تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 86 أعمال لـ أنطونيو كانوفا في كتالوجنا
In short
The أنطونيو كانوفا painting most people know is بيرسيوس مع رأس ميدوسا (1804), and you can see it at the متحف المتروبوليتان للفنون, نيويورك. Right after it come Cupid and Psyche (1793) and Hercules and Lichas (1795). Out of 86 works by أنطونيو كانوفا in our catalogue, these 86 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.
إن الوقوف أمام منحوتة أنطونيو كانوفا "بيرسيوس مع رأس ميدوسا" ليس مجرد مواجهة مع تمثال، بل هو لقاء مع لحظة متجمدة من التجلي الأسطوري. هذا العمل، المنحوت من الرخام المضيء، يجسد الجوهر الحقيقي للبطولة الكلاسيكية؛ ذلك التقاطع المحفوف بالمخاطر حيث يلتقي القدر الإلهي بالشجاعة البشرية. إن القوة السردية المنبعثة من هذه القطعة ملموسة للغاية؛ إذ يكاد المرء يسمع أصداء المعركة والتوتر اللاهث الذي يسبق النصر النهائي. لم يكتفِ كانوفا، سيد…
The Divine Union of Love and Soul In the quiet stillness of white marble, Antonio Canova captures a moment that transcends time itself. Cupid and Psyche is not merely a sculpture; it is a breathtaking manifestation of the eternal struggle and ultimate triumph of love over adversity. As the viewer approaches this Neoclassical masterpiece, they are immediately drawn into the intimate orbit of the two figures. The god of desire,…
To stand before Antonio Canova's "Hercules and Lichas" is to confront a moment ripped from the very fabric of myth—a tableau vivant rendered in cool, eternal marble. This sculpture does not merely depict a scene; it captures the explosive apex of conflict. The composition itself pulses with kinetic energy, freezing Hercules mid-struggle against the formidable figure of Lichas. One can almost hear the strain in the air, feel the tension…
Antonio Canova’s “Theseus and the Minotaur,” completed in 1782, stands as one of Neoclassical sculpture's most enduring achievements. More than just a depiction of mythic heroism, it embodies the movement’s core principles—classical idealism tempered with palpable emotion—captivating viewers centuries later.
Within the hallowed, quiet air of the Augustinian Church in Vienna, the Tomb of Duchess Maria Christina of Saxony-Teschen waits in silent repose. This marble monument, sculpted by Antonio Canova, honors the memory of Maria Christina of Austria, who lived from 1742 to 1798. As the daughter of Empress Maria Theresia, her presence lingers through the stone, a tribute commissioned by her husband, Albert of Saxe-Teschen, to ensure her legacy…
Within the hallowed, echoing expanse of St. Peter’s Basilica, there exists a profound dialogue between the mortal and the divine, captured most exquisitely in Antonio Canova’s Tomb of Pope Clement XIII. Completed in 1792, this monumental masterpiece serves as much more than a mere funerary marker; it is a breathtaking testament to the Neoclassical ideal, where the weight of history meets the lightness of spiritual transcendence. As one approaches this…
Antonio Canova's “Napoleon as Mars the Peacemaker” isn’t merely a sculpture; it’s a carefully constructed declaration, a potent blend of Roman grandeur and Napoleonic ambition. Completed in 1806, this colossal marble figure transcends its physical form to embody an ideal of power – not through brute force or military conquest, but through a reimagining of leadership as a symbol of enduring peace. The sheer scale of the work—standing over three…
To stand before Antonio Canova's "Orpheus and Eurydice" is to encounter not merely a sculpture, but a profound meditation on the fragile boundaries between life and oblivion. This masterpiece, rendered in exquisite white marble, captures the very essence of human longing—the desperate reach for what we love, even when that love resides just beyond our grasp. The composition itself seems suspended in an eternal moment: Orpheus, the legendary musician whose…
In the quiet, hallowed halls of Neoclassical mastery, few works resonate with as much profound tenderness as Antonio Canova’s Monument to Archduchess Maria Christina. This exquisite detail captures a moment suspended in eternal grief, where the cold rigidity of marble is transformed into a breathing, weeping testament to lost love. As we gaze upon the reclining figure, we are not merely looking at stone, but witnessing the delicate intersection of…
To stand before this magnificent depiction of Daedalus and Icarus is to confront not merely a sculpture, but the very breath of human ambition. Antonio Canova’s masterful rendering captures that exquisite, terrifying moment suspended between genius and hubris. The marble itself seems imbued with the memory of sunlight and wind; it possesses a polished luminescence that speaks volumes about both the artist's skill and the enduring power of the myth…
Cupid and Psyche1796 · متحف اللوفر
12
Tomb of Pope Clement XIII1792 · بازيليك القديس بطرس
13
Orpheus1776 · متحف كورير
14
بُسطة هيبيمتحف آرت موسيم ريغا بورسا
15
The Penitent Magdalene1796 · Palazzo Bianco
16
Feed the Hungry1795 · متحف كورير
17
Venus and Mars1816 · Courtauld Gallery
18
Paris1816 · Neue Pinakothek
19
Paolina Borghese as Venus Victrix1804 · غاليريا بورغيزي
20
Monumento funerario a Clemente XIII 1783-1792
21
Ercole e Lica 1795-1815
22
Paolina Borghese 1804-1808
23
Apollo 1782-1783
24
Psyche Revived by Cupid's Kiss1793
25
Tomb of Pope Clement XIII (detail)1792 · بازيليك القديس بطرس
26
Tomb of Duchess Maria Christina of Saxony-Teschen1799
27
Hebe1799
28
Eurydice1799
29
Napoleon I1800
30
Orpheus1799
31
Theseus and the Centaur1800
32
Head of a Vestal Virgin1822
33
Venus Italica1819
34
Venus Italica1823 · متحف المتروبوليتان للفنون
35
Reclining Naiad1824 · متحف المتروبوليتان للفنون
36
Theseus and the Minotaur1781 · متحف فيكتوريا وألبرت
37
Teseo sul Minotauro (bozzetto) 1781-1783
38
Self-Portrait1790 · معرض أوفيزي
39
Venus and Mars1800
40
Napoleon as Mars the Peacemaker1800
41
The Three Graces Dancing1799
42
Paolina Borghese as Venus Victrix (detail)1800
43
Daedalus and Icarus1799
44
Portrait of Amadeo Svajer1800
45
Amor and Psyche (detail)1799
46
Theseus and the Centaur (detail)1800
47
Teach the Ignorant1799
48
Amor and Psyche1799
49
Letizia Ramolino Bonaparte1800
50
Theseus and the Minotaur1799
51
Danzatrice con dito al mento 1809-1814
52
Monumento funerario a Clemente XIV 1783-1787
53
Danzatrice con mani sui fianchi 1811-1812
54
Untitled (DAQNX9)
55
Venere vincitrice dettaglio 1801-1807
56
Amore e Pische (particolare)
57
Caino 1846
58
Ninfa dormiente 1820-1824
59
Athena 1821
60
Napoleone Bonaparte come Marte pacificatore 1803-1806
61
Amore e Psiche 1809
62
Bust of NapoleonMuseo Glauco Lombardi
63
Amore e Psiche (particolare)
64
La morte del mito
65
Danzatrice 1812
66
Busto del Cardinale Joseph Fesh
67
Amore e Psiche 1798
68
Amore e Psiche 1787-1793
69
La musa Polyhymnia 1812-1816
70
Teseo e il Centauro 1805-1819
71
Le Tre Grazie 1812-1816
72
Ebe 1816-1817
73
La morte di Priamo 1757-1822
74
Elena 1757-1822
75
Monumento a Clemente XIII dettaglio - l'angelo della morte 1792
76
Amore e Psiche (bozzetto)
77
Maddalena penitente 1809
78
Monumento a Maria Cristina d'Austria 1798-1805
79
Cupido
80
Venere Italica 1804-1811
81
Bozetto di due figure femminili 1806
82
Monumento a Maria Cristina d'Austria (particolare) genio alato
83
Venere Italica 1804-1811 (dettaglio)
84
Endimione 1757-1822
85
Perseo con testa di medusa 1804-1806
86
Portrait of Amadeo Svajerمتحف كورير
The four subjects that come up most often in these pieces, each with its best-known example.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال أنطونيو كانوفا | لوحات من هذه القائمة |
|---|---|---|---|
 متحف كورير |
البندقية | 5 | Orpheus and Eurydice, Daedalus and Icarus, Orpheus |
 متحف المتروبوليتان للفنون |
نيويورك | 3 | بيرسيوس مع رأس ميدوسا, Venus Italica, Reclining Naiad |
 بازيليك القديس بطرس |
مدينة الفاتيكان | 3 | Tomb of Pope Clement XIII, Tomb of Pope Clement XIII, Tomb of Pope Clement XIII (detail) |
 متحف اللوفر |
باريس | 2 | Cupid and Psyche, Cupid and Psyche |
 متحف فيكتوريا وألبرت |
لندن | 2 | Theseus and the Minotaur, Theseus and the Minotaur |
 كنيسة الأوغسطينيين |
فيينا | 2 | Tomb of Duchess Maria Christina of Saxony-Teschen, Monument to Archduchess Maria Christina (detail) |
 Gipsoteca |
بوسانيو | 1 | Hercules and Lichas |
 Pinacoteca di Brera |
ميلانو | 1 | Napoleon as Mars the Peacemaker |
Pick a decade to see its standout piece.
To stand before Antonio Canova's "Orpheus and Eurydice" is to encounter not merely a sculpture, but a profound meditation on the fragile boundaries between life and oblivion. This masterpiece, rendered in exquisite white marble, captures the very essence of human longing—the desperate reach for what we love, even when that love resides just beyond our grasp. The composition itself seems suspended in an eternal moment: Orpheus, the legendary musician whose…
Antonio Canova’s “Theseus and the Minotaur,” completed in 1782, stands as one of Neoclassical sculpture's most enduring achievements. More than just a depiction of mythic heroism, it embodies the movement’s core principles—classical idealism tempered with palpable emotion—captivating viewers centuries later.
The Divine Union of Love and Soul In the quiet stillness of white marble, Antonio Canova captures a moment that transcends time itself. Cupid and Psyche is not merely a sculpture; it is a breathtaking manifestation of the eternal struggle and ultimate triumph of love over adversity. As the viewer approaches this Neoclassical masterpiece, they are immediately drawn into the intimate orbit of the two figures. The god of desire,…
إن الوقوف أمام منحوتة أنطونيو كانوفا "بيرسيوس مع رأس ميدوسا" ليس مجرد مواجهة مع تمثال، بل هو لقاء مع لحظة متجمدة من التجلي الأسطوري. هذا العمل، المنحوت من الرخام المضيء، يجسد الجوهر الحقيقي للبطولة الكلاسيكية؛ ذلك التقاطع المحفوف بالمخاطر حيث يلتقي القدر الإلهي بالشجاعة البشرية. إن القوة السردية المنبعثة من هذه القطعة ملموسة للغاية؛ إذ يكاد المرء يسمع أصداء المعركة والتوتر اللاهث الذي يسبق النصر النهائي. لم يكتفِ كانوفا، سيد…
Antonio Canova's "Venus and Mars," completed in 1822, is more than just a sculpture; it’s a carefully orchestrated tableau of opposing forces achieving an unexpected harmony. This magnificent marble work, currently residing within the Royal Collection at Buckingham Palace, offers a profound meditation on love, war, peace, and the enduring power of artistic creation. Commissioned by Prince Regent George IV during his visit to London, the sculpture represents a pivotal…
Top of the list is بيرسيوس مع رأس ميدوسا (1804), متحف المتروبوليتان للفنون, نيويورك. Right behind it: Cupid and Psyche (1793) and Hercules and Lichas (1795).
47 years old. أنطونيو كانوفا was born in 1757, and بيرسيوس مع رأس ميدوسا dates from 1804.
بيرسيوس مع رأس ميدوسا, Cupid and Psyche, Hercules and Lichas, Theseus and the Minotaur, Tomb of Duchess Maria Christina of Saxony-Teschen, Tomb of Pope Clement XIII, Napoleon as Mars the Peacemaker, Orpheus and Eurydice, Monument to Archduchess Maria Christina (detail) و Daedalus and Icarus. You'll find the year and the museum of each in the list above.
We have 86 works by أنطونيو كانوفا in our catalogue, dated 1775 to 1822.
You'll find most of them in متحف كورير (البندقية), متحف المتروبوليتان للفنون (نيويورك) و بازيليك القديس بطرس (مدينة الفاتيكان). The museum list above has the full breakdown.
In 1790s, more than any other time: 22 of the 86 pieces on this page date from then, Cupid and Psyche among them.
The earliest piece here is Orpheus and Eurydice (1775); the most recent is Head of a Vestal Virgin (1822).
Sculpture (19), Mythology (12) و Marble (11), out of the 86 pieces on this page.
Marble, used in 13 of the 86 pieces on this page.
Neo-classicism, as you can see in the pieces on this page.
You can see 5 of the pieces on this page at the متحف كورير, البندقية, including Orpheus and Eurydice, Daedalus and Icarus و Orpheus.
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
يقف أنطونيو كانوفا كقامة شامخة في تاريخ الفن الغربي، حيث يُنظر إليه على نطاق واسع بصفته النحات الأبرز في الحركة الكلاسيكية الجديدة. إن براعته الفائقة في نحت الرخام وقدرته الفريدة على بث مشاعر عميقة في القوالب الكلاسيكية قد ضمنت له مكانة مرموقة بين أعظم فناني العصور. ولد كانوفا في بوزانو بإيطاليا، لابن البناء بييترو كانوفا، لتتشكل ملامح حياته الأولى من خلال البيئة الفنية الغنية التي أحاطت به.
