Август Макке в рамките на German Expressionism?

    "Leave-taking" носи Joyful емоционален тон в рамките на движението German Expressionism.